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Sym 8


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Product Details

  • Audio CD (Feb. 13 2001)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Label: Universal Music Group
  • ASIN: B000056ETV
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Bestsellers Rank: #76,023 in Music (See Top 100 in Music)

Disc: 1
1. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Veni, creator spiritus
2. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Imple superna gratia
3. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Infirma nostri corporis
4. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Accende lumen sensibus
5. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Veni, creator spiritus
6. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Gloria sit Patri Domino
Disc: 2
1. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Poco adagio - Waldung, sie schwankt heran (Chor und Echo)
2. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Ewiger Wonnebrand (Pater Ecstaticus)
3. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Wie Felsenabgrund mir zu Fuben (Pater Ecstaticus)
4. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Gerettet ist das edle Glied (Engel)
5. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Uns bleibt ein Erdenrest - Hier ist die Aussicht frei (Die vollendeteren Engel - Doctor Marianus, die jungeren Engel)
6. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Hochste Herrscherin der Welt (Doctor Marianus)
7. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Dir, der Unberuhrbaren (Chor)
8. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Bei der Liebe, die den Fuben (Magna Peccatrix)
9. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Neige, neige, du Ohnegleiche (Una Poenitentium, Gretchen)
10. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': Komm! Hebe dich (Mater Gloriosa)
See all 12 tracks on this disc

Product Description

Product Description

Amazon.ca

With this stunningly recorded account of Mahler's Symphony No.8, Riccard o Chailly and his Concertgebouw forces provide a clear modern recommendation for this gigantic piece. Chailly's strength lies in his ability for long-range thought, and he projects Mahler's vast canvas with the utmost clarity and conviction. The impressive opening is taken broadly and expansively: one is aware of the import of the journey that follows. Throughout the performance, Chailly's clear analytical approach to texture and musical flow only serves to accentuate the text and its meaning. This means, for example, that the final reappearance of the opening cry of "Veni Creator spiritus" can be truly climactic. Perhaps Chailly is at his most successful in the long second movement. He keeps the extended opening section at a slight remove, so that the disembodied, fragmentary world he creates reflects the scale of the experience to come. For once, the vocal soloists make for a well-integrated team. For the Mahler collector, this issue will ideally complement Kubelík and the ever-impressive Tennstedt. As a bonus, Mahler scholar Donald Mitchell's booklet notes are authoritative and thought-provoking. --Colin Clarke

