Involving mathematics, philosophy, aesthetics, religion, politics, and physics, Stuart Isacoff 's Temperament invokes the tone of a James Burke documentary. However, the focus is not on a modern invention, but rather a modern convention: that of tuning keyboards so that every key is equally in tune--and equally out of tune.
With the existing literature tending to bog down in mathematical theory or historical tuning methods, Isacoff bravely attempts to make this seemingly arcane topic interesting to the general reader. He distills the mathematics and music theory into their simplest essences, and draws apt analogies from the everyday. He also generously peppers the text with the quirks and escapades of its more flamboyant central characters; the relevance of the information is often tenuous at best, but Isacoff has obviously done his homework, and he can be forgiven some frivolity.
Less forgivable is his neglect of "well-temperament." Namesake of Bach's masterful collection of 24 pieces (one each in all the major and minor keys), the well-tempered keyboard liberated composers from the howl of badly tuned keys in the way equal temperament did, while preserving the distinct quality of each key. It was a pragmatic and aesthetically rich solution that captivated composers and theorists for decades. Yet Isacoff reserves less than two pages for its description. (Perhaps he deliberately overlooked the topic since it doesn't fit well with his casting of equal temperament's opponents as rigid, dogmatic, and impractical.)
Despite its flaws, Temperament is an accessible guide to a fascinating topic seldom discussed outside musical circles. Though the book may not invigorate hard-core theorists, the amateur musician, armchair scientist, history buff, or plain old curious can glean plenty from it. The advent of digital keyboards--some of which can be tuned to historical temperaments at the flip of a switch--makes this an ideal time for the topic to be rejuvenated. --Todd Gehman --This text refers to the Hardcover edition.
Isacoff, editor-in-chief of Piano Today magazine, tells the worthy tale of how musical temperament the familiar, seemingly fixed relationships between notes on an instrumental scale came to be taken for granted. After centuries of an accepted belief in the mathematical and divine governance of music, the 17th century saw the growth of a fierce debate over experimental new tuning methods. In the 18th century, the modern keyboard allowed for a new kind of tuning, known as equal temperament, whereby each pitch is equally distanced. New musical possibilities opened up, changing composition forever. Isacoff traces music theory contributions by da Vinci, Newton, Descartes, Kepler and Rameau. Unfortunately, he sometimes clumsily attempts to keep his audience's attention with irrelevant, if salacious, gossip e.g., philosopher Robert Hooke "recorded his orgasms in a diary," and King Louis XIV refused to eat with a fork. Meanwhile, he gives relatively short shrift to Kepler and Galileo. His ambitious historical canvas uses extensive secondary sources, but there are research gaps, such as his outdated portrait of Isaac Newton as a total "ascetic." Nevertheless, this harmonics drama will excite music geeks and music historians. (Nov. 24)Forecast: Knopf's prestige guarantees sales to major music collections, and Isacoff's national media appearances (NPR, etc.) may mean good general sales.
Copyright 2001 Cahners Business Information, Inc.--This text refers to the Hardcover edition. See all Product Description
The book is too anecdotal, an amateurish cultural history. Many of the materials are not quite relevant. If the author stuck to the subject the pages could be two-third less. Read morePublished on March 16 2004
This was a fantastic read! Remember that this book is a LAY book! So certain 'scientific' expectations should be a bit relaxed. Read morePublished on Aug. 23 2003
The theme of this book, the history behind modern tuning and its effect on the development of modern music and modern keyboard instruments, is a fascinating one. Sadly, Mr. Read morePublished on May 16 2003
This book did even more than what I hoped it would do.
First of all, it grabbed my attention. I didn't even know there was problem with our musical scale, let alone a... Read more
I'm a pianist and I've read Temperament for the third time. Stuart Isacoff is an excellent writer who has explained tempered-tuning and how it developed throughout the history of... Read morePublished on Oct. 8 2002 by Walter Norris
I cannot give this book enough praise. In an engrossing 230 pages, I was both time traveler and world traveler as I discovered the forces that gave birth to the piano and chromatic... Read morePublished on Sept. 22 2002 by G. Coleman
I found the book extremely absorbing and interesting, more for its philosophic, religious, scientific, artistic, and historic observations than for its actual musical content. Read morePublished on July 18 2002 by EqualTempTuner
This is one of the most readable books on the history of temperment I have ever encountered! If you have ever wanted to know a little something about European music history, or... Read morePublished on June 11 2002 by Beth