Superior Saturday: Keys to the Kingdom Book 6 [Paperback]

"Now that it's raining more than ever
Know that we'll still have each other
You can stand under my umbrella
You can stand under my umbrella
(Ella ella eh eh eh)"
- Rihanna

Book Six of the series "The Keys to the Kingdom" has the young hero Arthur Penhaligon taking on the oldest Trustee and first Denizen who just happens to be the third oldest entity in the Universe. Superior Saturday is a powerful sorceress who rules the Upper House with the help of thousands upon thousands of lesser sorcerers who do her bidding while stacked in iron framed cubicles with wire meshed floors and no ceilings.

Working conditions suck big time, what with the perpetual rainfall and all, and the job is even tougher for the "grease monkeys" who have to keep the chains and gears in working order. Promotions and demotions are physical moves, sometimes accompanied by projectiles and heckling, and job perks usually mean not much more than a different colored umbrella (ella, ella, eh eh eh)

Superior Saturday is afflicted with the sin of envy, and her sole ambition is to infiltrate the domain of Lord Sunday, through the "Incomparable Gardens". It's up to Arthur, with a little help from his friends, to rise to the top of her Babel-like Tower and secure the Sixth Key.

With this series, you need to read the books in order so as to understand what's going on. This one is very short, but is one of the least complicated as far as the convoluted links that exist between the House and its parts, namely The Lower House, The Far Reaches, The Border Sea, The Great Maze, The Middle House, The Upper House and the Incomparable Gardens. Many sub-plots are left hanging, but the major bummer is the cliff-hanger ending that leaves the reader suspended in mid-air awaiting the final book of the series.

A must-buy for fans of the series in preparation for the final showdown, but a bit lacking in substance on its own.

Amanda Richards

Arthur Penhaligan's week is almost over, but unfortunately it's not getting any better. Not for him, and not for the House.

In fact, just about everything is tumbling down in the penultimate book of Garth Nix's Keys to the Kingdom series, "Superior Saturday," in which Arthur finally encounters the malevolent sorceress who's been messing things up throughout the series. It's a suitably chaotic and haunting story, and Arthur's internal struggles and new discoveries are a pretty fascinating read -- but don't expect it to really end on anything but a massive cliffhanger.

Arthur receives an emergency call from his brother, who warns him that the Army is about to nuke their entire town. Desperate, Arthur tries to shield the town, but instead ends up slowing time. Unfortunately that is only one of his worries: the magic of the Keys is transforming Arthur's body and mind into something inhuman, and Nothing is eroding away the very foundations of the House. To stop it, he must somehow steal away Superior Saturday's power, and he has to rely on one of the less reliable forces in the House to smuggle himself and Suzy into Saturday's domain.

While Leaf and her pal struggle to save Friday's sleeping victims, Arthur explores Saturday's realm. Turns out Saturday is building a vast tower built by Piper's Children and overseen by sorcerers, so she can reach the Incomparable Gardens that Lord Sunday rules -- and what's more, Arthur is having a lot of trouble locating the Will. His only hope is to climb the tower with Saturday's sorcerous army -- but what awaits them at the top?

"Superior Saturday" is not just saturated in rain, but in desperation. A lot of bad things are happening all at once, since the House is about to collapse, the town is about to be bombed by the Army, all the Piper's rats and children are suspect, and Arthur has found that he can't even trust Dame Primus anymore. There are a lot of bad things going on in "Superior Saturday," but Nix also unfolds some intriguing new revelations about the House and its purpose, during another visit to the imprisoned Old One.

And Nix somehow loads all of this into the plot without making it feel clunky or infodumpy. He spins a suitably dark and gloomy atmosphere over Saturday's domain, full of steampunk-style machinary and lots of ever-drizzling rain. It moves pretty gradually for awhile, but speeds up after Arthur locates the Will, and bumps into another old enemy. And Nix isn't afraid to throw in some horror moments, such as an unfortunate Denizen whose body was dissolved by Nothing, or the chaotic attacks on Saturday's army during the climax.

The biggest problem is that "Superior Saturday" doesn't really end -- the action and tension slowly build for a long time, only to snap like a recoiling spring... on a cliffhanger. Rather than being story unto itself, it's the first half of a story that "Lord Sunday" will finish.

While Arthur seems to accept his transformation a bit too easily, his struggles with his inhuman thoughts ("For a moment he even felt like striking Scamandros, or forcing the Denizen to prostrate himself and beg forgiveness") and rapidly changing body are well-drawn. And Nix raises some intriguing questions about just what it is that Arthur is turning into, since it's made quite clear that he's not transforming into a run-of-the-mill Denizen.

While it has no real ending, "Superior Saturday" is a dark, mildly horrific ride through what is left of the House, and promises a spellbinding finale in the final Keys to the Kingdom novel. An enthralling little book, so long as you don't mind waiting for what comes next.

Having read and loved Garth Nix's OLD KINGDOM books (SABRIEL, LIRAEL, and ABHORSEN) as well as his SEVENTH TOWER series, I had pretty high expectations when I started in on SUPERIOR SATURDAY. I wasn't
disappointed. The action moves along quickly, with new and original presentations of magic at every turn, and major and minor characters worth cheering for (or, in the case of the antagonists, against).

The sixth book in Nix's KEYS TO THE KINGDOM series picks up right where the fifth book left off, making it a little confusing to understand at first, especially if you're a newcomer to the series, like I was when reading this. The book is certainly good enough to merit your going to the library and checking out all of the previous ones in order to get up to speed, but in case your library is as negligent as mine, here's the background that I wish I could have had going in.

Our protagonist, asthmatic twelve-year-old Arthur Penhaligon, through a series of complicated circumstances described in previous novels, is taken from his home on Earth and granted the power of being the Heir to the Kingdom. Nix's complicated but fascinating universe centers around a grand House that is the epicenter of all universes, and is ruled by seven Trustees, all named for the days of the week. Within the House, each Trustee has its own domain. As the Heir, Arthur's duty is to wrest the Keys to the Kingdom from the corrupt Trustees, and to recreate the Will of the Architect, which the Trustees have consistently disobeyed. The Architect is a mysterious figure responsible for creating both the House and the "secondary realms," including Earth.

In this sixth book in the series, Arthur is up against one of the toughest of the Trustees: Superior Saturday, with her power to work great sorceries with the help of the sixth Key. With the help of friends and acquaintances throughout the House, Arthur attempts to infiltrate Saturday's portion of the House and find the sixth part of the Architect's Will. He's running out of time, though, as the dangerously corrosive Nothing eats away at the House's foundations.

Arthur must retrieve the Key, and the next part of the Will, in time to ensure that the House is not destroyed--for if the epicenter of all universes is demolished, the secondary realms that depend upon its survival will also crumble and fall, making for the end of Earth and Arthur's home.

Nix always has a unique perspective on magic, and this series is no different in that respect. His innovations draw heavily upon archetypes and numerous different branches of mythology that add a richness and texture to his world, even if the average reader does not see them all on the first read-through. I also enjoyed his characterization of Arthur, a young boy who is taking on increasingly difficult tasks and succeeding at them, so that although he is young, there is a strength and maturity to his outlook. Of course, this doesn't prevent him from having his share of doubts.

Overall, I highly enjoyed this book and would recommend the series to anyone interested in fantasy adventure.

Reviewed by: Candace Cunard