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Sunset Park: A Novel Paperback – Oct 25 2011


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Product Details

  • Paperback: 320 pages
  • Publisher: Picador; Reprint edition (Oct. 25 2011)
  • Language: English
  • ISBN-10: 031261067X
  • ISBN-13: 978-0312610678
  • Product Dimensions: 14 x 2.1 x 21 cm
  • Shipping Weight: 295 g
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: #311,945 in Books (See Top 100 in Books)

Product Description

Review

"Paul Auster is one of those sages with confounding talent—confounding for one because he's simply that good... He belongs among Vonnegut, Roth, and DeLillo... Now is the time to herald the Post-Recession Novel. Sunset Park looks to be it." —Claire Howorth, The Daily Beast

"Exquisitely crafted, surprisingly tender...  A story grounded in the potent emotions of love, loss, regret and vengeance, and the painful reality of current day calamities.... Auster fans and newcomers will find in Sunset Park his usual beautifully nuanced prose.... [and] a tremendous crash bang of an ending." —Jane Ciabattari, NPR "Books We Like"

"A swift-moving, character-driven narrative  [that] explores guilt, luck, and our enduring need for human contact and a sense of belonging. Powerful…Readers might find their one regret is seeing the book end." —Doug Childers, Richmond Times-Dispatch

"A haymaker of a contemporary American novel, realistic and serious as your life." —Jim Higgins, Milwaukee Journal Sentinel

"With a plot that encompasses war in the Middle East, economic recession and the perils of the publishing industry, a contemporary vitality distinguishes the latest from the veteran author…. Sure to please Auster fans and likely to attract new readers as well." —Kirkus (Starred Review)

"Passionately literary… every element is saturated with implication as each wounded, questing character's story illuminates our tragic flaws and profound need for connection, coherence, and beauty. In a time of daunting crises and change, Auster reminds us of lasting things, of love, art, and ‘the miraculous strangeness of being alive.'" —Donna Seaman, Booklist (Starred Review)

"Auster deftly balances minute details that evoke New York City, post-financial meltdown, with marvelously drawn characters bruised but unbowed by life's vicissitudes. He has an impressive array of literary nominations to his credit, but this should be the novel that brings him a broader readership." —Sally Bissell, Library Journal (Starred Review)
 
"Auster is in excellent form… a gratifying departure from the postmodern trickery he's known for, one full of crisp turns of phrase and keen insights." —Publishers Weekly

"Sunset Park is sprawling but taut, toweringly ambitious in scope yet wholly intimate in the sphere of its characters' lives. While we still teeter on the brink of recession in an uncertain economic recovery—with millions still out of work and losing their homes—this novel is probably one of the most important literary touchstones of our era. And it's a true pleasure to read." —Jason Bennett, Library Journal

"A clear-eyed and muscular fable about tough economic times." —Barbara Hoffert, Library Journal (Pre-Pub "My Picks")

"The latest and arguably most user-friendly among the whip-smart fiction canon of Paul Auster... [A] winning novel... In Sunset Park, Auster seems to carry all of humanity inside him." —Jan Stuart, The Boston Globe

"As remarkable as are Auster’s skill and experience, this kind of writing—this kind of ending—takes another, rarer attribute: tremendous courage." —David Takami, The Seattle Times

"Unexpectedly searing... Sunset Park's prodigal-son tale is somberly poignant, a study of how deeply the urge to connect runs." —Mark Athitakis, Salon.com

"Classic Auster." —Joseph Peschel, The Kansas City Star

"Resonate[s] with a warm acknowledgment of the tests and limitations of age and the vibrancy of experience... A lovely ride." —Kate Christensen, Elle

"Auster has delivered an emotionally appealing book about the varieties of modern love... The son-father story is in fact the warmest line of narrative Auster has ever written, outside of the man and the dog story in his much earlier novel, Timbuktu, and it lends the entire novel a certain provident heat." —Alan Cheuse, Dallas News

About the Author

Paul Auster is the bestselling, award-winning author of 16 novels, including Sunset Park, Invisible, Man in the Dark, Travels in the Scriptorium, The Brooklyn Follies, and Oracle Night. His work has been translated into more than 40 languages. He lives in Brooklyn, New York.


