2.0 out of 5 stars
It's OK to stop in the middle of this one!, Mar 26 2003
I turned to these customer reviews in the middle (well, the first quarter, to be honest) just to make sure I wasn't totally missing something. This is such a disappointment! I really enjoyed Chabon's Kavalier & Klay, but even that took forever to plod through because of his unfortunate need to populate his worlds with almost excruciating detail. But in Summerland, I just find this over-detailing just makes the whole thing grind to a halt. I read, and enjoy, books for younger readers, too, so I wasn't turned off by that. I'm a baseball nut, too, especially the philosophy of the game and its history, but even all these tantalizing details don't bring this story to life. There are many moments when the writing itself is wonderful, but if this book hadn't been written by Chabon, I don't think it would have raised a buzz at all.
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1.0 out of 5 stars
Not recommended, July 7 2004
By A Customer
Good fantasy/childrens' authors (Rowling, Tolkien, L'Engle, Ende, Lewis, etc.) twist or bend reality to reveal new worlds. In contrast, Chabon uses a blunt force trauma approach.
For example, there is a special creature (Cutbelly) who can travel from "Summerland" to "Winterland" and other worlds. Cutbelly can take the protagonist (Ethan) with him. Cutbelly dies or gets injured (reader can't tell) and Ethan simply picks up a really smart/nerdy grade school classmate to perform the complex task of navigating between worlds/dimensions. No explanation given as to how this seemingly normal gradeschool child without magical abilities can do this.
Characters, save one or two, did little to endear themselves to the reader.
The Ultimate Fatal Flaw: Chabon rather randomly creates characters, plot points, situations and worlds without adequate grounding, explanation, or motivation.
Unfortunately, I rarely read fiction (almost always reading work-related nonfiction) --- so this book was to be my "Summer" treat.
Avoid the dissapointment.
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4.0 out of 5 stars
Summerland - makes me feel fine., May 31 2004
When you think of fantasy books in which characters band together to go on a mysterious quest, you think of one place. Britain. Most quest stories for children either are written by Brits or take place (as in the case of Lloyd Alexander's "Prydain Chronicles") in a European setting. Honestly, the most notable exception to this rule is also the oldest. "The Wizard of Oz" is a proudly American tale, beginning in Kansas and continuing in a land that has a particularly Yankee feel to it. So it should come as no surprise that the man to follow in the late great L. Frank Baum's shoes should be none other than Michael Chabon. An author mostly associated with books for adults, he has tried his hand at penning the ultimate American children's fantasy. And to his credit, he nearly succeeds.
"Summerland" begins on Clam Island where our hero, Ethan Feld, lives with his inventor father. The two are relative newcomers to the isle, but they participate whole-heartedly in the local youth baseball team. Ethan, unfortunately, is a horrendous player. He dislikes the sport and is perfectly aware that he is the reason the team has lost its last seven games. On one particular day, however, Ethan finds himself scouted by a local group of fairies or, as they prefer to be called, ferishers. The ferishers are looking for a hero, and their hero scout has come up with Ethan. Suddenly the boy that couldn't hit a baseball to save his life finds himself in charge of saving the universe in a world that couldn't possibly be any more different from his own.
First of all, I should state that if you do not like baseball in the least, do not read this book. "Summerland" hinges on the idea that in the Summerlands (a world like and unlike our own to which Ethan travels) baseball is a sport that absolutely everyone plays. Entire civilizations have been destroyed by the designated-hitter rule. Giants are capable of throwing thunder and lightening itself. And in the end, existence itself is decided after nine straight innings. The crazy crew of characters Ethan teams up with become his own private baseball team, and Ethan himself learns how to swing a mighty, if painful, bat.
I enjoyed all the particularly American aspects of this tale. The ferishers do not look like magical leprechauns or British elves. Instead, they bear some resemblance to Native Americans and they play a mean game of ball. Our heroes come across the ultimate trickster god/villain Coyote, and it is his plans that need to be changed for the world to keep on going. They meet up with a group called the Big Liars, a motley assortment of some of the best tall tale legends ever to walk the American soil. They befriend a sasquatch. What Chabon is doing here is incorporating a variety of enjoyable motifs and images that conjure up some of the most beloved images of the United States itself.
Which isn't to say the book is entirely a success. There is a definite trend amongst established adult writers these days to switch focus and write for children. Clive Barker, Joyce Carol Oats, Elmore Leonard, etc. Chabon is just the latest author to jump aboard the kiddie lit bandwagon, but he's got a ways to go. After all, it takes a fair amount of skill to successfully pen books that kids will not only read but also enjoy. I can't fault Chabon's ideas, plot, or characters in "Summerland" because they are, one and all, entrancing. That leaves the writing itself, and I'm afraid its just not up to par. Chabon has a nasty habit of not explaining things, a writing style that works perfectly well for adults but is a strain on younger readers. Large shifts in the plot occur from time to time without much in the way of explanation. One of the characters, for example, explains how Coyote promised her a little brother but it turned out badly in the end. A fair amount of guesswork has to go into understanding this speech and when all is said and done it's still fairly unclear. A multitude of different problems like this one sprout up all over the book. It's almost as if Chabon hasn't yet discovered his children's literature voice as of yet.
There's a lot to love in "Summerland" just the same. Ethan Feld, our reluctant hero, is nothing so much as a slightly modified Charlie Brown. Here we have a character that never succeeds without luck or a vast amount of effort. He doesn't suddenly wake up one morning and decide that he's going to be heroic or superior. And for the most part he's treated exactly like the boy he is by the other characters. Unlike almost every other person in this story, Ethan is completely normal. He has a deep wisdom that surfaces from time to time, but otherwise he's a believable child. A person dissecting this book to pieces might well argue that the entire point of the story can be summarized as, "Magical events teach a boy to love baseball", and that wouldn't be far off. It's the journey that takes him from disenchantment to a steadfast love of the game that makes the novel worth reading. Other touches, like classic Native American folktales, the fate of men that place discovery over reason, and the names of the giants, all combine to make this little epic enjoyable and a stitch.
It's not perfect, no. It's not. Michael Chabon has some practicing to do before he is included on the list of "Great Crossover Writers For Adults and Children" but he's definitely getting there. He's accomplished something with this book that most writers never come to. He's made an original American fantasy novel. It's no "Wizard of Oz", but it's getting there. And it is definitely worth your time and money to read it. If you like stories where the heroes are good, the villains complex, and the situations dire if not hopeless, read yourself a little "Summerland". It's a pip.
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