From Amazon
One of the most controversial and problematic of all of Shakespeare's plays, The Taming of the Shrew is a typical Elizabethan domestic comedy written around 1592. Petruchio, a gentleman of Verona, arrives in Padua and announces to his friends that "I come to wive it wealthily in Padua; / If wealthily, then happily in Padua". He soon finds that a group of men keen to marry Bianca, the younger daughter of rich old Baptista, are frustrated by her elder, "shrewish" sister, Katherine. There is much subsequent hilarity as Bianca's suitors make a bet with Petruchio that he cannot "tame" and marry Katherine. Despite Katherine's protestations, Petruchio goes ahead with the match, using deliberately unorthodox behaviour to confuse Katherine (including a scene where he starves her), claiming that "this is the way to kill a wife with kindness". The play culminates with a scene of Katherine's apparently spontaneous subjection to her husband's will, where she places her hand beneath her husband's foot, and tells the other wives present that "thy husband is thy lord, thy life, thy keeper". The play's gratuitous scenes of women being abused and vilified in the name of "comedy" has made many directors and critics very uncomfortable with the play, and many feminist critics have condemned contemporary productions of the play as reproducing certain 16th-century stereotypes concerning women who speak out against male authority. --Jerry Brotton
--This text refers to an out of print or unavailable edition of this title.
Review
'A triumphant addition to our times.' - Fiona Shaw, The Times
--This text refers to the
Paperback
edition.
Book Description
A completely re-edited edition of the classic tragedy contains full explanatory notes on pages facing the text of the play; an introduction to Shakespeare's language; and an essay by a Shakespeare scholar.
Book Description
An active approach to Shakespeare in the classroom.
--This text refers to an out of print or unavailable edition of this title.
From the Publisher
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
--This text refers to an alternate
Mass Market Paperback
edition.
About the Author
JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works (Palgrave Macmillan, 2008). He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as 'the best modern book on Shakespeare.' In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both the Arden Shakespeare and Oxford World's Classics series. He is the General Textual Editor of the Internet Shakespeare Editions project - one of the most visited Shakespeare websites in the world. For over nine years he has written the annual review of editions and textual studies for the Shakespeare Survey.
--This text refers to the
Paperback
edition.