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1 of 1 people found the following review helpful By Ian Gordon Malcomson HALL OF FAMETOP 50 REVIEWER on Oct. 30 2011
Format: Hardcover
This is the second work I have read of Paul Auster's and am very eager to read more. His writing style is clear, precise, penetrative, pensive and, at times, savvy and ironic. Like Kafka - an author whom he readily admires - Auster avoids stereotypical and stock characters in his novels. Everyone in "Sunset Park" is characterized as an individual beset by some deep psychological scar stemming from unresolved trauma in the past. With people like the protagonist, Miles Heller, these nasty experiences of a former life continually get in the way of having a productive and fruitful relationship with others. The possibilities of reciprocated and transparent love are never in the equation because that person is unable to tell the complete truth about himself without fearing that others won't condemn him for his actions. Hence, his sorry existence is full of only partial successes and incomplete moments: a relationship with a young Latino girl that doesn't quite pan out; a college career that pulls up short; and jobs that are aborted at the first sign of trouble. Complicating Heller's life is the fact that those of his immediate natural family are beset with the same condition: the inability to form enduring relationships. They have all become victims of bad decisions they have made in the past. As they obsess on those haunting impulses of years before, the opportunity to effectively love and befriend others eludes them. Lots of Freudian references here to the futility of parent's competing for the affections of their children. Overall, a well-written piece of prose that attempts to look into the heart of human inadequacy and despair.
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Format: Hardcover Verified Purchase
Being a true Auster fan I loved this novel. Auster's imagintaion and creativity has no limits it seems. Awesome! Fantastic!
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Format: Hardcover
"Sunset Park", the latest novel from Paul Auster, the Brooklyn-based writer, is also his most accessible, replete with two compelling characters, whom readers will regard as quite remarkable; Miles Heller, and his much younger girlfriend, Pilar Sanchez. He has rendered in most vivid prose, a sympathetic portrayal of flawed young Brown University college dropout Miles, a graduate of New York City's prestigious Stuyvesant High School. We meet him as he works as a photographer documenting derelict structures in Florida, foreclosed homes deserted by newly impoverished owners who've defaulted on their mortages. And, like these absent owners, Miles has been on the run too, on a personal odyssey across the country from East Coast to West, before he finds some semblance of security in Florida, and maybe, a future in the form of young Pilar Sanchez. Miles has left college wrestling with personal demons ranging from blaming himself for the accidental death of a step-brother to coping with his parents' divorce and his estranged relationship with his father. When Miles runs afoul of Pilar's relatives, he flees Florida, to an uncertain future in a Sunset Park home shared by friends and acquaintances.

Much of "Sunset Park" chronicles lives of quiet desperation led by Miles's friends, many of whom are involved with book publishing. Auster relies on Miles's awkward reunions with his father and friends, as a means of describing and commenting on literary high life in New York City; lives which may be unrecognizable to those who aren't familiar with the craft of writing or the business of publishing. The most jarring of these occurs early on, with Auster recounting in thinly disguised fiction, the suicide and subsequent funeral service of a young woman whose father is a well known writer.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 106 reviews
20 of 21 people found the following review helpful
Is luck random or within our control? Nov. 9 2010
By Jill I. Shtulman - Published on Amazon.com
Format: Hardcover
Paul Auster is one of my favorite writers; he always able to paint his characters with taut, finely detailed, yet propulsive brush strokes. And in Sunset Park, he does not disappoint.

This novel is less postmodern than his recent book Invisible. It focuses on debris: physical debris from trashed-out foreclosed homes in Florida that Miles Heller, a Brown University dropout, rescues through his camera lens. And mental debris that Miles wrestles with after a spontaneous action on his part results in an accidental death, causing him to flee from his New York family and live in self-imposed exile down south. A chance encounter with a high school student, Cuban-American Pilar Sanchez, while reading The Great Gatsby brings fleeting connection into his life for a few happy months. But Pilar is underage and he is soon forced to flee north to avoid family charges that could lead to jail time.

As a result of his return northbound trek, Miles moves in with the other characters that populate this book: four flat-broke twentysomethings who are struggling with issues of personal identity and past failures. Together, they illegally squat in an abandoned house in Brooklyn's Sunset Park, openly evading the government and awaiting the day when eviction will become a reality. Each has placed his or her life on hold while forestalling a crucial decision. In Miles case, he is awaiting the right time connect again with his father Morris, an independent publisher who is fighting the dissolution of both his business and marriage and has never quite given up that his son will eventually find his way back home.

The fractured narrative, told sequentially in the third-person POV, weaves together a number of elements: the economic recession and ensuring foreclosure crisis, baseball trivia including Jack Lohrke ("Lucky") who cheated death repeatedly until the very end, William Wyler's 1946 coming-home classic The Best Years of Our Lives, the demise of the literary publishing houses, To Kill A Mockingbird, and the Hospital of Broken Things, which repairs artifacts of a world that once was. This seemingly haphazard assortment is not quite so haphazard on second glance: all are centered on one's ability to out-cheat fate and assume control of one's own destiny...or not. The themes that Auster has explored in the past - chance encounters, tragic flaws and past events, art and solitude, a rebellion and penance - are all here again.

James Wood, the esteemed New Yorker critic, called Auster's prose "comfortingly artificial." With the exception of a few passages that I found to be inorganically graphic, I don't agree. As these disparate elements come together at the end; the power took my breath away in ways that no artificial construct ever could.

