Review
Eileen Kernaghan, author of The Snow Queen and The Sarsen Witch, among other books, and winner of numerous literary awards, believes in a diet of language saturated with beautiful, image-rich, poetic descriptions. Here is one gorgeous passage depicting her heroine, Sidonie Quince’s arrival at Hampton Court for an audience with Queen Elizabeth.
“The brick walls of Hampton Court Palace, rising before them, were deep crimson where the sunlight struck them, plum-coloured in shadow, patterned with chequered lines of burnt-black. Sidonie craned her neck this way and that, gazing at turrets and gilded pinnacles, mullioned windows, embrasured parapets.”
That such a superb diet is intended for young adult readers is all the more laudable, and the merits of this book don’t end there. Labeled ‘fantasy’, The Alchemist’s Daughter is actually a tale of adventure arranged in a historical setting. It’s 1587, and there is England’s impending war with Spain, the 50-year-old Queen Elizabeth’s reluctance to enter a bloody and costly conflict, and her court ministers’ premonitory awareness of the shortage of gold in the royal coffers-an indispensible means of financing a defensive campaign against the Spanish fleet. There is no magic, unless one equates it with fifteen-year-old Sidonie’s unreliable psychic abilities. She can look into a crystal ball and occasionally “scry” some sign of what’s to come. That is why she is summoned by the Queen, and that is how her alchemist father, Simon, gets in the kind of trouble only Sidonie can rescue him from. Believing, as many in that age still did, that he is able identify the chemical ingredient that will transform base medal into gold, Simon Quince is unwittingly drawn into backroom court intrigue and naively promises to ‘make’ gold to help with Elizabeth’s war-time needs. Sidonie, already more sensible than her father, quickly sees that such a promise will cost Simon his life, for success is unlikely unless the elusive ingredient, “the elixir of transmutation”, really exists and she is able to locate it.
Sidonie is a girl one would enjoy befriending. She’s clear-headed, brave, and intelligent. She reads Euclid for pleasure, finding the “abstract world of numbers safe and reassuring.” For mathematics, she knows, “one needed no magical talismans, no esoteric wisdom to unlock its secrets, only the application of a logical and exacting mind.” And she’s determined. She risks her father’s ire and travels without his permission to the distant, ruined Glastonbury Abbey, accompanied only by her doting neighbour, Kit, in order to bring back some of the powder she’s convinced is the elixir the famous Paracelsus described in his writings. Trouble starts for Sidonie and Kit on the way back home, when they are tricked into offering another traveler assistance. Sidonie’s pouch with the “elixir” is stolen and Kit sustains a blow to the head.
With the aid of some new-found friends, Sidonie procures the gold after all, though not in the way she had intended at first, and, in an exciting finale, she saves Elizabeth from being poisoned. England goes on to win the war against Spain, but that’s history. Meantime, another lovely passage describing a celebration at the palace is worth reproducing here for the colour and fanfare it depicts with language that’s easily relished.
“Kit and Sidonie wove their way through the chattering, jostling throng. The ladies’ gowns were a vivid tapestry of emerald, ruby red and buttercup, topaz and violet and damson. . . .What coxcombs the gentlemen were, she decided, in their starched white ruffs, their fashionably slashed and pinked and scissored doublets, their puffed sleeves and padded trunkhose; and the ladies of the court, in their damask and Cathay silk and velvet, their Spanish farthingales and glittering ornaments and ostrich feather fans, made her feel like a milkmaid who had crept in uninvited to the ball.”
This book can be recommended to students by teachers and librarians. It’s appropriate for the same age group that read (and probably still does) G. Trease’s Cue for Treason. That is a book I enjoyed in my early teens and still remember with fondness for its historical backdrop, exciting plot, and the integration of the theatrical life in the age of Shakespeare into the story. The Alchemist’s Apprentice is a shorter book and doesn’t cover nearly as much political-historical ground, but it offers high quality reading for youngsters. Shakespeare has a cameo here too. If I could suggest any kind of improvement, it would be to say that the book should have been longer, with the adventure extended over another fifty pages, and then it really could have become a staple of the classroom.
Olga Stein (Books in Canada)
-- Books in Canada
“The brick walls of Hampton Court Palace, rising before them, were deep crimson where the sunlight struck them, plum-coloured in shadow, patterned with chequered lines of burnt-black. Sidonie craned her neck this way and that, gazing at turrets and gilded pinnacles, mullioned windows, embrasured parapets.”
