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The Bells [Paperback]

Richard Harvell
4.5 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

Jun 28 2011
Dazzling, enchanting and epic, The Bells is the confession of a thief, kidnapper and unlikely lover — a boy with the voice of an angel whose exquisite sense of hearing becomes both his life's tragic curse and its greatest blessing.

Moses Froben was born in a belfry high in the Swiss Alps, the bastard son of a deaf-mute woman banished to the church tower to ring each day the Loudest and Most Beautiful Bells in the land. His life is simple but he is content, until the day his father recognizes Moses's singular sense of hearing and its power to expose his sins. Cast into the world with only his ears to protect and guide him, Moses finds refuge in the choir of the great Abbey of St. Gall and becomes its star singer, only to endure the horrifying act of castration meant to preserve his angelic voice and turn him into a musico.

In a letter to his son, Moses recounts his humble birth in eighteenth-century Switzerland and his life as a novice monk, and tells of the two noble friends — and a forbidden lover — whom he cherished during his chaotic years in Mozart's Vienna as apprentice to the great Gaetano Guadagni, and even as he ascended Europe's most celebrated stages as Lo Svizzero. But in this letter he will also reveal the astonishing secrets of his past and answer the question that has shadowed his fame: how did Moses Froben, world-renowned musico, come to raise a son who by all rights he could never have sired?


From the Hardcover edition.

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Review

"Wrenching and painfully triumphant. . . . A poignant and acutely told story of the human spirit; highly recommended."
 — Library Journal

"Harvell has fashioned an engrossing first novel ringing with sounds; a musical and literary treat."
 — Booklist

"The Bells does for the ears what Perfume did for the nose. A novel to engage the senses as well as tickle the mind."
 — Sarah Dunant, international bestselling author of Sacred Hearts

"Astonishing in its originality, epic in its scope, luminous in its richness, The Bells is a novel to be savoured page by glorious page."
 — Cathy Marie Buchanan, New York Times bestselling author of The Day the Falls Stood Still

One of the most difficult feats Harvell accomplishes in The Bells is capturing the physical experience of music. It warms necks and backs, resonates in jaws and temples, and rings in chests and legs. Music fights with death, seduces a woman, guides a thief and ultimately triumphs in love. Harvell has written an entertaining and eye-opening aria of a book.”
 — The Washington Post


From the Hardcover edition.

About the Author

RICHARD HARVELL was born in New Hampshire, USA, and studied English literature at Dartmouth College. He now lives in Basel, Switzerland, with his wife and son. The Bells is his first novel.


From the Hardcover edition.

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Most helpful customer reviews
4 of 4 people found the following review helpful
5.0 out of 5 stars "Over-the-top", "gushing", "operatic"... Nov 9 2010
By Jill Meyer HALL OF FAME TOP 50 REVIEWER
Format:Hardcover
yes, three descriptions of Richard Harvell's first novel, "The Bells", that fit both the plot and the writing. But how could you write a very good novel about a castrati, who gains fame and the love of a woman, in less than a totally "operatic" way?

Harvell's book is a feast for music lovers (which I am not) and for amateur historians (which I am). The story of a young boy, Moses, orphaned from his deaf-mute mother who is a bell-ringer in a tiny village in 18th century Switzerland, and rescued by two wandering monks, who eventually return to their monastery and turn the boy over to the choir master when his beautiful voice is recognised. Secretly castrated to retain the marvelous voice, young Moses leaves the monastery to find his own way in the world. He eventually winds up in Vienna and is taken under the wing of another famous castrati singer, and eventually finds great success, and a modicum of personal happiness, in the world of opera in Venice and London. Author Harvell writes with such wonderful emotion that every part of Moses' story is as beautifully wrought as an opera score. Oh, and the title, "The Bells" has a sort of double meaning, that become apparent to the reader fairly early on in the story.

All together, the book is a tour-de-force.
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4.0 out of 5 stars Opera in prose Sep 17 2011
By Vlad Thelad TOP 500 REVIEWER
Format:Paperback|Amazon Verified Purchase
The Bells is a great story well written. What brought my attention to the book was the reference that it "does for the ears what Perfume (Suskind's novel) did for the nose"; and, yes, it does. If, as some reviewers feel more inclined to do than others, we are to expect perfection from an author's first novel, this one falls short. For me though, the fact that the story captured me, moved me, and sent be in search of a good recording of Gluck's Orpheus and Eurydice (albeit sung by a tenor) is enough to recommend it.
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Amazon.com: 4.2 out of 5 stars  77 reviews
42 of 44 people found the following review helpful
5.0 out of 5 stars A brilliant tour de force! Oct 2 2010
By Evelyn Getchell - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
I happen to love classical music and opera in particular. I am not a musicologist by any stretch, but I have a deep appreciation for how great music makes me FEEL, how it speaks to my heart and reaches the soul. And THAT is what I love most about The Bells: A Novel ~ a splendid visceral novel that gives voice to sound, to vibration, to resonance, to tone... and puts into words how the beauty of pure sound is felt in the heart of the beholder.

Richard Harvell accomplishes this astonishing feat by juxtaposing in three acts the story of Moses Froben ~ the man who was made into an angel, "Lo Svizzero... who could bring an audience to tears with his voice" ~ with the great opera in three acts by Christoph Willibald von Gluck: ORPHEUS AND EURYDICE. ORPHEUS AND EURYDICE is not only one of my favorite operas, and one reason why I am so fond of this novel, but the Greek mythology upon which the opera is based is brilliantly applied to the plotting of The Bells: A Novel.