Customer Reviews

4.4 out of 5 stars
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Format: Audio CD
I am reviewing the DVD audio version of this recording, in comparison with the regular CD pressing. I must begin by admitting that I haven't found Chailly's Mahler recordings much to my liking on CD so far, in what is apparently his traversal of the complete nine, or ten, or eleven --- depending on how you count and what you decide to include in the completed saga of the complete Mahler symphonies.
Yes. The much-heralded richness of the Concertgebouw orchestra sound continues to delight and amaze, almost regardless of who stands at the helm as conductor in a particular recording. But in his free-wheeling approach to Mahler, my complaint is that Chailly appears to gloss over many of the ... admittedly painstaking... performance indications that Mahler actually took the trouble to write into the score. These multiple swells from extremely soft (ppp or pppp) to extremely loud (ff, even ffff), these micro-dynamics are often allied, to my ear, with the characteristic sense of Weltschmerz that marks the music.
Mahler, after all, grew up in a family headed by a physically limited mother and a drunk, physically abusive father. Several of the many siblings died before reaching adulthood. Mahler and his sister were so familiar with the rituals of death that they would light candles and play funeral. To fail to observe these markings, in my view, tends to deprive the music of one of its crucial, universal stylistic signatures. Romantically considered, this means that the core of nostalgia for childhood innocence, combined with the nearly universal betrayal and violation of that trust (which I hear as making Mahler so accessible, finally, to the 20th century)are lessened, just when they should be heightened.
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Well here it is. This recording is proof that all the good things I have ever heard people say about Mahler's 8th are indeed true.
I have always loved Mahler. He is in fact my favorite composer. I love all of his other symphonies. Yet this symphony--supposedly his grandest musical statement of all--has continually left me cold.
I have tried Solti. I've checked out Abbado (whose 5th is still my favorite and whose first recording of the 7th is mighty fine). I even went to Tennstedt (who conducted a VERY good 1st). I just wasn't moved.
But now, thanks to Maestro Chailly, his old outfit in Amsterdam and four BLAZING choirs...I have seen the light!!!
This recording of Mahler's 8th grips you from the first moment. It can blow you away. It can overwhelm you with its lyricism and beauty. The best compliment I have to give is to say that this recording is Mahlerian in the very best sense.
Perfect love casts out fear. Don't be afraid to try this recording. You will love it even if you've never enjoyed the 8th or listened to Mahler before.
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Format: Audio CD
Nobody has gotten under the skin of this symphony the way Riccardo Chailly has. I also own the Solti recording, and while I love it, I have to admit that I like this one better. Where Solti takes the symphony at a fairly brisk tempo, and points up the sforzando accents, Chailly plays it much more slowly. In fact, when I first played the CD, I was surprised at the speed, but I've come to realize that the more broad tempi allow both the power and the detail of Mahler's score to come across just as they should. Chailly never lets the tension flag, and his sense of architecture is utterly faultless. Listen to the way he builds to the climaxes in the first movement; the power and sense of arrival is breathtaking. But the end of the symphony is even grander--you truly hear the whole universe ringing, as Mahler intended.
The Royal Concertgebouw Orchestra has more than enough technique and power for this piece, and when you really think about it, it's amazing that Chailly was able to control the whole orchestra, the soloists, and the several choirs. The combination of Decca's recording and the stunning acoustics of the Concertgebouw hall convey all this in faithful, clear sound.
This symphony is practically an oratorio, so a good set of vocalists is very important. This recording gathers some of the most talented dramatic voices singing today. Ben Heppner and Jane Eaglen stand out in particular. Nobody hoots or yells here, and they make a great ensemble too.
Mahler's eighth is a monument of classical music--in fact, the hugest work in the standard repetoire, and probably ought to be approached after getting familiar with the more well known symphonies. But if you like Mahler even a little, or enjoy your music BIG and sonically breathtaking--and ideally performed, then the buck stops here, with this recording of the eighth.
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Format: Audio CD
This massive work is Mahler at his most extravagant, requiring a huge orchestra, chorus, children's choir and eight vocal soloists. I have a number of recordings, including memorable ones by Sinopoli, Haitink, Solti and Abbado, among others, but this new one is superb. For one, this piece absolutely begs for demonstration-quality sound, and on that criterion alone this disc succeeds triumphantly. From the thundering opening which includes the Concertgebouw's magnificent pipe organ, you know you are in for a spectacular sonic experience, and Decca's engineers deserve the warmest congratulations.
It is Chailly, however, whose natural dramatic instincts serve him so well, in this most "operatic" of all of Mahler's works. Interestingly, he proceeds at a fairly deliberate pace from the outset, as opposed to say, Solti, whose Eighth is beautifully played by the Chicago Symphony Orchestra but much more driven. I was startled initially by Chailly's tempo, but with each hearing, his concepts seem to make more and more sense. Mahler's orchestration is complex, and this deliberate, majestic approach reveals every bit of the textures and counterpoint - and as someone else noted, only increases the work's cumulative power. The ending of Part One, with the combined orchestral and vocal forces at full blast, is pretty jaw-dropping.
Part Two opens with an orchestral interlude, and the playing here is just exquisite. The movement proceeds through gorgeous set pieces for the vocalists (all excellent), not to mention the charming contribution of the children's choir. The chorus is also outstanding, and the orchestra - let's face it - is incomparable in this score.
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