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The Blind Assassin Hardcover – 2000


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Hardcover, 2000
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Product Details

  • Hardcover
  • Publisher: Nan A. Talese (2000)
  • Language: English
  • ISBN-10: 0385475721
  • ISBN-13: 978-0385475723
  • Product Dimensions: 24.3 x 17 x 4.1 cm
  • Shipping Weight: 975 g
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (220 customer reviews)
  • Amazon Bestsellers Rank: #495,885 in Books (See Top 100 in Books)

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5 of 5 people found the following review helpful By Ian Gordon Malcomson HALL OF FAMETOP 50 REVIEWER on July 16 2009
Format: Mass Market Paperback
Having stuck it out through thick and thin with this sometimes complex and twisty novel, I can now truly say the experiene was rewarding. Margaret Atwood once again lives up to her reputation as one of Canada's finest fictional writers. This novel is one of those rare works that effectively blends form and content to provide an entertaining and instructive story about life in high society in southern Ontario during the 20th century. The structure - the multiple-layering of stories - takes a little sorting out, but when the big picture finally emerges halfway through the book, the reader will be rewarded with a very clear understanding of Atwood's working philosophy. The plot is mainly about the two Chase sisters growing up together in the town of Port Ticonderoga during the 1920s. They are members of a wealthy family who during the Great Depression fall on hard times and virtually lose everthing. The moments together during the good and bad times are told much later as the older sibling, Iris, reflects on the life they once lived together and how it eventually fell apart because of circumstances beyond their control. Her reflective account grapples with why she and Laura, once so inseparable, eventually drifted apart and went their own separate tragic ways. Included in this tale are moments of intrigue, love, fantasy, injustice and tragedy, all cleverly woven together around a theme that is found in many of Atwood's writings: the incredible dominating power of the male sex drive to limit and control women. These two women unfortunately fall into the clutches of Richard Griffen, an up-and-coming political star, who marries the older one to enhance his public image while sexually exploiting the younger one.Read more ›
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1 of 1 people found the following review helpful By A Customer on June 24 2003
Format: Paperback
This is a complex work of fiction composed of 3 sections woven together like the parts of an Oriental rug: 1)The first, and the main, section is a historic reminiscence narrated by Iris Chase Griffen, daughter of a Canadin button manufacturer.
Her upbringing in Port Ticonderoga, Ontario at the Avilion estate is portrayed in rich detail in a series of flashbacks, including her relationship with all members of her family and in particular, with her younger sister Laura. We are given a great deal of historic detail about this period, particularly about World War I and attempts at unionization of the button factory, and we are given details about several generations of Iris's family; in addition, both Iris and Laura's personalities are described in some detail and there are significant differences between them. 2)The second section is an elaborately detailed science fiction story which is woven between the chapters of the main narrative and is narrated by an unknown author to his unknown lover in a series of seedy apartment buildings, contrasting sharply with the opulence of Avilion. We do not understand the connection until the end. The science fiction story itself also contrasts for the most part significantly with the somewhat halcyon life at Avilion, since it includes a great deal of gratuitous violence and appears to be about some sci-fi tribe out of the Dark Ages. 3) The third section is a series of "newspaper articles" of familial or newsworthy interest which are interwoven between the other two stories. Through them, we learn more about World War I, about attempts at unionization of the button factory, about deaths in the family, and about social events significant to the family.
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1 of 1 people found the following review helpful By A Customer on June 6 2002
Format: Paperback
I love Margaret Atwood (except for the occasional clunker she's come out with - a/k/a "Life Before Man", "Surfacing" and "Bodily Harm") and was very much looking forward to her latest. And, up until the last chapter or so, she did not disappoint. I was mesmerized (I even willingly read the story-within-a-story, and I loathe science fiction tales of any type) Unfortunately, though, it seems as though Atwood was writing on a deadline, or perhaps had run out of ideas. Certainly, toward the end, the story became a bit muddled and, surprisingly, left many plot holes:...
Additionally, the language, which up to the book's climax, had been of sterling Atwood quality ("... can never stop howling") somehow becomes short and stilted. "We were lovers, you see, in secret..." When I got to that line, I had a very difficult time equating it with any other dialogue in the book. It was too blunt, too sharp and failed to blend well with the rest of the writing (I thought of several other ways in which the author could have played that scene... definitely in a much gentler manner more in keeping with her prose)
And finally, the narrator's obsession with death and "being a skull", etc. was just a bit too much after a while. Yes, we know she has health problems, we know she's elderly... but does the reader have to be beaten over the head with such blatant morbidity?
All in all, I felt a great deal of what was otherwise a wonderful story fell through the cracks and that much space was wasted on Alex's sci-fi tale (yes, I saw the correlations between the characters and the story; however, I felt that the Xenon story could easily have been cut by two-thirds and still have made a point).
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