- Audio CD (Oct 12 2004)
- Number of Discs: 1
- Label: Thirsty Ear
- ASIN: B0002ZYDN8
- Other Editions: Audio CD | LP Record
- Amazon Bestsellers Rank: #202,764 in Music (See Top 100 in Music)
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Product Details |
Track Listings
| 1. Shine For Me - (with Latasha Nevada Diggs) |
| 2. Secret Frequency, The - (with Deantoni Parks) |
| 3. More From Life - (with Traz) |
| 4. Shape 4 - (with Maya Jenkins) |
| 5. Noh Rio - (with Eddie Hall) |
| 6. TV - (with Bos Omega) |
| 7. 30 Spokes - (with Eddie Hall) |
| 8. Unimportance - (with Deantoni Parks) |
| 9. No Pistolas - (with Ricky Quinnones) |
| 10. Overcoming - (with Jared Nickerson) |
| 11. Words They Use - (with Taylor McFerrin) |
| 12. Shape 1 - (with Latasha Nevada Diggs) |
| 13. Perfect Traveller (Tourist Europe) - (with Shantyman) |
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Customer Reviews
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4.5 out of 5 stars (2 customer reviews)
4 of 4 people found the following review helpful
4.0 out of 5 stars
Beyond category, July 26 2005
By Troy Collins - Published on Amazon.com
This review is from: Tao Of Yo (Audio CD)
The Yohimbe Brothers second recording, "The Tao of Yo," may not be as solid or cohesive an effort as their debut album, "Front End Lifter," but that doesn't make it any less interesting or entertaining. Featuring shorter tracks and a sense of stylistic variety that could sink less accomplished artists, the Yohimbe Brothers offer up a multi-genre work that defies pat categorization.Living Colour guitarist Vernon Reid and DJ Logic are the Yohimbe Brothers, but as with their previous effort, invited guest musicians make more than just mere cameos. With a roster of contributors that varies from tune to tune, the album boasts a smattering of undersigned talent. Numerous emcees, a cadre of female back up singers, live drummers and even a tap dancer all make appearances.
Veering from the afro-electro-clash opener, "Shine For Me" and the neu-metal riff-rap of "TV" to the Latin flavored "No Pistolas" and outward to the spastic, Inspector Gadget quoting breakbeat/bop mash-up "Unimportance," almost no genre remains untouched. And while the album lacks a coherent sense of sonic focus it is never short of ingenuity. Reid's playing is, as expected, phenomenal, embodying everything from delicate acoustic strumming to Coltrane-esque sheets of sound while Logic contributes his usual selection of atmospheric sounds and unconventional beats. Despite the album's "kitchen-sink" aesthetic, there is a lyrical thread that connects the disparate styles. "The Tao of Yo" may sound like a party record on first listen, but is actually a party record for the revolution. Political Rap may currently be relegated to the underground, but this is the territory the Yohimbe Brothers call home.
Switching from Ropeadope to Thirsty Ear's Blue Series is a natural move for the duo as its equitable blend of Hip-Hop, Rock, Pop, Jazz and Ethnic music fits squarely into the overall concept that the Blue Series has engendered, considering their dedication to eliminating the boundaries between divergent genres. "The Tao of Yo" is another fine offering from a duo who are far more than the sum of their parts.
5.0 out of 5 stars
Colorful, Vastly Entertaining, Jun 27 2011
By A Blues In Drag - Published on Amazon.com
This review is from: Tao Of Yo (Audio CD)
The Yohimbe Bros is the sound of Vernon Reid and DJ Logic -- and a slew of friends -- having fun in their spare time. This, their second album, is a colorful and vastly entertaining tour through the duo's take on hip hop, cut & paste electronica, hard rock, spaghetti western drum n' bass, weird jazz, reggae and plenty of other stuff as well.Standouts include "Shine for Me" (which could have been an M.I.A. track), the deeply funky "More from Life," which benefits from an excellent, politically-charged rap courtesy of Traz and the monstrous, stomping "TV." Other guests include Kudu's Deantoni Parks and the outrageously gifted Taylor McFerrin, who brings a thoughtful piece of verbiage to "Words They Choose."
Guitar god Reid never plays where he's not welcome, but does turn in some characteristically manic jazz/metal solos here and there. Elsewhere he provides a variety of textures, from gorgeous acoustic arpeggiations to monolithic power chord riffs. This record is way better than you may expect.
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