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Territory
 
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Territory [Import]

~ Alvin Youngblood Hart (Artist)
4.6étoiles sur 5  Voir tous les commentaires (13 évaluations de client)

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9 neufs à partir de CDN$ 9.48 5 d'occasion à partir de CDN$ 2.95

Les détails du produit


1. Tallacatcha
2. Illinois Blues
3. Ouachita Run
4. Sallie, Queen of the Pines
5. Countrycide (The Ballad of Ed & Charlie Brown)
6. Ice Rose
7. Dancing With Tears in My Eyes
8. Mama Don't Allow
9. John Hardy
10. Just About to Go
11. Underway at Seven

Descriptions du produit

From Amazon.com

This follow-up to Hart's 1996 debut, Big Mama's Door, leaves no doubt that the early acclaim the California singer has generated is deserved. Big Mama's Door introduced a player as well versed in the history of the blues as he is with its musicianship, and Territory only reinforces that perception. From the opening strains of "Tallacatcha" to the closing "Underway at Seven," magic flies from his fingertips. It's as if those who've inspired Hart's music are channeling through him to reach a new generation. Whether it's the straight acoustic blues of "Mama Don't Allow" and "John Hardy" or the less-likely "Tallacatcha" (which entwines lap steel, fiddle, and piano into a Western dance-hall tune) and "Just About to Go" (a reggae-like number), this album further cements Hart's place in the upper ranks of contemporary bluesmen. --Alexandra Russell


Descriptions du produit

San Francisco Bay Area performer Alvin Youngblood Hart established his credentials as an acoustic bluesman with his acclaimed 1996 debut, Big Mama's Door. To his credit, he's off in new directions with the first notes of Territory. The western-swing opener "Tallacatcha" lets fans know from the get-go that Hart won't be bound by genre restrictions and, indeed, he explores everything from reggae to rock without ever seeming showy. As Hart's skills expand, so too will the perspectives of his listeners. --Steven Stolder

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L'avis des consommateurs

13 évaluations
5 étoiles:
 (10)
4 étoiles:
 (1)
3 étoiles:
 (2)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
4.6étoiles sur 5 (13 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
5.0étoiles sur 5 wonderful choice, Janv. 5 2003
Par Un client
he is brilliant in any style he plays. what a musician.
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5.0étoiles sur 5 Uncharted ...., Aoû 17 2002
Par booknblueslady (Woodland, CA United States) - Voir tous mes commentaires
Territory is an excursion into Alvin Youngblood Hart's adventure with music. Hart born in Oakland in 1963, uses music to discover the adventures in life and to weave common threads to connect his lifetime and history to the his influences and experiences. Although Hart was raised in Oakland he spent his Summers with his grand parents in the hill country of Northern Mississippi and while there he developed an appreciation for the countryside, learned to ride horses and learned about the diverse musicians and music of the Mississippi Delta. He was introduced to the work such musicians as Charlie Patton, Skip James, Ledbelly and Bukka White. His parents exposed him to the more recent blues of Jimmy Reed, BB King and Jimmy Witherspoon. Growing up in the 60's and 70's he was influenced by Jimi Hendrix and the Rolling Stones.

Alvin Youngblood Hart is an impressive sight. He stands nearly 6'6" and weighs 250. He wears his hair in long dread locks and clothing of choice are flannel shirts and blue jeans. Watching him on stage is a rare treat. He is a skillful musician and vocalist who willingly takes chances and avoids being pigeonholed. How many blues musicians would choose to do a song as Dancing with Tears in My Eyes, composed in the 1920's by song writing team Al Dubin and Joe Burke, who are also known for "Tiptoe through the Tulips?"

Territory is indeed an adventure covering many different song styles and influences from rock to country to folk to blues to psychedelic. This has been a rap against the cd by those who would choose that Hart be pigeonholed into only doing acoustic blues which he did so eloquently on Big Mama's Door. Thankfully he is willing to take chances and has presented us with this album which is expanding and enlightening to the listener.

