Vaughan Williams' opera of John Bunyan's The Pilgrim's Progress was a career-long project, begun in 1906 and completed in 1951. During this period, the work-in-progress served as both source and inspiration for several religious choral works and also his fifth symphony. Indeed, the Romanza movement of the symphony was extracted from the opera. This album includes these opera-derived pieces.
What is it about a fifth symphony among a long series? Beethoven, Tchaikovsky, Mahler, Sibelius, Prokofiev, Shostakovich, among others, produced remarkably strong and well-developed fifths that are highlights of their symphonies. Vaughan Williams' own such symphony is lyrical and lush. Its suggestion of a contemplative theme is as evident as the body of Mahler's symphonic explorations. In the hands of Richard Hickox and the London Symphony Orchestra, plus an engineering team to produce this excellent SACD recording, the symphony shines with romantic beauty. It has a largely quiet pastoral feeling. Although I admit that this is my least favorite Vaughan Williams symphony, I do enjoy the rich harmonic wash of sound, and that sound itself is wonderfully full and clear with a surround-sound system. The brief vocal and organ works are pleasant but essentially fillers, although thematically related. I particularly enjoyed the heavenly Twenty-third Psalm. In contrast to the previous soft, floating music, the album concludes with a bright and powerful Prelude and Fugue for orchestra with organ, an impressive way to leave the listener.