There are a lot of things you can say about this film, but foremost must be the performance of Geraldine Page, perhaps the finest female performance ever captured on film. Her use of her hands, a glance...every nuance imaginable has not been matched (a close second: Giulietta Massina). Alma is a lot more complicated than most realize, a repressed rage, hopeless love, culminating in a dependance on drugs (not brought out so much in the film); "those little white tablets...ever so merciful..." After an Oscar nomination in 1953 for "Hondo", Page was subjected to ugliness by the McCarthy nonsense, and "S&S" was only her second film. English director Peter Glenville, famous for attention to detail ("Becket"), worked with fellow Brit, Laurence Harvey (a southerner by association since he played Travis in "The Alamo"), and it was actually a fine group of talent. Tennessee Williams always thought this was his best play; he re-wrote it as "Eccenticities of a Nightingale", but the new idea, though admired, never survived. It made more reference to Alma's addiction, and also referred to all 4 women as caged birds, escaping in different directions. I applaud anyone who takes the time to soak in all the nuance that Williams has to offer, the mood and delivery of Glenville, and the unflinching perfection of Page's performance. Taking this all at once is quite overwhelming. I can't wait for a DVD with a wide Panavision version. It's long overdue.