As always when I review, I'd rather not not give a plot summary away but leave it to the reader's own discovery to fall under the spell of great storytelling. To succumb to this novel's charm occurs easily because the well researched background provides all of the vitality necessary for the story to be taken seriously. Its sounds are real. Its settings are real. Some of its characters are real. The history is real. For this reader, the willing suspension of disbelief was easily come by for total engagement in this very original and most enchanting novel.

The original version of the opera ORPHEUS AND EURYDICE, with libretto in Italian by Raniero da Calzabigi, was premiered in Vienna in 1762. It was conducted by the composer Gluck and the lead role of Orpheus was sung by the castrato Gaetano Guadagni. That much, as represented in The Bells: A Novel, is true, so it is not at all difficult to place the character Moses in that same operatic world of the mid-1700s.

Moses's story from his humble birth in the Swiss Alps to his renowned success on the greatest of stages is so many things: love, beauty, innocence, art, tragedy, drama, dilemma, hatred, loyalty, bravery, fear. His is an epic of emotional truths. Moses is a hero who opens a window into the human spirit. He does it with sound, with his breath, with his voice.

"God is beautiful. He's perfect. And he inspires us to be beautiful and perfect, too. We're not, of course. And that's exactly why we need beauty in our lives: to remind us how good we could be. That's why we chant. That's why Moses sings...For if we know perfect beauty, with our eyes, with our ears, even for a second, we'll come that tiny bit closer to being it ourselves."

The main thrust of the storyline in The Bells: A Novel is parallel to the myth of Orpheus and Eurydice. The myth becomes the story of the hero Moses and his heroine Amalia. It is very touching and poignant. Another reviewer thought it too melodramatic and over-the-top but I feel, as one who actually loves the melodrama of opera, that this technique, as it does in opera, enables us to experience the emotion, to really get inside the human experience which is being showcased.

I loved this brilliant tour de force and I devoured it with relish. I really hated to put it down. It's been a long time since I was as hooked on cliff-hangers as I was between chapters in The Bells: A Novel. I adore opera (ORPHEUS AND EURYDICE in particular) and opera and voice play a huge role in the telling of this story. But the reader need not be an opera aficionado or a classical music buff to appreciate this great novel. If you love to read a well-told historical fiction, poetic in language and sensitive in manner, in which unforgettable characters appear in authentic settings, in which the action excites and intrigues, thenThe Bells: A Novel is for you.
10 of 11 people found the following review helpful
5.0 out of 5 stars Review of Richard Harvell's "The Bells" Feb 28 2011
By Farsh Askari - Published on Amazon.com
Format:Hardcover
Richard Harvell's debut novel, "The Bells," is a richly descriptive, highly visceral experience. Through the main character, Moses Froben, the reader experiences a heightened sense of hearing by experiencing the musicality in everyday sounds and the conduction of notes in non-traditional instruments such as stone walls, wooden doors and human flesh. Every object in Moses's world speaks to him in the song of its tones and musical resonance. Through Harvell's richly crafted writing, the reader isn't transported vicariously, but experiences the gift of music and song seemingly directly as if after a lifetime of only muted appreciation, suddenly a filter has been peeled off the ears and every sound is heard with infinitely greater complexity of interwoven notes and vastly amplified nuances.

The storyline of Harvell's "The Bells" is parallel to the Greek myth of Orpheus and Eurydice. Indeed the myth and the opera of the same name upon which it is based are integral to the plotline. The myth of Orpheus and Eurydice becomes the story of the protagonist Moses and his love interest, Amalia. The novel, while fiction, contains actual people and historical references. This inclusion of historical events enhances the suspension of disbelief and foreknowledge of the carefully researched information woven into a well rendered, imaginative story portends both the creative and documentary feat that Harvell ultimately achieves with his debut novel.

As category, "The Bells" can be described as a love story and thriller set in the world of 18th century European opera. As such a high concept within that historical timeframe would indicate, the novel is laden with heavy prose. And at times the metaphors and florid language may feel excessive and consequently verbose. This may be the only detraction of what is otherwise a laudable and compelling debut. However, like other gifted writers such as Cormac McCarthy and William Faulkner, the dense prose requires the reader to make an initial adjustment that is brief and easily done before becoming at ease, completely engrossed and highly invested with the world and characters Harvell imagines. Indeed the vivid and romantic imagery evoked lends to a highly cinematic quality.

Richard Harvell's "The Bells" sets the bar high for a follow up novel. If "The Bells" is indicative of this young author's talent, then Harvell is not just a "young writer to watch" but also, and more importantly, one to read.
20 of 25 people found the following review helpful
5.0 out of 5 stars I so enjoyed reading this book! Sep 14 2010
By Richard B. Green - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
"The Bells" is Richard Harvell's first book. He captures the reader from the very start and takes him or her, along with the amazing "Moses," on this amazing journey. The story begins back around 1750, in Europe. Harvell has created a time and a place and a stage-full of memorable characters. This is a story of love and loss and abandonment, searching and dreaming. How to avoid giving too much away? The books 375 pages fly by, for, personally, I found I couldn't put the book down. At times I thought, "What a great movie this would make! Or a mini-series!" It's almost impossible to believe that the practice of castrating young boys for the purpose of "preserving" their singing voices continued into the early 1900's. Who's surprised that the Catholic Church held onto this practice until then? As horrific as this practice was, you will thrill to Moses' life as a castrato, if only because his talent and his pluck and his strength of character allow him to interact with an amazing group of characters who share this wonderful story with him. You can see I'm trying to not give too much away. Let me just finish by saying that if getting lost in a book is what reading is all about for you, you will not be disappointed in Richard Harvell's efforts to allow you just that opportunity.
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