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Sym 9 Choral


Price: CDN$ 55.76
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Product Details

  • Audio CD (Jan. 12 2007)
  • Number of Discs: 1
  • Label: EMI Classics
  • ASIN: B00000GCA7
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (26 customer reviews)
  • Amazon Bestsellers Rank: #74,726 in Music (See Top 100 in Music)

1. Symphony No. 9 In D Minor, Op. 125 'Choral': Allegro ma non troppo, un poco maestoso
2. Symphony No. 9 In D Minor, Op. 125 'Choral': Molto vivace
3. Symphony No. 9 In D Minor, Op. 125 'Choral': Adagio molto e cantabile - Andante moderato - Adagio
4. Symphony No. 9 In D Minor, Op. 125 'Choral': Presto - Allegro ma non troppo - Allegro Assai - Allegro assai vivace - alla marcia - Andante maestoso - Allegro - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo

Customer Reviews

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4 of 4 people found the following review helpful By Jeffrey Lipscomb on June 7 2004
Format: Audio CD
I first heard this magnificent Beethoven 9th in the early 1970's on a poor Seraphim LP transfer, never dreaming it could sound as good as it does here. That first hearing turned my entire view of great orchestral interpretation upside down. Previously, I had felt that Toscanini's was the finest interpretation. But by the time I reached the first mvt. coda of this live 9th from Bayreuth, my perceptions of musical eloquence had been changed forever. I simply had no idea of what power, breadth, majesty, grandeur and originality this music contained until I heard Furtwangler.
This is one of about 10 Beethoven 9th recordings by Furtwangler, all of them "live." They are all fascinating. There is a general consensus that Furtwangler's three finest readings are this one, the 1942 BPO from Berlin, and the 1954 Philharmonia from Lucerne. Here is a summary:
1. This Furtwangler (1951) with the Bayreuth Festival Orchestra & Chorus (Schwarzkopf, Hongen, Hopf, & Edelmann). It is less extreme than the 1942 and has more energy and passion than the 1954. Schwarzkopf is superb, Edelmann is excellent. The other Furtwangler 9ths listed here are better played (no wavering horn player in the Adagio), but this one has a special sense of occasion that makes it unique. The CD transfer here is identical to the one in the complete Beethoven set on EMI. So if you already have that one, there is no need to buy this one.
2. Furtwangler/BPO 1942, Bruno Kittel Choir, with Tilla Briem, Elisabeth Hongen, Peter Anders, and Rudolph Watzke (Music & Arts CD 4049). This is the most impassioned and dramatic of ALL 9ths. The BPO plays as if possessed, and the singers (except for Briem's shaky high notes) are superb.
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By "georgekepes" on April 23 2006
Format: Audio CD
Quite simply astounding even with the playing errors. Although contrary to some reviews here I have sat through the 3rd movement and heard nothing sounding like bloopers in particular. But in the finale at the very very last note there is a horn that comes in about a split second after making it sound like DA- da. Could someone possibly tell me if they are planning to write a review on this, what time of the 3rd movement is there a horn error? (like 17:32- the time)
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Format: Audio CD
As I sit here listening to the beautiful third movement of this symphony I say to myself "I've heard many other recordings that are cleaner, more elaborate, better recorded, AND better played". Then by God WHY do I keep coming back to this recording? Simply because Furtwangler doesn't use this piece of music as a spectacle for himself like Herbert Von Karajan has done. The very first piece of classical music I bought was the much overhyped '62 Beethoven cycle by Karajan and after comparing the ninth in that set to Furtwangler's it's easy to see who the REAL maestro is. Furtwangler knew about dynamics and shading and tempo adjustments which are all minor little things that keep a person interested in the music. This recording aside from being mono and having a few audience noises crop up as well as a sloppy horn player in the third movement is my definitive Beethoven Ninth. Warts and all.
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Format: Audio CD
I am NOT a classical music expert. I bought this version of the 9th based on the many knowledgeable reviews posted here. I am happy I bought it. HOWEVER... I suggest if you buy this do not use headphones to listen to it; something I did. Why? Because it's a live recording and as such you get to hear everything... such as much throat clearing and coughing. These distractions are very noticeable during the 3rd movement which is the most quiet of the four.
Still I'm glad I bought this version. It is in mono, but it doesn't sound like it, and I suppose all the *cough cough* gives it a "you are there" feeling... even though I kept wishing those audience members would shut up!
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Format: Audio CD
This certainly is not a perfect recording, but its plusses so far outweigh its downsides that to give this anything other than 5 stars seems ridiculous. From a technical side, I have to say that I was VERY impressed with the sound. Honestly, its hard for me to tell that this is in mono, and I don't have bad hearing. This has wonderful dynamic range and everything comes through with crystal clarity. The only negatives from the sound quality are the acoustics of the Festspielhaus, which seem to put too much emphasis on the tympani and (I think this is due more to acoustics than performance) too little on the chorus. Thank you EMI for doing such a fine job restoring such an important recording! The symphony is quite well performed as well. The Bayreuth orchestra projects Furtwangler's concept very clearly, and has a wonderfully "meaty" sound. Some previous reviewers have made a big fuss about the less than perfect horn solo in the third movement, but this did not really bother me. The chorus is not really great (the Bruno Kittel choir gives a much better performance in Furtwangler's '42 recording), but it is satisfactory. Otto Edelmann is truly fantastic here. I cannot imagine his part being better performed, and I have to say that he tops even Walter Berry's wonderful performance from Karajan's '62 recording. Elisabeth Schwarzkopf as is to be expected provides an excellent performance, especially in the a capella quartet towards the end, but in my mind a still better performance of her part was turned in by Gundula Janowitz, again from Karajan's '62 recording. Overall though, I think one could make the case that here is the best quartet on record, although I'm not 100% sure that I would agree with that.Read more ›
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