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Taft
 
 

Taft (Paperback)

de Ann Patchett (Author) "A GIRL WALKED into the bar ..." En savoir plus
3.2étoiles sur 5  Voir tous les commentaires (5 évaluations de client)

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From Publishers Weekly

Following her well-received debut, The Patron Saint of Liars , Patchett convincingly portrays a bar manager's conflicted feelings for a teenage waitress in this tale of fatherhood and unfulfilled dreams. Narrator John Nickel runs a bar called Muddy's on Memphis's Beale Street. He took the job to help provide for his lover, Marion, and their 10-year-old son, Franklin, who have since moved away, leaving him concerned that the boy lacks paternal guidance. When 17-year-old Fay Taft shows up at Muddy's, lies about her age and asks for a job, Nickel is touched by her neediness and hires her. But he doesn't bargain on her growing desire for him, or on her drug-dealer brother, who brings sleazy clients to the bar. Another complication is the issue of race--Fay is white, Nickel black--but the author concentrates on the color-blind moral problems that any family faces. As Nickel contemplates his own predicaments, he imagines scenes of the Tafts in a stable home before their father died. His sincere sense of responsibility--to his son, to Fay, even to Fay's no-good brother--is conveyed with visceral power, although the hard-boiled dialogue often resembles parody. Patchett's characters may include tough cookies with hearts of gold, but the novel is at its best when she mutes the melodrama and focuses on basic moral issues.
Copyright 1994 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

From Library Journal

This second novel from the author of the well-received The Patron Saint of Liars (LJ 4/1/92) is narrated by John Nickel, an ex-drummer who manages a Memphis bar that is a sort of anti-Cheers. He is also African American, a fact you can soon forget. For one thing, in Patchett's Tennessee, everyone, regardless of age, race, sex, class, or locale, speaks nearly the same flat language. John is obsessed with his young son, who has moved to Miami with John's ex-girlfriend, and his longing for the child is the pivotal and most convincing aspect of the novel. In the meantime, 18-year-old Faye Taft enters the bar and John's life, with her drug-addicted brother in tow. They're running from a family destroyed by their father's sudden death. Strangely, John starts imagining the Taft family before the death in passages that are vividly realized yet so disassociated from the narrator that you begin to wonder if he is receiving ESP transmissions. Patchett is a fine writer, but here we are most aware of her ideas for the novel-the fiction itself rarely takes off. For large public library collections.
Brian Kenney, Brooklyn P.L.
Copyright 1994 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

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3.2étoiles sur 5 (5 évaluations de client)
 
 
 
 
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2.0étoiles sur 5 Very Disappointing, Aoû 2 2003
Par Un client
I just loved Ann Patchett's wonderful writing and story in her recent novel BEL CANTO, so decided to read her other three books, starting with the first one, so that I could see the progression. Although it wasn't on the same level as Bel Canto (my favorite), I really liked Patchett's first novel, THE PATRON SAINT OF LIARS. Wonderful characters and voice & things to think about.

But her second book, TAFT, was a real disappointment. The characters are flat and I couldn't connect with any of them, was particularly disgusted with the young Fay, and just couldn't understand the much older John Nickel's fascination with her, his compulsion to take her wherever she asks, do almost anything she wants, to the extent of always protecting her brother Carl. She just isn't likeable, is embarrassingly naive, a weak character (not that I liked Carl any better). Yes, we are told it's because she's needy and John wants to be protective. But 'telling' doesn't make it believable.

I felt there was a hazy screen in front of me the whole time I was reading Taft--which by the way is yes, a real 'lightweight,' nothing much to think about in it--that there wasn't much story there, let alone feeling for any of the characters. For me, when a book is really well-written, I can't get enough of every detail, like to savor them, and that was certainly missing for me here (plus there is little detail in this novel anyway--it's pretty sparse). I did think that Patchett had an original idea in trying to incorporate John Nickel's imagined 'story' of Taft (Fay and Carl's deceased father), and it almost worked, but something seemed missing to weave these parts into the novel seamlessly--they felt choppy and often out of place.

The book meanders until near the end (which I wouldn't mind if I had been immersed in its characters or story), and then it picks up--and then bam, ends pretty quickly. I did like the last couple of reminiscences of Taft woven in at the end and the fact that Patchett didn't end with his death, but went back to an earlier time--it did bring together some of the theme strands about protecting those we love. But it left me with little feeling or little to think about also. Nor did the book bring much closure with it, though I just didn't care, at that point.

So, for me, this book just didn't jell, and I wouldn't recommend it. I haven't read Patchett's third book yet (MAGICIAN'S ASSISTANT), but would certainly recommend her first and fourth over this novel. I'm hesitating between two stars--because I didn't find much to like in this novel--and three stars, because Patchett has such potential, is an intelligent, literary writer; so maybe I'll say two and a half.

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1.0étoiles sur 5 unbelievable voice, Sep 6 2002
Par Un client
This review is from: Taft (Paperback)
this novel is written in the voice of a black male blues musician. who speaks completely differently than any black male blues muscians I've ever met. its like reading a bad translation of a french novel or something. First of all, musicians don't refer to blues as 'blues music', or to what a guitarist plays as 'guitar music'. Similarly, black men in 1995 are not so afraid of being seen with a white woman that they sweat and panic. Perhpas if this book had been set in the 50's, she might have had something more than a trite and quaint race novel. then again, she might not have.
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5.0étoiles sur 5 Generous spirited, Juil 25 2002
Par Un client
This review is from: Taft (Paperback)
Ann Patchett is an intelligent and gifted writer with a knack for making characters come to life. I've read all four of her novels and enjoyed each one, but this is my favorite. She establishes John Nickel from the first page as a credible and appealing narrator. If you met this guy in real life, you'd want to buy him a drink and listen to him talk. He makes mistakes but not excuses. There is a generosity of spirit in the narrator and the novel both that makes the book ultimately uplifting. Tragedy and betrayal occur, but healing and connection can follow. A lovely book.
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Commentaires client les plus récents

3.0étoiles sur 5 Taft's plot dynamic...
Characters are almost hidden from view. While Patchett does a great job of placing her characters in situations with which many of us can identify, experiences alone cannot... Read more
Publié le Sep 14 1999 par Kathy A. Taylor

5.0étoiles sur 5 With Taft, Patchett again entrances and satisfies.
For me a fine author is one who takes me places I would not ordinarily have chosen to go. I have learned to trust Patchett in that way. Read more
Publié le Juil 14 1999

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