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Terminal Identity - PB Paperback – May 20 1993


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Product Details

  • Paperback: 420 pages
  • Publisher: Duke Univ Pr (Tx) (May 20 1993)
  • Language: English
  • ISBN-10: 0822313405
  • ISBN-13: 978-0822313403
  • Product Dimensions: 23.1 x 16.1 x 2.7 cm
  • Shipping Weight: 680 g
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: #151,341 in Books (See Top 100 in Books)

Product Description

Review

"Scott Bukatman is a smart man who has been thinking hard and paying a lot of attention. People should listen to him."--Bruce Sterling, author of "The Hacker Crackdown: Law and Disorder on the Electronic Frontier"

About the Author

Scott Bukatman is Associate Professor of Art and Art History at Stanford University. He is the author of "Terminal Identity: The Virtual Subject in Postmodern Science Fiction, " published by Duke University Press.

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Several sections of Chris Marker's 1982 film, Sans Soleil, present contemporary Tokyo as a science fiction metropolis. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index
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Most helpful customer reviews

2 of 2 people found the following review helpful By T. Fang on Feb. 8 2001
Format: Paperback
As dense as it is deep, Bukatman's work is essential reading for anyone with a serious interest in science fiction, postmodern theory, or the relationship between technology and human culture. The glowing reviews by Bruce Sterling and Larry McCaffery were well-deserved, and this book will have a permanent place on my bookshelf (right next to Storming the Reality Studio). I had never heard of Scott Bukatman before finding this book, but I now look forward to reading anything he writes in the future.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 4 reviews
11 of 11 people found the following review helpful
awsome, brilliant, scott's the man Feb. 15 1996
By A Customer - Published on Amazon.com
Format: Hardcover
One of _the_ important books for anyone interested in Science Fiction's engagement with cultural issues. I've yet to find someone who had done any important work at the time of the books' publication who isn't in there somewhere. It's been called "interminable identity" by some but that's just because people don't have the patience to wade through the good stuff. an Important Book..
9 of 9 people found the following review helpful
Buy this book today... your brain will thank you! Feb. 8 2001
By T. Fang - Published on Amazon.com
Format: Paperback
As dense as it is deep, Bukatman's work is essential reading for anyone with a serious interest in science fiction, postmodern theory, or the relationship between technology and human culture. The glowing reviews by Bruce Sterling and Larry McCaffery were well-deserved, and this book will have a permanent place on my bookshelf (right next to Storming the Reality Studio). I had never heard of Scott Bukatman before finding this book, but I now look forward to reading anything he writes in the future.
4 of 5 people found the following review helpful
Terminal Identity March 7 2006
By Sarah Sammis - Published on Amazon.com
Format: Paperback
Fans of the science fiction genre (whether in film, comic book, or novel form) will enjoy these collected essays on how societal issues and fears have been represented. It includes discussions on authors such as Philip K Dick, William Gibson, Neil Gaiman, Alfred Bester, and many others.
Indispensable Jan. 9 2009
By K. Klimt - Published on Amazon.com
Format: Paperback
My interest in this book was piqued by Napier's reference to terminal identity in her article 'When the Machines Stop,' and this work certainly provides a comprehensive and compelling analysis of postmodern (mostly cyberpunk) science fiction. The titular concept of 'terminal identity'--the state in which human subjectivity is defined by the objects of our technology--is both elegant and useful; there is so much that is invaluable here that a short review couldn't do it justice. In particular, I was impressed by his analyses of fractals, the overlapping discourses on computer viruses and biological ones such as AIDS, and his discussion of the attempts to humanize certain technological objects (such as motherboards) by casting them in the guise of art. Additionally, his writing is accessible but never dumbed-down and for a work of analysis this is a remarkably enjoyable read. Overall I would say that anyone serious about studying cyberpunk as a genre or even with a general interest in how postmodernism operates in science fiction would find this book invaluable.


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