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6 of 9 people found the following review helpful:
4.0 out of 5 stars
It's a fantastic listen.Shell out and have fun: it's one of the hippest releases of the year !!,, Dec 12 2006
Gwen Stefani is one of the most exciting artists working in the mainstream. She oozes style in just about everything she does, while her music is consistently innovative and always inventive.
The former No Doubt lead singer showed with her debut solo album "Love Angel Music Baby" that she had what it takes to compete at the forefront of the mainstream scene, mixing it capably with the likes of Madonna, Pink and Beyonce yet delivering things in a style that was distinctly her own.
Sophomore album "The Sweet Escape" maintains those high standards and proves that her debut was no fluke. It's a fantastic listen, capable of widespread crossover appeal and almost certain to fall prey to flattering imitations.
It impresses from the outset, kicking off with the brilliant lead single "Wind It Up" and tossing in one hit after another in a number of different styles.
"Wind It Up", in particular, is a highlight that's sure to become a signature tune for the artist. With its cheeky "Sound Of Music" sample wrapped around a more distinct tub-thumping beat (think "Hollaback Girl"), it's an absolute riot of energy that appeals to the childlike dancer in every one of us. You'll be foot-tapping and hip-swaying along with its infectious energy in spite of any reservations you may feel. But it's Stefani's gift that she can take something that, on paper, sounds cheesy and make it utterly, utterly cool.
Thereafter, it's a thrilling and eclectic mix packed with the usual smattering of high-profile collaborations - but crucially, with some surprise additions.
Keane's Tim Rice-Oxley provides a telling contribution to "Early Winter", a thrilling keyboard-based ballad that finds Stefani at her most intimate and lovely, while Akon's distinct rapping style works well on the album's title track, the thrilling "Sweet Escape".
"4 In The Morning" is another heart-melter of a track, a slow-burner built around some lush electronic soundscapes, a swooning set of vocals and some well-realised strings. It's one for the romantically inclined and a track that serves as a nice contrast to the more boisterous, semi-rap style of dancefloor fillers such as "Now That You Got It" and "Orange County Girl".
Another highlight is the high-tempo, percussion heavy "Yummy", a duet with Pharrell that finds Stefani at her most sassy and, well, yummy vocally. It drops in a sample of "Wind It Up" but in no way feels like a lazy retread of former hits. The chorus, too, provides an example of the artist pushing the pop boundaries to pleasing effect.
The same applies to the effortlessly hip vibe surrounding "Fluorescent", another contagious offering that gets better and better the more you hear it, and the dark, grinding "Breakin' Up", which finds the singer at her most feisty and defiant. Both tracks hint at the new directions taken by both Madonna and Nelly Furtado, albeit with Stefani's distinct spin.
There's a sweet '80s vibe surrounding final track "Wonderful Life" that's also engaging, while the live version of "Wind It Up" that brings things to a close is utterly enchanting.
Like we said, this is an inspirational piece of work that makes Stefani's artistic brilliance impossible to escape. Our advice is to shell out and enjoy - it's one of the hippest releases of the year.Jack Foley.
Rating: 4.5 out of 5
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2 of 3 people found the following review helpful:
3.0 out of 5 stars
Gwen shows a Good balance in what she usually does, Jun 27 2007
I thought that "L.A.M.B." was a very solid debut for Gwen, and this sophomore effort doesn't quite disappoint either. Her first solo effort seemed to be consistent and well thought out, at first listen; this just seems weak and rushed in comparison. Yeah, some of the songs are cool but there are definitely more tracks on here that are skip-worthy than on her first album.
"The Sweet Escape" is definitely more R&B influenced, whereas "L.A.M.B" was more Pop/Rock influenced. But despite this difference between them, both albums have that eclectic and quirky diversity that we've come to expect from Gwen. After a few listens I come to realize that she does best (solo wise) when she's doing pop songs rather than when she's Hip-Hop/R&B. To me, the moments that give The Sweet Escape its sweetness as well as being the strongest are the title track, "4 in the Morning," " Fluorescent," "U Started It" and "Wonderful "life." All of these have great choruses. But "Early Winter" takes the cake here; she sounds like her old self on this track making you believe that she was back with No Doubt. I also like "Yummy" due to its sexy lyrics, "Sweet Escape," "Now That You Got It," and "Don't Get It Twisted" with its techno and dance-hall vibe.
"The Sweet Escape," sounds like it's aching to grab hold of her long-standing love of new wave pop. The production of this album is pretty creative. The reason it's a 3 and not a 4 is because the songs seem to clash a bit making it sound too much alike. But regardless, this is definitely one to pick up if you're interested or enjoyed the singles off L.A.M.B.
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4.0 out of 5 stars
Great Album, Dec 6 2006
I first heard 'Early Winter' and had to buy the album, and it's really a pretty good buy. 'Early winter' really takes the cake though. This song was written by Tim Rice-Oxley of Keane, who also plays piano on the track. It's very Keanesque
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