2 of 2 people found the following review helpful
4.0 out of 5 stars
A Brilliant Portrait Of Agression, Self-Destruction & Love!, July 7 2003
On a cold spring morning in 1932, fourteen-year old Karl Adare and his eleven-year-old sister, Mary, arrive by freight train in Argus, North Dakota. Abandoned by their mother, they have come to look for their mother's sister, Aunt Fritzie, who runs the House of Meats, a butcher shop, with her husband. The two Adares lose each other. Karl is frightened by a dog and runs back to the boxcar, and Mary runs the other way, toward town. And so begins the forty year saga of a family, and a community.
Through the years the family holds together through the tenacity of relationships, in a fierce and passionate drama, filled with Erdrich's dark humor. Changes sweep across their lives - birth, death, madness. Change also comes in the form of a growing sugar beet industry. Ms. Erdrich story chronicles Mary's life, as she puts down roots in Argus. She also keeps track of the tragic and sensitive dreamer, Karl, on his endless road journeys. He seem to compulsively flee emotional ties, and yet returns to Argus, again and again. At one point Karl says, "I give nothing, take nothing, mean nothing, hold nothing." He struggles with connection - with the past, and with his family and community. Mary's astounding dreams and fantasies also play an incredible and surreal role in the novel.
Themes of parenting and abandonment, jealousy, sexual obsession, and great love play out with passion in Ms. Erdrich's complex and believable characters, as does her portrayal of people's aggression and the self-destructive side of human nature. Her narrative is written with beauty, clarity and pure magic. This is not an easy book to read, nor is it always pleasant. It is, however, well worth the effort.
Like many of her characters, Ms. Erdrich has a foot in two worlds. She grew up in Wahpeton, North Dakota, near the Bureau of Indian Affairs school where both her mother, of French-Ojibwe descent, and her father, of German descent, taught. She writes movingly about Native Americans "whose nobility resides in their ability to make their lives work."
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
1 of 1 people found the following review helpful
4.0 out of 5 stars
Earthy characters, darkly humorous., Dec 19 1996
By A Customer
This review is from: The Beet Queen (Paperback)
From the beginning of the book you care about the characters and what will happen to them. The North Dakota landscape is vividly recreated and the writing is clear, concise, and gritty. My only real "complaint" is I felt unfulfilled by the ending...I kept saying, "but what happened to Jude? He will never know about his family! Wait, it can't end yet."
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
4.0 out of 5 stars
People as tortured as the landscape, Jun 6 2001
I picked up this book at a second hand store. It had a dedication in the inside cover. It had been a gift for Mother's Day, and it read: "To the Queen of the house, because she can't be Beet!".
Erdrich has the special touch to make surreal situations so very believable. I love the parallel drawn with the plane rides, how in one case it is a beautiful woman running away from responsibility, and on the other it is a not-so-graceful woman running away from scorn. The birthday party scene is one of the most hilarious that come to mind, with the cake spinning out of control and Mary still singing Happy Birthday to You, while the guests are showered in frosting. And Mary's fall in the ice and the revered imprint of her face... How surreal can this book get?!?!
In my opinion, it makes sense to read this book first, followed by Love Medicine (93), followed by Tracks (89).
I first learned of Erdrich in some anthology, where i read her short story Fleur (now, that's a scary character, who appears in all three books!)
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No