That such a superb diet is intended for young adult readers is all the more laudable, and the merits of this book don’t end there. Labeled ‘fantasy’, The Alchemist’s Daughter is actually a tale of adventure arranged in a historical setting. It’s 1587, and there is England’s impending war with Spain, the 50-year-old Queen Elizabeth’s reluctance to enter a bloody and costly conflict, and her court ministers’ premonitory awareness of the shortage of gold in the royal coffers-an indispensible means of financing a defensive campaign against the Spanish fleet. There is no magic, unless one equates it with fifteen-year-old Sidonie’s unreliable psychic abilities. She can look into a crystal ball and occasionally “scry” some sign of what’s to come. That is why she is summoned by the Queen, and that is how her alchemist father, Simon, gets in the kind of trouble only Sidonie can rescue him from. Believing, as many in that age still did, that he is able identify the chemical ingredient that will transform base medal into gold, Simon Quince is unwittingly drawn into backroom court intrigue and naively promises to ‘make’ gold to help with Elizabeth’s war-time needs. Sidonie, already more sensible than her father, quickly sees that such a promise will cost Simon his life, for success is unlikely unless the elusive ingredient, “the elixir of transmutation”, really exists and she is able to locate it.
Sidonie is a girl one would enjoy befriending. She’s clear-headed, brave, and intelligent. She reads Euclid for pleasure, finding the “abstract world of numbers safe and reassuring.” For mathematics, she knows, “one needed no magical talismans, no esoteric wisdom to unlock its secrets, only the application of a logical and exacting mind.” And she’s determined. She risks her father’s ire and travels without his permission to the distant, ruined Glastonbury Abbey, accompanied only by her doting neighbour, Kit, in order to bring back some of the powder she’s convinced is the elixir the famous Paracelsus described in his writings. Trouble starts for Sidonie and Kit on the way back home, when they are tricked into offering another traveler assistance. Sidonie’s pouch with the “elixir” is stolen and Kit sustains a blow to the head.
With the aid of some new-found friends, Sidonie procures the gold after all, though not in the way she had intended at first, and, in an exciting finale, she saves Elizabeth from being poisoned. England goes on to win the war against Spain, but that’s history. Meantime, another lovely passage describing a celebration at the palace is worth reproducing here for the colour and fanfare it depicts with language that’s easily relished.
“Kit and Sidonie wove their way through the chattering, jostling throng. The ladies’ gowns were a vivid tapestry of emerald, ruby red and buttercup, topaz and violet and damson. . . .What coxcombs the gentlemen were, she decided, in their starched white ruffs, their fashionably slashed and pinked and scissored doublets, their puffed sleeves and padded trunkhose; and the ladies of the court, in their damask and Cathay silk and velvet, their Spanish farthingales and glittering ornaments and ostrich feather fans, made her feel like a milkmaid who had crept in uninvited to the ball.”
This book can be recommended to students by teachers and librarians. It’s appropriate for the same age group that read (and probably still does) G. Trease’s Cue for Treason. That is a book I enjoyed in my early teens and still remember with fondness for its historical backdrop, exciting plot, and the integration of the theatrical life in the age of Shakespeare into the story. The Alchemist’s Apprentice is a shorter book and doesn’t cover nearly as much political-historical ground, but it offers high quality reading for youngsters. Shakespeare has a cameo here too. If I could suggest any kind of improvement, it would be to say that the book should have been longer, with the adventure extended over another fifty pages, and then it really could have become a staple of the classroom.
Olga Stein (Books in Canada)
-- Books in Canada
Book Description
The Alchemist’s Daughter will pull you from whatever you are supposed to be doing into Sidonie’s fortunes, and hold you there cover to cover.Marked by high adventure, and delicious language, Kernaghan’s use of real historical figures like Dr. John Dee, Lady Mary Herbert, Sir Philip Sidney and William Shakespeare, blended with original fictional characters are a powerful mix, while her impeccable research allows you to learn something of an age that has long held a spell over contemporary readers.
From the Publisher
Nominated for the BC Book Prizes, Sheila A. Egoff Children's Literature Prize.
About the Author
Eileen Kernaghan lives in New Westminster, British Columbia. Her latest fantasy novel, The Alchemist’s Daughter is her sixth book in this genre. The Snow Queen (Thistledown, 2001), won the Canadian Science Fiction and Fantasy Award, the Aurora, for best long-form work in English, and was short listed by the Canadian Library Association for Best Children’s Book of the Year. Her earlier Grey Isle Trilogy (Ace, 1980-1989) won a silver medal for original paperback fiction from The West Coast Review of Books. Songs from the Drowned Lands won the Canadian Science Fiction and Fantasy Award, while the third book in the series, The Sarsen Witch was short listed for the same award. The experimental Dance of the Snow Dragon, a young adult fantasy novel with a Tibetan Buddhist background, was published in 1995 by Thistledown Press. In addition to her fantasy novel work, Kernaghan’s poems and short stories have appeared in many North American publications, both mainstream and speculative.
