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Syms 1-4


Price: CDN$ 10.01
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Product Details


Disc: 1
1. Symphony No.1 in B flat, Op.38 'Spring': I: Andante poco maestoso-Allegro molto vivace
2. Symphony No.1 in B flat, Op.38 'Spring': II: Larghetto
3. Symphony No.1 in B flat, Op.38 'Spring': III: Scherzo (Molto vivace)
4. Symphony No.1 in B flat, Op.38 'Spring': IV: Finale. Allegro animato e grazioso
5. Symphony No.2 in C, Op.61: I: Sostenuto assai-Allegro ma non troppo
6. Symphony No.2 in C, Op.61: II: Scherzo (Allegro Vivace)
7. Symphony No.2 in C, Op.61: III: Adagio espressivo
8. Symphony No.2 in C, Op.61: IV: Allegro molto vivace
Disc: 2
1. Symphony No.3 in E flat, Op.97 'Rhenish': I: Lebhaft
2. Symphony No.3 in E flat, Op.97 'Rhenish': II: Scherzo-Sehr maßig
3. Symphony No.3 in E flat, Op.97 'Rhenish': III: Nicht schell
4. Symphony No.3 in E flat, Op.97 'Rhenish': IV: Feierlich
5. Symphony No.3 in E flat, Op.97 'Rhenish': V: Lebhaft
6. Symphony No.4 in d, Op.120: I: Ziemlich langsam-Lebhaft
7. Symphony No.4 in d, Op.120: II: Romanze (Ziemlich langsam)
8. Symphony No.4 in d, Op.120: III: Scherzo (Lebhaft)
9. Symphony No.4 in d, Op.120: IV: Langsam-Lebhaft

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Amazon.com: 1 review
7 of 7 people found the following review helpful
Schumann with zing May 21 2006
By Paul Bubny - Published on Amazon.com
Pick up this bargain-priced two-fer of Schumann's four symphonies, recorded at live performances in the early '90s and conducted by the late Hans Vonk, and you won't get period instrument textures (a la Gardiner or Goodman) or the textural "retouching" that once was so common (as in George Szell's cycle). You won't hear the music subjected to rethinking (a la Harnoncourt) or "Romantic" emphases (a la Bernstein or Barenboim). What you will hear is a direct, energetic approach that is traditional but also fresh, and which neither overstates nor understates the case. The recorded sound is a bit on the hard side, but this is a set to live with--as I have for the past four years. Vonk, whose conducting career was sadly cut short by illness that forced him to retire from the directorship of the St. Louis Symphony, was often identified with the music of Schumann, and this set is compelling evidence of why that was.


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