THE AGE OF INNOCENCE (EVERYMAN'S LIBRARY CLASSICS) [Hardcover]

Since it is almost ten years ago that I saw Scorcese's movie adaptation of this book, I thought that enough time had passed to read this book without preconceived notions and entirely on its own merits. I am glad I did, since the book clearly outshines the flick.

Because so many reviews have been written on this novel and it has found its ultimate validation by justified inclusion in the list of hundred best books of the 20th century, there is little need for any additional endorsement. Yet, some of the reviews might scare some potential readers away and require some debunking.

This book is no soap opera.
While a romance is at the center of this book this does not imply that we are dealing with a romance novel.

This book is not for women only.
While the story approaches the point of mushiness at a few short instances, I think Wharton did an excellent job portraying the male central character of Newland Archer.

By juxtaposing elements like self versus society, mind versus heart, practical versus desirable The Age of Innocence offers us with an awful lot in a small number of pages. Add to that I supreme writing style, that couples the female eye for detail with Dickensian wit in portraying New York's high society, and follow the beautiful archetypes from Paris and Helena, the original doubter and femme fatale, respectively, and you end up with a true masterpiece.

On top of that, this book has one of literature's best final chapters with bitter, sweet and sarcastic undertones. Just having Welland sit in Paris on a bench close to the Dome des Invalides is priceless!

Nobody knew the hypocrises of "old New York" better than Edith Wharton, and nobody portrayed them as well. In "The Age of Innocence," Wharton took readers on a trip through the stuffy upper crust of 1870s New York, wrapped up in a hopeless love affair -- beautifully written, with a look at a society that frowned on anyone different.

Newland Archer, of a wealthy old New York family, has become engaged to pretty, naive May. But as he tries to get their wedding date moved up, he becomes acquainted with May's exotic cousin, Countess Olenska, who has returned home after dumping her cheating count husband. At first, the two are friends, but then they become something more.

After Newland marries May, the attraction to the mysterious Countess and her free, unconventional life becomes even stronger. He starts to rebel in little ways, but he's still mired in a 100% conventional marriage, job and life. Will he become an outcast and go away with the beautiful countess, or will he stick with May and a safe, dull life?

There's nothing too scandalous about "Age of Innocence" in a time when J.Lo acquires and discards boyfriends and husbands like old pantyhose. Probably it wasn't in the 1920s, when the book was first published. But this isn't a book to read if you appreciate sexiness and steam -- instead it's a social satire, a bittersweet romance, and a look at what happens when human beings lose all spontaneity and passion.

Wharton brings old New York to life in this book -- opulent, beautiful, cultured, yet empty and kind of boring. It is "where the real thing was never said or done or even thought," so tied up in tradition that nobody there really lives. And even though the unattainable countess is beautiful and sweet, it becomes obvious after awhile that Newland is actually in love with the idea of breaking out of his conventional life.

Wharton's writing is a bit like a giant rosebud -- it takes forever to fully open. So don't be discouraged by the endless conversations about flowers, ballrooms and gloves. Wharton put them in to illustrate her point about New York at that time, and all the stories about different families, scandals and customs are actually very important.

Newland seems like a rather boring person, since he only has brief bursts of individuality. But he gets more interesting when he struggles between his conscience and his longing for freedom. May is (suitably) pallid and a bit dull, while the Countess is alluringly mysterious and unconsciously rebellious. The fact that she doesn't TRY to rebel makes her far more interesting than Newland.

"Age of Innocence" considered a story about a man in love with an unattainable woman, but it's also about that man straining against a stagnant, hypocritical society. Rich, intriguing and beautifully written.

The reading public must have been taken by shock when, in 1920, Wharton published this novel. Written off by most of the critics and audience of her time as having her best literary years far behind her, she produced what is arguably her most important work. Her story of New York City in the 1870s, where family name and propriety counted as much as accumulated wealth, resonated with readers who were just beginning to catch hints of the looming social revolution that would come later in the decade - and once again shatter time tested institutions. Wharton's looking back to the time of her youth (she was 57 when the book was published) is neither too sentimental nor too critical, but simply a fond remembrance of the time and place in which she lived and, like Madame Olenska, eventually escaped.

However, it is not with Madame Olenska but with Newland Archer that Wharton is closest associated. Belonging to similar social castes, both the author and Newland are able to see the foibles in their social milieu but in no way are ready to discard it totally. Whereas, in the end, both are ready to follow their individual paths from Old New York they are fully aware of what is expected of them as members of this society, and act accordingly. This is the central theme of the novel: individual desire vs. collective propriety. In the hands of a lesser author, this conflict could have resulted in a quite heavy and didactic work - and as interesting as an evening at a needlepoint demonstration. By clothing her novel in the time tested mantle of a love story, she is given rein to employ her talents to the fullest. In short, she re-creates the New York City of the 1870s and peoples it with characters that seem to be historical, not just based on historical models. The characters of Madame Olenska, Newland, May Welland and, especially, Mrs. Manson Mingott are wonderfully drawn and never become stereotyped nor trivialized; in fact, they are so lifelike that the reader (as if knowing them for years) is able to anticipate their thought patterns and actions. And of course, there is the city itself - before the Holland Tunnel, Grand Central Station, subways and telephone, where 39th Street was considered the hinterland. Wharton treats the city with affection as well as with the critical eye of the archaeologist attempting to reconstruct some long past civilization.

Especially fine is the final chapter in which Wharton (in less than twenty pages) summarizes the life of Newland from the time of his parting with Madame Olenska to his life in early twentieth century New York. The economy of her prose in this final chapter combined with her justaposition of sentimental reflection and historical fact are first rate. Particularly moving is the final scene in which the reader leaves Newland sitting on a bench outside of Madame Olenska's apartment in Paris unable (and unwilling) to abrogate both his loyalty to his now deceased wife, May, nor the unrequited love that he still has for Madame Olenska.