If you want to enjoy Smith's work, please buy ANY other book of his before this one. Especially the new edition of "The Probability Broach," the essays in "Lever Action," or his richly told "Forge of the Elders" saga.
~ Two massive terrorist acts have the detective protagonist, Win Bear, and his circle showing very little emotional reaction to them, beyond initial revulsion and bone-weariness. This rings false. Thousands have died instantly, and in a culture that is wholly unaccustomed to it. Win's lack of feeling undercuts one basic point Smith has made: that such mutual support flourishes, rather than wilts, in an individualistic and non-political culture.
~ The "stranger in a strange land" focus is weakened by a lack of vivid hints of the statist America(s) from which those in the "Zone" have escaped. Smith's stellar "Pallas" is clearly set in an alternate universe where that fact is never brought up, and his "Broach" makes this escape into one of high contrast -- and both novels are far stronger in that respect. This one is in a mushy middle ground.
~ Too many allusions are made to current American pop culture. These wrench us back too quickly to a dreary this-world present -- and we don't see how they're transmitted, nor from which alternate America.
~ The statist villains here are caricatures, introduced too quickly and pulled off stage too abruptly. Compare this to the luxurious portrait of John Jay Madison in "Broach," where you want to know him better, even while you mentally hiss him as in an old-time melodrama.
~ Names are too often tortured concoctions and are pulled too closely from "real" figures, without the intended satiric effect. "Bennett Williams" is made into a simpleton of an ideologue. William Bennett is not like this, despite his massive faults, and the point is lost.
~ Details of gunsmithery get in the way. In "Broach," they furthered the story without bogging down in a collector's zest for minutiae. Here, they end up diluting the vital point about weapons of self-defense adding to human dignity.
~ The main characters are undercut by our knowing that they show up in a half-dozen Confederacy novels set after this one. It's like knowing Anakin Skywalker is never in mortal danger in "Star Wars" II, when we realize he already was in IV through VI. (This is more distracting, though, for long-time Smith fans.)
~ The copyeditor and proofreader were out to lunch on this one. Misspellings, mispunctuation, shifts of tense, and over-repeated character backgrounds are constant and distracting.
Neither author nor reader deserves to have this highly flawed book discourage newcomers from sampling Neil Smith's talent and enjoying his utter passion for human liberty.