From Amazon
Testament, a sprawling and ambitious historical novel about Jesus, reveals a Nino Ricci who has abandoned the formulas and characters that made his early novels--the trilogy of
Lives of the Saints,
In a Glass House, and
Where She Has Gone--so very successful. The lushness, the intimacy, the family sagas, the lovingly skeptical immersion in Italian and Italian-Canadian culture--all of these elements are gone, abandoned in favour of a spare style and a flat, unemotional reimagination of Christ and his circle.
Ricci takes up the now-conventional approach of writing about Christ as an extraordinary ordinary man. Rather than rewriting the gospels, he offers a few interesting theories about their mundane genesis, expounding them through the voices of four of the New Testament's silenced witnesses: Judas, Mary Magdalene, the Virgin Mary (though Ricci's Mary is no virgin), and Simon of Gergesa. Judas becomes Yihuda of Qiryat, a dour and paranoid agent for the Jewish resistance, and Christ himself is drawn as the bastard son of a Roman dignitary, begotten in a rape that was brokered by Mary's upwardly mobile father. While some of Ricci's amendments will likely offend dogmatic Christians, there is nothing here more controversial than Testament's precursors--books like Nikos Kazantzakis's The Last Temptation of Christ or Jim Crace's Quarantine.
Sadly, Testament's moments of brilliance are few. Seeing a prepubescent Jesus in Alexandria, apprenticed to a freewheeling Diogenes-like Greek philosopher, is delicious, and Simon of Gergesa's travels with a sprightly con man are hugely entertaining, but Testament does little to make its readers fall in love with its characters or the world they inhabit. --Jack Illingworth
--This text refers to the
Hardcover
edition.
From Publishers Weekly
Gently stripping the life of Jesus bare of its mythical trappings, Ricci (The Book of Saints, etc.) presents a lyrical, searching version of the biblical tale, grounding his work in the historical realities of the time and telling Jesus' story from four different perspectives. Two of the novel's narrators, Judas and Jesus' mother, Mary, eschew supernatural explanations of Jesus' ministry and describe him as an eccentric, depressive genius. The other two narrators, Mary Magdalene and a shepherd named Simon of Gergesa, witness moments in Jesus' ministry that they believe to be otherworldly. Set against each other, these four accounts reveal the ways in which ordinary acts come to seem miraculous, through repetition and suggestion. The biblical interpretation of key events is re-examined, too. In Ricci's novel, the pretext for Jesus' arrest and eventual crucifixion is not his betrayal by Judas, but his association with him, since Judas is part of an insurrectionist group. And when Jesus' body disappears from the tomb, Simon of Gergesa assumes this has to do with the practice of paying Roman guards to look the other way while family members claim crucified bodies. At a deeper level, Ricci seeks to present Jesus as a man whose powers spring simply from great compassion and the ability to see beyond appearances. Ricci's lucid, thoughtful storytelling and his ability to shed fresh light on an oft-told tale makes this a valuable entry in the annals of fiction inspired by the Gospels, from Renan's Life of Jesus to Jim Crace's Quarantine.
Copyright 2003 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.