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Restored in the late 1980s and warmly embraced by film festival audiences, The Big Trail proved to be more than just a historical footnote. What were those 1930 reviewers thinking?! Wayne is fresh, exuberant, matinee-idol handsome, and irresistibly charming (only a little purple prose trips him up, and no one should have been asked to speak such early-talkie flapdoodle anyway). The scenario winds through epic settings from the banks of the Mississippi by way of the Grand Canyon to the snows of Oregon and the mountain vistas of Washington, marking both a wagon train's journey and the settling of a personal score between trail guide Wayne and Tyrone Power Sr. as a veritable ogre of a villain. (A villain off-camera, too: Walsh had the actor beaten nearly to death for attempting to force himself on leading lady Marguerite Churchill.) The Big Trail is now an authentic classic, and a swell movie. Probably always was. --Richard T. Jameson
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3.0 out of 5 stars
Difference between 1 and 2 disc versions,
This review is from: Big Trail (DVD)
The Big Trail (2-Disc Special Edition)Fox // G // May 13, 2008 Review by Stuart Galbraith IV | posted May 4, 2008 | A D V I C E Highly Recommended A truly epic Western of staggering proportions, Raoul Walsh's The Big Trail (1930) is a fascinating work on many levels. Technically it was way ahead of its time; its impressive use of an early 70mm widescreen process predates Todd-AO by a quarter of a century. It also features John Wayne in his first starring role, a role that on one hand helped define his iconic screen persona but which also exiled him to the lowly world of $12,000 B-Westerns after its commercial failure. Produced for about $2 million (probably upwards of $300 million in today's money) The Big Trail is so massive in scale that it would be all but impossible to reproduce today without the aid of CGI. Best of all, the picture offers a uniquely authentic portrait of pioneer life on the trail westward, the Manifest Destiny vividly brought to life with at times the poetry of Frederick Remington's paintings. Incredibly, five different versions of the film were shot simultaneously: one in the 70mm Grandeur process for exhibition in the biggest movie palaces, another in standard 35mm for general release, plus three foreign-language versions with (mostly) different casts, all shot in standard 35mm: in French, German, and Italian. Fox originally released The Big Trail to DVD in May 2003, but that disc consisted only of the 110-minute standard 35mm version. Fox's new 2-Disc Special Edition includes a 122-minute version of the Grandeur version (reportedly The Big Trail debuted at 158 minutes, but this is unconfirmed) in all its 16:9 enhanced widescreen glory along with some good extras on Disc 1, while Disc 2 includes the previously available 35mm version. The second disc is actually the exact same DVD from 2003.
1.0 out of 5 stars
I love this movie,WHERE ARE THE MISSING SENES?!?,
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This review is from: The Big Trail (DVD)
I've watched this film for years on TCM. I'm watching it now from FOX via AMAZON. QUESTION: WHERE ARE THE MISSING SCENES!!!!!!!!!!!!!!I'm missing the scene where Coleman pits Flack and Lopez against themselves early in the wagon trail. Then, the desart comes BEFORE the last outpost instead of AFTER in the original and a lot cut out there. THEN before the winter mountains, a lot of film missing here. WHAT THE HECK DID I BUY?!? What a cropped out pile of junk!! [...]
3.0 out of 5 stars
Where is the "Fox Grandeur" Widescreen Version?,
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This review is from: The Big Trail (DVD)
This is a film that really deserves to be seen in its widescreen glory. This is truly an epic film. However, I feel compelled to point out that the version that is available on this DVD is not, in fact, a "cropped" version of the film. The movie was actually filmed in three different versions. The first two, featuring the original cast, were the widescreen "Fox Grandeur" version and the version available here, shot in the Academy Standard ratio, which allowed the vast majority of cash-strapped theaters (they couldn't afford the special equipment for widescreen projection) to exhibit the film. The scenes in this version were blocked appropriately for a standard film of this era. The third version, shot concurrently, was a German edition using German actors in medium and close shots and footage of John Wayne and company in the long shots.
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