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THE ORANGE FISH
  

THE ORANGE FISH [Paperback]

Carol Shields
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Hardcover --  
Paperback CDN $16.06  
Paperback, 1989 --  

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4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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4.0 out of 5 stars Each Story a Little World, April 29 2000
By 
Short Story Fan (Philadelphia, PA) - See all my reviews
This review is from: The Orange Fish (Paperback)
Each book that I read by Carol Shields only strengthens my admiration. "The Orange Fish", a collection of short stories, is my recent discovery. Although one of her earliest collections, it still bears her signature mark of strong, daring prose/poetry that draws you into the individual worlds of each story. Most of the stories deal with simple, daily occurrences, with every truthful word Carol Shields invites the reader to enter. You feel as if you are interacting with the characters and talking with Kay about her troubled marriage over a cup of tea in "Times of Sickness and Health." You root for the success of Marta's glass-blowing movies in "Collision." You sympathize with Meershank's writer's block in "Block Out." In effect, as the reader, you inhabit the individual world of each story and want to stay longer. I would recommend this to anyone who wants to read about ordinary people reflected through the mirror of powerful prose.
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4.0 out of 5 stars Each Story a Little World, April 29 2000
By 
Short Story Fan (Philadelphia, PA) - See all my reviews
This review is from: The Orange Fish (Paperback)
Each book that I read by Carol Shields only strengthens my admiration. "The Orange Fish", a collection of short stories, is my recent discovery. Although one of her earliest collections, it still bears her signature mark of strong, daring prose/poetry that draws you into the individual worlds of each story. Most of the stories deal with simple, daily occurrences, with every truthful word Carol Shields invites the reader to enter. You feel as if you are interacting with the characters and talking with Kay about her troubled marriage over a cup of tea in "Times of Sickness and Health." You root for the success of Marta's glass-blowing movies in "Collision." You sympathize with Meershank's writer's block in "Block Out." In effect, as the reader, you inhabit the individual world of each story and want to stay longer. I would recommend this to anyone who wants to read about ordinary people reflected through the mirror of powerful prose.
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