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Symphony No.5 Hiroshima


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Product Details


1. Japanese Rhapsody
2. Prelude
3. Ghosts - It Was A Procession Of Ghosts
4. Fire - Next Moment Fire Burst Into Flames
5. Water - People Wandered Around Seeking Water
6. Rainbow - All Of A Sudden Black Rain Poured Over Them And Then Appeared A Beautiful Rainbow
7. Boys And Girls - Boys ANd Girls Died Without Knowing Any Joy Of Human Life And Calling For Their Parents
8. Atomic Desert - Boundless Desert With Skulls
9. Elegy

Product Description

Masao Ohki' Symphony No. 5, introduced to world-wide audiences by Arvid Jansons and Leopold Stokowski, was one of the first of many Japanese works to be dedicated to the tragedy of the atomic bombing of Hiroshima in August 1945. Based on six paintings by

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2 of 2 people found the following review helpful
Arresting Hiroshima Symphony plus a nationalist occasional piece March 31 2008
By Art and Music Guy - Published on Amazon.com
Format: Audio CD Verified Purchase
Ohki's Hiroshima Symphony is not particularly tuneful, so if you're interested in Japanese early 20th C. neo-Romanticism, only the first item on the CD will please you. In fact,the disparity of styles between the Rhapsody and the Symphony was shocking, but Ohki's nationalistic Rhapsody reminded me of the last movement of Shostakovich's 5th Symphony--its extrovert bombast has appeal when one is in such a mood. But the Hiroshima Symphony, being partly based on music for traditional Japanese theater is inherently more static and also more to the core of Ohki's character. The usual Naxos liner notes provide good biography of Ohki, and unlike official blurb releases,the full notes mention several times Ohki's equation of America and imperialism. His music should be explored more, if only to understand the context of what the notes hint at, and what his abstract and affecting music says. Perhaps we are far enough removed from the events that his Hiroshima Symphony may fail to shock as it apparently once had, but with the movements' subtitles, there can be no mistaking the brutality and poignancy that his expressionistic music was aiming to achieve. So I feel I ended up buying this for its historical value and I enjoyed it for its ability to parse its historical milieu with a matching technique.

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