Temporary Perfections Paperback – Sep 1 2011
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Priase for the series: Hard-boiled and sun-dried in equal parts. Where Philip Marlowe would be knocking back bourbon and listening to the snap of fist on jaw, Guerrieri prefers Sicilian wine and Leonard Cohen. A" Financial Times The role of Guerrieri is to take on impossible cases that have little chance of success. His efforts to prove his client's innocence bring him into dangerous conflict with Mafia interests. Everything a legal thriller should be.A" The Times
About the Author
Gianrico Carofiglio now a member of the Senate in Italy was an anti-Mafia prosecutor in Bari, a port on the coast of Puglia. He has been involved with trials concerning corruption, organized crime and the traffic in human beings. He is a best-selling author of crime novels, literary fiction and most recently has authored a graphic novel illustrated by his brother. This is the fourth Guerrieri novel is in this best-selling series.
Top Customer Reviews
I am always sorry to put the book down after finishing it.
His stories are only part of the book. The way he writes it, is the other.
Reading his books are like being in the moment.
Please read him. '
Most Helpful Customer Reviews on Amazon.com (beta)
There are four books featuring Guido Guerrieri. A selective defense lawyer, Guido does not represent child molesters, rapists or Mafiosi - but rather white-collar criminals and small time independent operators in the underworld. Usually he keeps his clients out of jail.
In this novel a colleague asks Guido to look into a closed case. A young woman went missing six months before, and the Carabinieri were never able to trace her or uncover a crime. Manuela's parents are devastated. They want to know what happened. Perhaps Guido, with his deep judicial knowledge, may be able to find some detail in the files that was overlooked in the original investigation.
The plot revolves around Guido's unofficial inquiries. Although not qualified for detective work, Guido takes secret delight in this opportunity. Fictional sleuths inspire him.
Tantalizing developments arise, sandwiched in between amusing glimpses of Guido's everyday legal cases. But even better than the storyline are Guido's witty, self-deprecating internal monologues. He sees his own absurdities and calls himself on every lapse of sense, taste or grammar.
At age forty-five, Guido is a delightful combination of brainy and brawny. He's an ex-boxer who still works out. On the other hand, his head is full of characters from books and scenes from movies. He knows popular music, but also has Proustian moments. No mythic superhero, Guido hates fast driving and packs no guns. He's an ironical hero for sophisticated readers.
Authenticity is always nice, and Carofiglio's books definitely have it. The author is a former prosecutor in Bari, the scene of his novels. He knows the Italian courts and with wry good humor invites us inside.
I'd highly recommend the whole Guido Guerrieri series. In order: Involuntary Witness, A Walk in the Dark, Reasonable Doubts, and Temporary Perfections.
At 45 he keeps fit, and sane, by frequent communion with an old boxer's punching bag, to which he tells his secrets and doubts. Guerrieri is no detective or investigator of any sort so he knows better when an old colleague begs him to take on a closed case -- a missing girl. But the challenge intrigues him and the parents' desperation tugs at his heartstrings.
Manuela Ferraro, in her twenties, disappeared on her way home from a weekend at a beach resort six months before and no clues have ever turned up as to what happened to her.
Questioning her friends, Guerrieri finds himself caught a bit off-balance with one, Caterina Pontrandolfi, a sexy, self-assured young woman half his age. Well-aware of his own foolishness and rationalizing, Guerrieri confides much to his punching bag while trying -- not very successfully -- to keep the young woman at arm's length. She is very eager to help find her friend and seems to find Guerrieri quite attractive too.
Despite the distractions, Guerrieri makes progress in his case while keeping up with his ordinary practice. Carofiglio's civilized, ironical tone makes Guerrieri especially appealing while the Italian setting and legal details add lots of color.
-- Portsmouth Herald
In this novel a Guido is asked to look into a closed case. A young woman who went missing six months before and the police were never able to trace her. The girl's parents are truly devastated. They want to know what happened to their daughter. It is felt that with Guido's deep judicial knowledge, he may be able to find some `crumb' in the files that was overlooked in the original Police investigation.
The narrative revolves around Guido's unofficial inquiries; Guido is no detective, but takes secret delight in this opportunity to be a sleuth, and takes inspiration from the fictional ones from both film and book.
While we are engrossed in the story we are given little golden nuggets of our amateur sleuth's everyday life and his legal cases. The storyline gives insight into Guido's witty and almost self-deprecating internal monologues.
Our protagonist is a complex and believable character; his little foibles do not detract but enhance the narrative. All in all a good read and I would strongly recommend this book, hence my 5 star rating.
It is a well pl0tted and believable mystery/thriller with what appears to be an authentic and plausible background, and it is very well written in a first person POV that is always difficult for writers to achieve. I enjoyed it so much I bought the other 3 books in the series.
I only wish I had read them in the correct order because there is a back story that develops through the series and I am sure that I will read them again in the correct sequence.
These books are a real eye opener, and page turners.
Greek philosopher- 'Never feel completely comfortable anywhere even your home' [Always be aware of who and what is going on around you]
'You should try to tell as few lies as possible to others, and none to yourself'. [If you have to, it's better to lie by omission than commission]
These are not the protagonists of 'Noir', no one is hardboiled or ready to use his fists to get information or a confession. These are well rounded men who just happen to be cops or lawyers, but have other interests in the world around them. My parents' generation would call them cosmopolitan or sophisticated, the kind of people who can use words like 'copecetic' without sounding pompous. None of them is above putting the knife into the belly of some hot aired cop or lawyer who thinks himself all things to all people. Like Leon, Carofiglio is well aware of what has become wrong with Italian society (having been a mafia prosecutor) and realizes he can only do what one man can do.
There's no reason to recap the story itself since it's only there to give Carofiglio something to hang his philosophical and sociological musing about the state of Italian society on. But it's a very comfortable read.