From Library Journal
Connoisseurs of art, history, religion, and literature will revel in this fine collection of ten stories by one of America's most erudite writers. Although the tone is often playful, Davenport layers each story with a variety of allusions and rather obscure meanings that perhaps only the most scholarly readers will fully appreciate. A wonderful example is "Meleager," in which the sexual play of two boys is juxtaposed with descriptions of geometry. Another is "And," a snippet (nine paragraphs) of a parable in which Jesus scatters seeds on a river. More satisfying are the longer tales, especially "O Gadjo Niglo," a touching love story told by Eros, and "Gunner and Nikolai," with its surprise ending. Male sexuality is the predominant theme, one the author presents with light but clearly serious intent. The title--a story in itself--is taken from Falstaff's dying vision, inspired by the 23rd Psalm. It makes a most fitting symbol for this most unusual and imaginative collection. Highly recommended.
- Janet Wilson Reit, Univ. of Vermont Lib., BurlingtonCopyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
Davenport's literary intelligence can be stratospheric, and when he aims it high, he's able to make an inimitable sort of constructivist sculpture from it (Tatlin!, recall, was the title of his first collection in 1974): part quotation, part commentary, part reimagination. The feat can be electrifying--as is very much here: in ``The Concord Sonata''--considering a phrase of Thoreau's- -and ``The Kitchen Chair''--off a sentence in Dorothy Wordsworth's Journal. From both he takes a bit of wordwork that we believe we merely can decode and elevates it into mystery and subtlety and diamond-like style. But, unfortunately, in order to be astonished by Davenport of late means having to endure what once again here is a surfeit of the soft-core gay kiddie-porn (masquerading as Arcadian idylls) that he puts so much of his effort to. Danish teenagers cavort and jut and spurt in tiresome displays of riggish (and etymological) energy: ``I rode the foreskin full stretch with a swirl of tongue deep on the downstroke. Shallow with a flicker on the up. I put a thraw into the treadle. For style. A thropple dive plumb to the bush. A slow ripping passage''). A frustratingly mixed bag. --
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