In essence, Auster is asking: "Is luck random or is it within our control? How much responsibility can we take for occurrences? What does self-forgiveness entail? Is it worth hoping for a future when there may be no future? Should we live for the passing moment or take a bigger picture into consideration? These questions - perfectly posed for today's tough economic times and daunting crises -- will have you ruminating long after you read the last pages.
41 of 47 people found the following review helpful
Auster in top form Oct. 13 2010
By Federico (Fred) Moramarco - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
Reading a Paul Auster novel is something like listening to a well-orchestrated , multi-layered musical composition where certain melodies and motifs recur with substantial elaboration and variation. He is one of our very best writers and his newest, Sunset Park, like many of his books, reflects back to us a great deal about how we live today. It is "up-to-the-moment" current, the protagonist, Miles Heller, being employed by a South Florida realty company (for part of the novel) as a "trash-out" worker who cleans out repossessed homes that are usually left in awful shape by their former inhabitants. Miles has a somewhat fetishistic compulsion to photograph the forgotten possessions, the abandoned things that have been left behind, and his large collection of digital photos of these objects comprise one of the many lists of contemporary artifacts that Auster constructs throughout the book. It includes pictures of "books, shoes, and oil paintings, pianos and toasters, dolls, tea sets and dirty socks, televisions and board games, party dresses and tennis racquets, sofas, silk lingerie, caulking guns, thumbtacks, plastic action figures, tubes of lipstick, rifles, discolored mattresses, knives and forks, poker chips, a stamp collection, and a dead canary lying at the bottom of its cage."

Miles is 28 years old, and one day while sitting on the grass in a public park, reading The Great Gatsby (one of many iconic American cultural landmarks referenced in the book) he meets Pilar Sanchez, who happens to be reading the same novel. That bond connects them immediately, but there's one hitch to that connection. Pilar, though lovely, smart, and irresistible, is seventeen years old. That doesn't slow down Miles at all; he falls deeply in love with her. Both have experienced deep tragedies in their lives; Miles' older brother Bobby was accidently killed by a car when Miles shoved him into the road while the two were walking together. Pilar's parents were both killed in an auto accident as well. She lives with her three sisters, one of whom tries to blackmail Miles into giving her some of the merchandise he gathers from repossessed houses. She threatens to call the police and tell them he is committing statutory rape with her sister regularly.

The plot, as they say, thickens. Miles returns to the Sunset Park in Brooklyn where he lived some time ago before becoming estranged from his father and stepmother. Because he is without a regular job and intends to return to Florida after Pilar turns eighteen, he moves in with some friends who are "squatting" in a condemned building in the area: Bing Nathan, Alice Bergstrom, Ellen Brice and Jake Baum, and the remainder of the book is about the intersecting relationships between these five people, as well as Miles' lingering resentments regarding his parents and stepmother. You will notice virtually all the characters have names that evoke various American figures, both fictional and real. And in addition, additional American motifs that touch down again and again in the book include Miles' fascination with baseball lore, particularly Herb Score, the Cleveland Indian left hander whose career was shattered with Yankee shortsop Gil MacDougald hit a line drive that shattered multiple bones in his face, and Mark "the Bird" Fydrich, the Detroit Tiger 1976 Rookie of the Year pitcher who became famous for his virtually perpetual motion on the mound.

Then there are continuing references to a classic American film of the late 40s, The Best Years of our Lives, because one of Miles' housemates, Alice, is writing a PhD dissertation on the film. The film's ironic title and many of its remarkably delineated details, resonates as Miles and his friends struggle to live the "best years of their lives" in what are the worst years of the life of their country, As another great novelist wrote in another great tale of two cities, "It was the best of times, it was the worst of times." While the novel's ending seems hurried and somewhat inconclusive, you can chalk up another brilliant performance by Auster and you will not want to miss this book.
29 of 33 people found the following review helpful
Good writing but disjointed, lacking intrigue Oct. 8 2010
By Brad Teare - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
I have read nearly every book by Auster since I first read The New York Trilogy in the 90s. Sunset Park has a different intent, being less experimental, and shouldn't be judged in the same category. It is a straight forward narrative written from the point of view of four misfits trying to find themselves while squatting in an abandoned house in New York City. Which sounds intriguing but Auster ultimately gives us nothing we couldn't easily foresee. The ultimate resolution of the fratricidal disaster described in the first few chapters resolves itself without surprises.

There are more sexual insights into the characters than in previous Auster novels. If such details elaborated and defined the narrative I could see his point for including them. But in this case it adds a seedy undertone that makes the reader feel more a party to gossip than a participant in an illuminating narrative. At one point a character who is a publisher toys briefly with the idea of publishing an artist's raunchy portfolio as a ploy to attract readers. I couldn't help wondering if Auster succumbed to the same subterfuge. Auster is a great writer. His work doesn't need such artless stimulants to boost sales.