Territory is a mixture of original songs, Tallacatcha, Ouachita Run, Sallie Queen of the Pines, Countrycide, Just About to Go, Underway at Seven, Traditional Blues songs, Mama Don't Allow, John Hardy and Skip James' Illinois Blues, and psychedelic, Captain Beefheart's Ice Rose.

The cd would be worth the price for the haunting song set in minor keys, Countrycide. Countrycide is a story of how Charlie and Ed Brown "used the injustice system to their complete disadvantage."

The song starts :
"We have seen some dark days in the history of man
Tell you bout Saint Patrick day when the stuff hit the fan."

and finishes
"We have seen some dark days in the history of man
Broken hearts, stolen lives and tales of stolen land."

The cd gets underway with Tallacatcha an original which the listener might want to foxtrot to. Alvin plays both lap steel and electric guitar on this and is accompanied by piano, fiddle and bass. Tallacatcha is a Choctaw word meaning "river of pearl." Hart sings, "Everyone knows her name ain't Rose, They all call her Tallacatcha."

The cd ends with Underway at Seven, which is an instrumental with echoes of the Rolling Stones. Hart works solo, once more playing the lap steel and electric guitar. It is a fitting end to the album, a sleepy slow song with beautiful notes leisurely weaving throughout.

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5.0étoiles sur 5 Tallacatcha is the best, Sep 20 2000
Par "elspethmj" (Minnesota USA) - Voir tous mes commentaires
I found Territory first and bought Big Mama's Door because I liked Territory so well.

There's nothing better than Tallacatcha.

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Commentaires client les plus récents

5.0étoiles sur 5 Critics' Choice
1999 Down Beat Magazine International Critics' Poll:

Blues Album of the Year

1999 Living Blues Magazine Crtitics' Award Winner:

Best Blues Album of the Year - All... Read more

Publié le Oct. 13 1999

5.0étoiles sur 5 I say it's good.
This man has a soul deep as a ravine, and it permeates the songs so insistently, you'll be reaching for the Jack Daniels and wondering why it takes a corporate bluesman to... Read more
Publié le Mai 30 1999

5.0étoiles sur 5 Eclectic excellence
Anyone who can fit Skip James and Captain Beefheart on one album, and play as well as this guy can, gets five stars. I'm impressed.
Publié le Fév 22 1999

4.0étoiles sur 5 Fascinating and eclectic
Hart has an outstanding voice and a great feel for diverse types of music. Rooted in the blues, but with folk, swing and jazz thrown in. Highly recommended.
Publié le Nov. 17 1998

5.0étoiles sur 5 Gift from God.
Alvin is a Godsend. If you are thinking of getting into the blues this album is an excellent starter. It have you on the road the next morning to buy his first release. Read more
Publié le Sep 16 1998

5.0étoiles sur 5 mesmorizing
I love this album. This music is like listening to the voice of God. I implore anyone who even thinks they may like blues to buy this one. It's fantastic.
Publié le Sep 16 1998

5.0étoiles sur 5 Bravehart
What's cool about this recording is its lack of pretension and love of variety. Big points for those qualities. Hart's talents are as broad as they are deep. Read more
Publié le Juil 21 1998

3.0étoiles sur 5 When you are expecting gold, silver is a dissappointment.
The reviewer above captured my sentiments exactly. There are some fine moments in this disc, but some others that are out of place and of little musical appeal. Read more
Publié le Juil 14 1998 par wrj@one.net

5.0étoiles sur 5 Charting Territory: A Refreshing & Eclectic Romp
In the oxygen-starved climate of a music industry increasingly bent on compartmentalizing (and marginalizing) its artists, Alvin Youngblood Hart's "Territory" is a... Read more
Publié le Juil 12 1998

3.0étoiles sur 5 good, but not good enough.
BIG MAMA'S DOOR was a landmark, so it's not exactly a surpirse that TERRITORY doesn't live up to the expectations and excitement that the last album stirred. Read more
Publié le Juil 7 1998

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