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| Disc: 1 | |||
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| 1. Symphony No. 1, FS 16: I. Allegro orgoglioso - Carl Nielsen | |||
| 2. Symphony No. 1, FS 16: II. Andante - Carl Nielsen | |||
| 3. Symphony No. 1, FS 16: III. Allegro comodo - Carl Nielsen | |||
| 4. Symphony No. 1, FS 16: IV. Finale: Allegro con fuoco - Carl Nielsen | |||
| 5. Symphony No. 2, FS 29 'The Four Temperaments': I. Allegro collerico - Carl Nielsen | |||
| 6. Symphony No. 2, FS 29 'The Four Temperaments': II. Allegro comodo e flemmatico - Carl Nielsen | |||
| 7. Symphony No. 2, FS 29 'The Four Temperaments': III. Andante malinconico - Carl Nielsen | |||
| 8. Symphony No. 2, FS 29 'The Four Temperaments': IV. Allegro sanguineo - Carl Nielsen | |||
| Disc: 2 | |||
| 1. Symphony No. 3 'Sinfonia espansiva': I. Allegro espansivo - C. Nielsen | |||
| 2. Symphony No. 3 'Sinfonia espansiva': II. Andante pastorale - C. Nielsen | |||
| 3. Symphony No. 3 'Sinfonia espansiva': III. Allegretto un poco - C. Nielsen | |||
| 4. Symphony No. 3 'Sinfonia espansiva': IV. Finale: Allegro - C. Nielsen | |||
| 5. Maskarade - Overture - C. Nielsen | |||
| 6. Aladdin, FS 89 - Suite (1919): I. Oriental Festive March - C. Nielsen | |||
| 7. Aladdin, FS 89 - Suite (1919): II. Aladdin's Dream And Dance Of The Morning Mist - C. Nielsen | |||
| 8. Aladdin, FS 89 - Suite (1919): III. Hindu Dance - C. Nielsen | |||
| 9. Aladdin, FS 89 - Suite (1919): IV. Chinese Dance - C. Nielsen | |||
| 10. Aladdin, FS 89 - Suite (1919): V. The Marketplace In Ispahan - C. Nielsen | |||
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Although the "Inextinguishable" (No. 4 on the second set in this series) is the most well-known of the six symphonies, Symphony No. 3 "Sinfonia espansiva" deserves a more prominent place in the repertory. In this performance it yelps and leaps with delight all the way to a dramatic conclusion.
Herbert Blomstedt led the San Francisco Symphony for a happy decade before turning over the reins to Michael Tilson Thomas. This is a world-class orchestra and Herb channels his inner Nielsen in this set. It's hard to believe that a better Nielsen cycle exists--or will ever exist.
For years, all I knew of Nielsen's work was the brilliant clarinet concerto. I can't give a good answer to the question, "Why haven't you sought ought his other music sooner?" Especially now that I have heard all six symphonies, and the other concerti.
This two-disc set I have found resiliently re-visit-able, from the impressively-assured first symphony, to the effulgent Sinfonia espansiva. And particularly the colorful "Aladdin" Suite, which features the Western orchestra producing marvelous Mid-Eastern effects.
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