From Library Journal
Originally published in India in 1996, this first novel is Badami's second to appear in the United States, after The Hero's Walk (LJ 3/15/01). Here she relates the story of Saroja, as told by her daughter Kamini and by Saroja herself. Kamini's memories are triggered when she learns of her mother's plan to journey across India without itinerary. Kamini's inability to contact her mother while she travels mirrors her childhood feelings of neglect and abandonment. In embarking on her travels, Saroja not only defies the narrow expectations of her parents, who pushed her into a loveless marriage and ended her ambitions, but she also breaks away from the expectations of her daughter. Although set primarily in India, this portrait of a mother and daughter transcends geographical limitations. And though the book bears some similarities to Amy Tan's The Bonesetter's Daughter (LJ 1/01), Badami provides no tidy resolutions to intergenerational and intercultural conflicts. Mother and daughter begin and end their stories alone. This thoughtful work is recommended for all public and academic fiction collections. Rebecca Stuhr, Grinnell Coll. Libs., IA
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From Booklist
Badami's second novel explores the relationship of a mother and daughter, Saroja and Kamini. In the first half, Kamini comes of age among postcolonial India's railway colonies. Her father is often away, charting new frontiers for railway expansion, and she is left home with her mother and sister. She eventually leaves for Canada, where she remains wistful for the smells and sounds of India. Kamini worries when her mother suddenly departs for a trip across India, with only postcards marking her whereabouts. Saroja then speaks, telling her story of longing for a life independent of the demands of a husband and family. She recounts her loveless marriage and thwarted attempts to become a doctor, her often vicious commentaries earning her the nickname Tamarind Mem, after the sour fruit that grows in her backyard. Badami's brilliant and beautiful novel captures life in India--the musicality of the English spoken, the interactions with servants, the smells of rotting fruit in the market, the sweltering sun, and the constant moving about of a railway family.
Michael SpinellaCopyright © American Library Association. All rights reserved