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Product Details |
Product Description
Album Description
Recorded at a March 1969 concert in Toronto, Sunday Concert holds more interest than the usual live album because about half of the songs are Gordon Lightfoot compositions that had not been previously recorded in the studio. Accompanied by Red Shea on lead guitar and Rick Haynes on bass, he also mixed old favorites like "I'm Not Sayin'" and "Canadian Railroad Trilogy" with the new material on this set, which has good (though not outstanding) sound. These then-new songs aren't among his classics, but are up to the general high standard of his '60s work, with the socially conscious "The Lost Children" and the poetic "Leaves of Grass" standing out as lyrical highlights. [The 1994 Bear Family reissue features four bonus tracks.] ~ Richie Unterberger, All Music Guide
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4.4 out of 5 stars (7 customer reviews)
6 of 6 people found the following review helpful
5.0 out of 5 stars
Gordon's GREATEST Album....IMHO!, Aug 23 2007
By Gregory E. Foster "operabruin" - Published on Amazon.com
This review is from: Sunday Concert Plus (Audio CD)
Of all of Gordon Lightfoot's many, many, albums, this, SUNDAY CONCERT, is the most brilliant-shining of them. And, it seems, it is nearly always the one I pick first when I'm wanting to listen to a "little bit of Lightfoot"!Over his long career, I have, like many other "Gord-Guru's", traveled great distances to see him in person, have collected all his many albums, in all their "incarnations" over the years, and, along the way, have had a few meetings or interviews with this great entertainer/songwriter/singer.
This album has such an electricity to it, such a wonderful flow of the items contained on it from one to the other, and just has so many great performances on it, that it is sort of like a "live" greatest hits collection. There is not a single "bummer" on here, and this release contains one of his most fabulous songs that has never been released on other albums, namely, "The Ballad of Yarmouth Castle".
At two of the many live concerts (years apart) that I have seen Gordon at, I asked him if he could, or would, sing "Yarmouth Castle" (and both times he sort of "hedged" that he did not really do "that one" anymore). Then, in the middle of both concerts, he stepped up to the mike and introed "Yarmouth Castle" and dedicated it to me, by name! How Cool Is That?! This, great, great song is in the vein of "The Edmond Fitzgerald", and is, truly, one of his greatest story songs. If you've not heard it, you're in for a real, real, treat!
Anyway, by all "grading" standards of his albums, this is the most "energized", even though it does not contain many of his real biggest hits. Of course, all good "Gordofiles" will want ALL of his albums, but if you're not familiar with this album, or if you're just "starting out", this is the album I would single-handedly most recommend! Do enjoy this great album by "Canada's Greatest Natural Resource"...Gordon Lightfoot!
PS: Another Very Special Bonus that you get with this album, is the Knock-out live performance of "Canadian Railroad Trilogy"...certainly one of the very greatest songs EVER WRITTEN! ~Do Pick Up And Enjoy This Great Album (you're gonna love it!). ~operabruin
7 of 8 people found the following review helpful
3.0 out of 5 stars
Great Remembrance of Early Lightfoot, July 31 2000
By Al Bevens - Published on Amazon.com
This review is from: Sunday Concert Plus (Audio CD)
This CD's title is taken explicitly from a live concert Gordon Lightfoot performed at Toronto's Massey Hall, March 30th, 1969. From the beginning Lightfoot's performance grabs you: In a Windowpane almost plangently pushes the listener to take a personal accounting. Gord touches us with mournful notes (The Lost Children), followed by futility and hope (Leaves of Grass). He includes here his perennial favorites of I'm not Sayin', Ribbon of Darkness, Bittergreen, Pussywillows, Cat-tails, and Canadian Railroad Trilogy, all done with energy, enthusiasm, and Gord's ringing 12-string guitar. If I have a complaint up to this point, it would only be a mild one: the sound, rerecorded from old analog master tapes suffers slightly during the band's crescendos.Gordon Lightfoot has always enjoyed a kind of bashful intimacy with his audience, whether they share his artistry from a fourth-row seat or the privacy of their homes. They love him the more for it. He was (possibly still is) an unashamed folkie, lover of nature, distruster of war, the military, and industry, which comes out over and over in his work. None of this detracts one bit from the musicality of this concert, which has been lovingly edited to bring the immediacy of Lightfoot's performance to the listener.
Why then, did the CD's newest editors add four "bonus tracks?" These awful tracks have a jarring quality that immediately conflict with the more delicate artistry of the concert. Two of the four sound almost exactly alike.
This album would have easily rated 4-or-5 stars had they not tried, lamely, to "improve" on an album that was quite good enough, thank you, when Gord recorded it for the United Artists label. In this case, a bonus was not a bonus.
It is very likely there will be some Lightfoot fans who will prize this auditory detritus for its rarity. For them, I will be pleased. For me, I was, and still am, pleased to listen to Gord's Sunday Concert album sans "bonus." If you feel as I do, just have your stop-button-finger ready. Join me at the concert.
4 of 4 people found the following review helpful
5.0 out of 5 stars
One Night In Toronto, Feb 14 2006
By Brian E. Erland "Rainbow Sphinx" - Published on Amazon.com
This review is from: Sunday Concert Plus (Audio CD)
Gordon Lightfoots' fifth and last album under the United Arts label was 'Sunday Concert' recorded live, March of '69 in Toronto. With longtime companions Red Shea (lead guitar) and Rick Haynes (bass) at his side, we are treated to -16 tracks- combining a nice mix of both old and new songs. This is a unique album for any Lightfoot collection since it is the only live performance available out of his 21 albums/CD's (he does have another concert recording on DVD titled, Live In Reno).In many ways this concert recording clearly marks a shift about to take place in Gordon's musical career. Not only did he drop UA after this album and sign with Reprise, but his next album, 'Sit Down Young Stranger' contained his first major hit in the U.S.A., 'If You Could Read My Mind.' No longer just a Canadian phenomenon, his lyrics slowly broadened in scope in harmony with his new found popularity. His band also grew, adding a drummer and other musicians, thus losing the intimacy once provided by the legendary threesome.
Don't get me wrong, he still continued to have many great songs and albums with Reprise and later Warner Brothers for years to come. Lightfoot was still Lightfoot. He just didn't solely belong to Canada anymore.
Listmania!
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