Francois Truffaut's first feature was this 1959 portrait of Antoine Doinel (Jean-Pierre Léaud), a boy who turns to petty crime in the face of neglect at home and hard times at a reform school. Somewhat autobiographical for its director, the film helped usher in the heady spirit of the French New Wave, and introduced the Doinel character, who became a fixture in Truffaut's movies over the years. Poignant, exhilarating, and fun (there's a parade of cameo appearances from some of the essential icons and directors from the movement), this film is an important classic. --Tom Keogh
High-definition digital restoration, with uncompressed monaural soundtrack on the Blu-ray. Two audio commentaries, one by cinema professor Brian Stonehill and another by Franc¸ois Truffaut’s lifelong friend Robert Lachenay. Rare audition footage of Jean-Pierre Le´aud, Patrick Auffay, and Richard Kanayan. Newsreel footage of Le´aud at Cannes in 1959. Excerpt from a 1965 French television program in which Truffaut discusses his youth, his critical writing, and the origins of Antoine Doinel. Television interview with Truffaut from 1960 about the global reception of The 400 Blows and his own critical impression of the film, trailer, PLUS: A booklet featuring an essay by film scholar Annette Insdorf.