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The Art Thief: A Novel
 
 

The Art Thief: A Novel [Paperback]

Noah Charney
4.5 out of 5 stars  See all reviews (2 customer reviews)
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From Publishers Weekly

With its flat characters, overly technical exposition and a plot implausible even in the wake of The Da Vinci Code, art historian Charney's debut disappoints. When a priceless Caravaggio altarpiece disappears from Rome's Santa Giuliana church, the police call in renowned art historian Gabriel Coffin to investigate. Coffin detects a pattern after a rare Kasimir Malevich Suprematist painting disappears in Paris and another Malevich is stolen from London's National Gallery soon after being purchased at Christie's. As potential forgeries are uncovered and the thieves taunt those on the trail of the missing art with riddles and ransom demands, Coffin and his fellow art experts must race to recover the stolen masterpieces before they disappear forever. Despite his extensive knowledge of the art world's criminal underbelly, Charney delivers a story so bogged down with minutiae that even the most dedicated reader will get stuck. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Review

"A vivid, marvelously readable look at the world of stolen art. The fascinating tale keeps you constantly wondering -- does this really happen? Noah Charney knows his stuff." -- Steve Berry, New York Times bestselling author of The Alexandria Link

"Noah Charney offers us a masterful thriller filled with revelations." -- Javier Sierra, New York Times bestselling author of The Lady in Blue

"A thrilling, literary page-turner, The Art Thief paints portraits of lovers, frauds, innocents, and scholars, all presented in Charney's sharp, fresh voice. This exciting debut establishes young Noah Charney as the curator of crime." -- Jennifer Finney Boylan, author of She's Not There

"Charney constructs an intricate web of crime, bolstering a sensational plot with well-crafted characters and extensive research. Eventful and exciting, The Art Thief is an enthralling novel." -- Vernon Rapley, head of the Art & Antiques Unit, New Scotland Yard

"Sleek, sharp, and sophisticated, The Art Thief will steal your spare time -- and you'll be happy you were robbed." -- Don Winslow, author of The Winter of Frankie Machine

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4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
4.0 out of 5 stars A Great Art Thievery Book!, Mar 16 2008
By 
MacFly (Regina, Saskatchewan) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: The Art Thief: A Novel (Hardcover)
The Art Thief is a great book! The story revolves around three separate thefts of valuable art and, as each story unfolds, they begin to merge into one larger theft. The knowledge of the author about the art world makes this story completely believable while also educating the reader about the world of art acquisition and theft. The main characters are believable and complex and intertwined in ways that are surprising to the reader. I enjoyed the flow of this book with the movement among the three stories. Each story was so interesting in its own right that I found it difficult to find a place where I was willing to put down the book! I have added this author, Noah Charney, to my list of writers whose future work I will ensure to read!
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1 of 1 people found the following review helpful
5.0 out of 5 stars WITTY, SOPHISTICATED, INTRIGUING, Nov 11 2007
By 
Gail Cooke (TX, USA) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
This review is from: The Art Thief: A Novel (Hardcover)
Every once in a great while a debut novel comes along that's head and shoulders above the rest. My response to Noah Charney's initial work is "Eureka! It's the mother lode!" The Art Thief is an intellectual, witty, page-turning tale of three art thefts which take place in the most fascinating-to-read-about settings - Rome, Paris, and London.

Mr. Charney has an amazing ability to describe his characters so originally, so memorably that you feel you actually know them. Surely, if I saw a man wearing "his smile like a crown of thorns," I'd immediately recognize Professor Barrow. Or, should I spy on a London street a fellow with a coat that revealed a "coffee colored lining, which hung, a corner ripped out and dragging," I'd want to say good day to Harry Wickenden - even if he was not consulting "his ten-pound gold Rolex watch." Should I have the good fortune to be dining in Paris and see the porcine Inspector Jean-Jacques Bizot, he'd be quickly placed as "His brambly peppered beard was a tangle of chin and leftovers, and bounced of its own volition, revealing his gummy smile." It's sheer pleasure to follow each of their adventures.

Our story opens in Italy, in a small church, Santa Giulana. The church's pride is a Caravagio altarpiece, which disappears in the dark of night. No clues, no trace, only a distraught Father Amoroso.

The Malevich Society in Paris, overseen by the erudite, chain smoking Genevieve Delacloche, is in a turmoil as its prime painting, White on White, by Kasimir Malevich has disappeared from the impenetrable vault in the Society's basement.

