Tender Is the Night [Paperback]

Richard Diver, married to what was then termed a "neurotic" woman, encounters a young movie star. Films were still silent and actresses were chosen for their physical appeal. Rosemary, although still a teen-ager, fills the image perfectly. Immature, notorious and vivacious, she sets her sights on Diver. Encouraged by her mother, although the motivation for this remains unclear, Rosemary applies her wiles on a man twice her age.

As the two encounter, separate and meet again, they interact with members of the expatriate community in France. Fitzgerald portrays most of them through the couple's viewpoint. The depictions are compelling and evocative, but there isn't an appealling one in the lot. Diver's role in the new [then] Freudian psychology gives Fitzgerald a mechanism for exploring the human psyche. The dismemberment of Freud's analysis by modern studies doesn't detract from Fitzgerald's descriptive prowess. Even from this distance in time he's remains a writer to turn to and reflect on. He's deservedly acclaimed as one of the "greats" of the twenties.
[stephen a. haines - Ottawa, Canada]

The novel concerns the relationship between married couple Dick and Nicole Diver, the husband a promising young psychiatrist with obscure goals about published research, the wife a fragile flower soiled early in life, the 'damaged goods' he takes on to teach, heal, and subconsciously reap in turn. At first, presented through the innocent gaze of child-actress Rosemary, the Divers seem like the quintessence of their sophisticated era: clever, classy, both elegant and subtly sensual, people so comfortable with themselves as to avoid the games and struts of the current 'season.' Young, restful, in love with each other and life in general, the Divers exhibit the ideal of the American Dream, if expatriat-ed from American soil . . . but the cracks begin to show, one by one, until the cultivated artifice is shattered and the sickness beneath exposed: the author therein chronicles the dissolution of this relationship, from beginning to end, drawing significant parallel from both his own life and the turbulent age in which he lived.

*Tender is the Night*: A requiem for a dream. Certainly the fallout with his wife Zelda influenced the novel's course; but I believe there is more to it. F. Scott Fitzgerald, and by extension his work, was/is inescapably tied with the exuberant façade of the Jazz Era, an era defined (at least in the socialite sense) by its splendor and waste, its heedless optimism blind of cost. And though Scott basked in the cradle of this opulent "season," the author seething beneath the fly-by-night exterior could not help but be keenly aware of its follies and hypocrisies: his novels and short stories savagely depict the inward condemnation he felt. But unlike earlier efforts, this, Scott's last completed novel, was composed between 1925 and 1934, and the disintegration of the roaring 20's into the dust-bowl Depression of the 30's seems to me clearly represented in the progression from *Tender's* first to third books - the illusion has crashed and there is no regaining it, despite the determined dissipative efforts contrary. This is a personal impression, one I read between the lines; and even considering the fact that Fitz lived overseas and that the events of this novel occurred almost completely in France and Switzerland, the metaphor is quite stark - to my mind, at least.

A more literal analysis, in any regard, clearly shows the price of atrophy, lost ambition and alcoholism; despite the 'happy' resolution to Nicole and Dick's co-dependency, the pain of loss - on both a psychic and physical level - is harrowingly delineated. Having recently been in the position of Dick Diver - that is, faced with the temptation of sacrificing personal goals in order to 'save' another from the manic-spiral - I can sympathize with the capitulation of his dreams for more immediate concerns: genetic-inspired attraction as strong a demand as the survival-instinct drive. Yet Nicole's rise, surmounting both the Father and the Father Figure in her quest for identity, is just as poignant. The antagonist here is simply _weakness_, and how it can be shared to disastrous result.

To define the myriad qualities of *Tender is the Night* into simplistic buzz-word recommendation: this is a haunting, occasionally stunning work, with beautifully lyrical prose and well-defined conflict, interspersed with casual insights into the urges/constructs of human reality. All in all it's a fantastic read, and perhaps my personal favorite of F. Scott Fitzgerald's work; (...)

Highly recommended.