From Publishers Weekly
The Shroud of Turin is perhaps the most controversial and awe-inspiring religious relic of our time. In 1988, a team of scientists announced that the Shroud was in fact a medieval forgery and not the burial cloth of Jesus of Nazareth. Now, on the basis of new evidence, Wilson (The Turin Shroud and Jesus: The Evidence) re-opens the case. In part one of the book, Wilson uses the tools of image resonance and photography to contend that visual observation reveals the image of an apparently crucified body and its burial. In part two, Wilson argues that, while the Shroud visually satisfies the criteria that might be expected of the burial of a first-century Jew crucified as Jesus was, forensic evidence presented by the Shroud reveals its use as the burial cloth of a crucified man. In part three, Wilson traces an object that sounds and looks almost uncannily like the Shroud itself back to Jesus' time. Finally, Wilson concludes by pointing to tests that have proven that the Shroud's coating contains human blood and human DNA. In the engaging fashion of a detective spinning a mystery yarn, Wilson provides readers with plenty of data that proves, for Wilson, the Shroud's authenticity.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
The skeptics are still unable to bury the Shroud of Turin, not because of popular credulity but because serious researchers are producing evidence very difficult to explain by the medieval hoax theory. Wilson (Shakespeare: The Evidence, LJ 12/94) eschews the label expert, but he has been using his skills as a historian to gather and evaluate evidence since 1955. His purpose is to scrutinize impartially "every genuinely worthy hypothesis" for and against authenticity, and he succeeds admirably. Wilson vigorously defends the integrity and competence of the scientists and the quality of their carbon-14 labs, but he is also able to present new evidence of microscopic organic contamination in the Shroud that would easily cause a 1000-year error in their results. Among the many other issues discussed is a fascinating exposition of an experiment showing how a camera obscura could have been set up to produce a negative photographic image?and how such a project was unlikely. More complete and less personal than Gilbert Lavoie's Unlocking the Secrets of the Shroud (LJ 3/1/98). Highly recommended.?Eugene O. Bowser, Univ. of Northern Colorado, Greeley
Copyright 1998 Reed Business Information, Inc.