On the plus side Auster gives brief but interesting views into the publishing world, the motivations of PEN and their work for Liu Xiaobo, as well as insights into the writer's life. Conversely he writes engagingly about baseball. It is these unconventional contrasts I enjoy most about Auster's work. The writing, as always, is excellent and despite its flaws is an effortless read.
7 of 7 people found the following review helpful
A Journey with A Grownup Dec 1 2010
By Ellzeena - Published on Amazon.com
Format: Hardcover
I don't like writing reviews. I tend to avoid in depth discussion of plot, character development and style; I most likely review only a small percentage of what I read. There are other reviewers here, like Jill Shtulman, who more than competently do what a reviewer "should" do. So I'll just do what I do:

I have read several of Auster's novels. I'm always surprised, sometimes enchanted, occasionally engrossed, and often captivated, and my opinions are not always shared by other readers. I loved "The Brooklyn Follies", for instance, and its characters stayed with me for quite a while. I don't expect extreme artistry, contrived plot or brilliant and innovative style from a good writer e v e r y s i n g l e t i m e.
What I expect is a good story. "The Brooklyn Follies" was one.

"Sunset Park", truthfully, almost lost me in the first 50 pages. Had it been anyone other than Auster, I might have set the book aside; but I've come to expect something from him that I've learned one can't expect from most writers, so I kept reading. In fact, I read the entire book in one day. As I read, it began to feel like a journey. Imagine that you are in a comfortable vehicle with an unknown destination; the driver is a mature man who's well traveled, educated, erudite and, more importantly, emotionally aware and accessible. During this journey, he's in control of the destination, you are merely a passenger, and he begins to tell you a story. There are points in the narrative that bring you wide awake; there are others that are annoying, tidbits of information you don't need and don't want; there are eye opening moments, great regret in places, the sharing of an entire lifetime can't always be entertaining but it *should* be recognizable. To you, personally and deeply. Especially if you've also lived a lifetime. And this is all of those things.

At the end of the journey, as you step away from your narrator and his vehicle, you know you've glimpsed something about him, something he's generously shared in the guise of his tale. There were moments that I talked back to this narrator, even looked at his photograph on the back flap of the book, that's how real he became for me as he told me his story. I await the next one. Hurry up.
8 of 10 people found the following review helpful
Sun goes down on Auster! Jan. 4 2011
By Michael Murphy - Published on Amazon.com
Format: Hardcover
Count me in as a long-time follower of Paul Auster's work, even if somewhat browned off (being polite here) by the post-modern jiggery-pokery of 'Travels in the Scriptorium' and 'Man in the Dark'. Disappointing therefore, to find little in Auster's latest novel 'Sunset Park' that would signal the return to form for Auster that someone like myself (who regarded Auster as a favourite author) would love to see. Part of the 'old' Auster appeal for me is that there's no guessing where a Paul Auster novel will take you. You may start off in New York as happens in 'Moon Palace', my favourite Auster novel to-date, and incredibly, find yourself transported in the blink of an eye to the American West. Another novel, 'Mr. Vertigo', whisks you off on a magical tour across the USA. You never knew where you would end up with Auster. Count me in for more of that 'old' Auster of his younger days.

In 'Sunset Park', Auster offers insights into writing and publishing and makes some pertinent comments on the state of present-day America and its ongoing overseas misadventures ("a sick destructive monster") but count me out of all the trivia on baseball and the arty stuff on the film 'The Best Years of Our Lives'. Ditto for all the bits on erotic drawings; and Auster's stylistic touch of using lists and then more lists is another annoyance (IMO).

The intriguing situation presented in 'Sunset Park' involving the occupation of an abandoned house in New York City by four twenty-something squatters Miles, Bing, Alice and Ellen - each in turn taking their place on centre stage as Auster switches the focus of the narrative from one to the other, relating the story through their eyes - looks promising, creates anticipation of.... struggle?... strife?... confrontation perhaps? - a situation that begs the kind of imaginative treatment at which Auster has excelled in earlier novels such as 'The Music of Chance', 'The Book of Illusions' and 'The New York Trilogy'. Given the set-up, I had hoped a story with 'fire in its belly' would ignite from the squatters' illegal occupation. Yet Auster makes little of the dramatic potential of the situation and the disappointing end result (IMO) is a busload of pedestrian characters plodding through a lacklustre plot where nothing much happens that isn't expected, where there's no real drama in the interaction of the four squatters sufficient to yoke this reader's attention to the narrative. I soldiered on manfully to the end but in the end found myself starting to gloss over pages as my interest in the proceedings waned. Nope, not one of the 'select few' Auster novels I would run through smoke to save from a fire. On this one count me out!

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