In London the National Gallery of Art pays an astounding 6.3 million pounds for what is to be the centerpiece of an upcoming exhibit. But, despite tight security odd things are occurring at the Gallery. Closed-circuit television screens reveal movement in the basement utility room but the screens don't show anyone. Those monitoring the screens can't communicate with other security personnel; they cannot call the police as their phones are dead. Their latest acquisition is gone, and a hefty ransom demanded.

To perplex further the thieves leave notes, clues, if you will, that tease. How any of these thefts could be connected will both confound and enthrall readers.

Mr. Charney's novel is rich in art history and abounds with detail regarding art thievery, such as the fact that "90% of all criminal collectors of art are people of wealth and society." Most often they are men who have amassed art quite legitimately through auctions and galleries. Information of this sort springs easily from Mr. Charney as he is the founding director of the first consulting group on art crime prevention and solution. It's clear that he is passionate about art and all its facets.

However, the appeal of The Art Thief is not limited to art lovers, Francophiles, Anglophiles, or Italophiles as it stands alone as a story of compelling suspense. My one caveat would be that the art lectures delivered by one of his characters tended to run on for a bit, while this reader wanted to get to the bottom of all the intriguing double dealing going on. Nonetheless, that was a small price to pay for such an absorbing, sophisticated page-turner.

- Gail Cooke
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 2.7 out of 5 stars (79 customer reviews)

40 of 45 people found the following review helpful
1.0 out of 5 stars how not to write a book, Nov 4 2007
By RobA - Published on Amazon.com
This review is from: The Art Thief: A Novel (Hardcover)
The Art Thief is an amateurish novel that lectures against romanticizing art theft while doing exactly that. The author is described in publicity material as the founding director of an international think tank on art crime with a board of trustees that "includes the respective art squad heads of the FBI, Carabinieri, and Scotland Yard, as well as renowned museum, art world, and criminology specialists." They may not have read his novel. The book is populated with slapstick national stereotypes and Keystone Cops. The bumbling hugely obese French detective of the Sūreté stops to indulge his gourmandise on the way to crime scenes and is almost too fat to see the clues. The depressed, poorly dressed working-class British art crimes detective "can't tell a Degas from a Manet from a fancy I-don't-know-what" but has solved all his cases. Despite the lectures the author provides on how art theft is funding the drug trade and terrorism, the thieves are motivated by love, loss, and a sense of fairness and are the only characters not mocked or stereotyped. The moral of the story: "Trust in thieves."
Charney thanks his editors in the acknowledgements but apparently no one actually edited the writing. He writes about spotlights that illuminate spaces "vicariously," people who "reflect thoughtlessly," academic halls decorated with "pendulous portraits" (shades of Dalí). The only possible conclusion is that he does not know whas those adjectives and adverbs mean. An attentive editor should have noticed these and other awkward uses of language. There should be no star at all attached to this disastrous title.

27 of 30 people found the following review helpful
1.0 out of 5 stars A disappointment, Nov 10 2007
By B. Johnson - Published on Amazon.com
This review is from: The Art Thief: A Novel (Hardcover)
I was intrigued enough by the subject matter of this book to give it a chance, but found it tremendously disappointing. The writing is painfully bad at times, and would have benefitted greatly from an editor. The characters are cliched, and the ending contrived. How this book ever landed a major publishing contract I cannot imagine. I have seen self-published fan fiction with better writing than this. I was also amused by Mr. Charney's claim to have invented the study of art crime; there are at least two professional journals and numerous books devoted to the subject written before Mr. Charney was born. For those interested in art history and art world intrigue, I would recommend Thomas Hoving's King of the Confessors and Peter Mayle's Chasing Cezanne.

18 of 19 people found the following review helpful
1.0 out of 5 stars A Poor Example of Storytelling, Feb 29 2008
By Thriller Lover - Published on Amazon.com
This review is from: The Art Thief: A Novel (Hardcover)
I wanted to enjoy THE ART THIEF, mainly due to my pre-existing interest in the subject matter. However, author Charney is simply not very skilled at telling a story that is even remotely interesting or believable. The plot of this book is not structured in a manner to engage the reader's interest. The character development is non-existent, and the prose awkward. In particular, Charney's efforts at "humorous" dialogue fall painfully flat.

THE ART THIEF contains some interesting lectures on art history, but they are not integrated into the novel's plot. I learned some interesting tidbits of information in reading this novel, but it didn't make the book worthwhile for me. I would have been better off reading a work of non-fiction.

Charney is probably a very talented guy, but I think his editor let him down by releasing THE ART THIEF in its current form. Novels like this make me wonder about the mindset of modern-day publishing.
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