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Swing Time


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Product Details

  • Directors: George Stevens
  • Format: Black & White, Closed-captioned, DVD-Video, NTSC, Original recording remastered, Subtitled
  • Language: English
  • Subtitles: English, Spanish, French
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Canadian Home Video Rating : General Audience (G)
  • MPAA Rating: UNRATED
  • Studio: Warner Bros. Home Video
  • Release Date: Aug. 16 2005
  • Run Time: 103 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (25 customer reviews)
  • ASIN: B0009NSCQM
  • Amazon Bestsellers Rank: #24,489 in DVD (See Top 100 in DVD)

Product Description

Product Description

Swing Time (DVD)

Amazon.ca

If you only had one Fred Astaire-Ginger Rogers film to watch, this classic musical from 1936 would be your best bet. It was the dance duo's sixth film together, and director George Stevens handled the material with as much flair behind the camera as Fred and Ginger displayed in front of it. This time out, Fred plays a gambling hoofer who's engaged to marry a young socialite (Betty Furness), but when he's late for the wedding his prospective father-in-law sends him away, demanding that he earn $25,000 before he can earn his daughter's hand in marriage. When Fred meets Ginger in a local dance studio (where he pretends to be a klutz so she can be his instructor), he's instantly smitten and the $25,000 deal becomes a moot point. Featuring six songs by Jerome Kern and Dorothy Fields (including a splendid rendition of "The Way You Look Tonight") and some of the most elegant dance sequences ever filmed, this lightweight fluff epitomizes the jazz-age style of 1930s musicals, virtually defining the genre with graceful joie de vivre. --Jeff Shannon --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.8 out of 5 stars
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Most helpful customer reviews

Format: VHS Tape
"Swing Time" is my very favourite out of all of the ten movies that Fred Astaire and Ginger Rogers made together through 1933-1949. It was their sixth film together, released in 1936, and directed by the great George Stevens.
The songs in this movie were by Jerome Kern and Dorothy Field's. The songs included here are "Pick Yourself Up", "The Way You Look Tonight", "Bojangles of Harlem", "Never Gonna Dance", "A Fine Romance" and the instrumental "Waltz in Swing Time". Maybe the finest songs out of all the Fred and Ginger movies.
The movie is full of great dance numbers, which is what a Fred and Ginger movie is all about. The first dance scene in this movie, is to "Pick Yourself Up", with the two dancing together. Its easily one of the best tap-dances they ever did. Another dance, is to the "Waltz in Swing Time". Its a great piece of music, and its a great dance that the two do together. Although, the bandleader doesnt like seeing Ginger dance with another man, so he refuses to play. But Fred, as always, finds a way around these things. Then for the next dance, "Bojangles of Harlem". It opens with a whole load of girls dancing, where a minute or two into it, Fred comes along, in black-face, immitating Bill 'Bojangles' Robinson, and does most of the dance solo. Well, solo in a way. He is dancing with three shadows of himself in parts of it. A very long number, lasting approximately seven minutes. Then for the last dance in the movie, and maybe the best, "Never Gonna Dance". There are a number of stories behind the scene, which I wont go into, but lets just say they did this dance to perfection.
So just now a quick bit about the actual story of the movie.
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By JunQue on Jan. 8 2004
Format: VHS Tape
Since I first saw the last ten minutes of this movie on AMC, I've always wanted to own it. Now that I have it and have seen the entire thing, I can write a review about Swingtime, the pinnacle of the Astaire/Rogers movies.
What I absolutely loved about this film is, of course, the dancing and the singing. Ginger's witty remarks and Fred's good-natured boyish charm stands out in this wonderful film.
Fred Astaire is John 'Lucky' Garnett, a performer about to be married. Through a dilemma with his trousers and a rousing game of dice, he shows up late for his marriage. His future father-in-law cuts him a deal: he will let Lucky marry his daughter for $25,000. Lucky sets off for New York with his pal Pop, a lucky quarter, a toothbrush, and the clothes on his back. On the street he meets Penny (Rogers), who ends up getting in trouble with a policeman and almost fired from her boss at the dancing academy because of Lucky. Lucky comes to the rescue however, and soon they are paired together as a dancing couple. They end up falling in love, but before they can waltz their way up to the altar, a few loose ends need to be taken care of, mainly Lucky's fiance and Penny's fiance. It ends superbly. This movie includes one of my favorite songs, 'Never Gonna Dance', sung by a yearning Lucky to a troubled Penny.
The dancing is to die for, the singing to be heard over and over again. Fred and Ginger were one of the few magnificent couples to spring out of the Hollywood scene and rarely is that seen now. I guarantee, this movie won't disappoint. Your daily musical intake will be remedied by Swingtime.
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Format: VHS Tape
SWING TIME tells the story of John 'Lucky' Garnett (Fred Astaire), a brilliant dancer by profession, a truly fortunate gambler by instinct. When his marriage plans to Margaret Watson (Betty Furness) are temporarily foiled, he hops a train to New York with his sidekick Pop Everett (Victor Moore), hoping to earn enough money to satisfy his future father-in-law. What he finds there, however, is inevitably true love with Penny Carroll (Ginger Rogers), a sweetheart of a dance instructress who falls quickly for Lucky's charm and fast feet. Although Lucky feels guilty about his fiancee back home, he finds it difficult to deny his growing attraction to Penny.
It isn't really difficult to figure out how the story ends--it wouldn't be a Astaire/Rogers romantic-comedy-slash-musical if Lucky and Penny didn't end up together. But what makes this stand apart from TOP HAT, and in fact stand *proud* while doing so, is how that inevitable love story is told simply and effectively, and most importantly, in a credible fashion. While watching TOP HAT, I was too busy holding my breath at the sheer technical finesse involved in the dance sequences to really care that neither the characters nor their relationship with each other was very well-developed. Plot? What plot? It just really did not seem to matter with that film; what mattered was that we were treated to a gorgeously-choreographed song/dance sequence practically every other minute. (Which still does not make it a bad film, just a slightly uneven one that relies on the charm of its leads to succeed.
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