- Hardcover: 304 pages
- Publisher: Knopf; 1 edition (Sep 14 1999)
- Language: English
- ISBN-10: 0375406492
- ISBN-13: 978-0375406492
- Product Dimensions: 23.1 x 14.7 x 3 cm
- Shipping Weight: 544 g
- Average Customer Review: 3.6 out of 5 stars See all reviews (20 customer reviews)
- Amazon Bestsellers Rank: #983,703 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
From Amazon
Consider the book. Though Goodnight Moon and Finnegans Wake differ considerably in content and intended audience, they do share some basic characteristics. They have pages, they're roughly the same shape, and whether in a bookstore, library, or private home, they are generally stored vertically on shelves. Indeed, this is so much the norm that in these days of high-tech printing presses and chain bookstores, it's easy to believe that the book, like the cockroach, remains much the same as it ever was. But as Henry Petroski makes abundantly clear in Book on the Bookshelf, books as we know them have had a long and complex evolution. Indeed, he takes us from the scroll to the codex to the hand-lettered illuminated texts that were so rare and valuable they were chained to lecterns to prevent theft. Along the way he provides plenty of amusing anecdotes about libraries (according to one possibly apocryphal account, the library at Alexandria borrowed the works of the great Greek authors from Athens, had them copied, and then sent the copies back, keeping the originals), book collectors, and the care of books.
Book-lover though he may be, however, Henry Petroski is, first and foremost, an engineer and so, in the end, it is the evolution of bookshelves even more than of books that fascinates him. Pigeonholes for scrolls, book presses containing thousands of chained volumes, rotating lecterns that allowed scholars to peruse more than one book at a time--these are just a few of the ingenious methods readers have devised over the centuries for storing their books: "in cabinets beneath the desks, on shelves in front of them, in triangular attic-like spaces formed under the back-to-back sloped surfaces of desktops or small tabletop lecterns that rested upon a horizontal surface." Placing books vertically on shelves, spines facing outward, is a fairly recent invention, it would seem. Well written as it is, if Book on the Bookshelf were only about books-as-furniture, it would have little appeal to the general reader. Petroski, however, uses this treatise on design to examine the very human motivations that lie behind it. From the example of Samuel Pepys, who refused to have more titles than his library could hold (about 3,000), to an appendix detailing all the ways people organize their collections (by sentimental value, by size, by color, and by price, to name a few of the more unconventional methods), Petroski peppers his account with enough human interest to keep his audience reading from cover to cover. --Alix Wilber
From Publishers Weekly
That bookshelves might harbor secret and enchanting lives is a thrilling prospect for any serious reader. What laws of human nature govern our sturdy cases of books? What damning quirks of character glare from a few casually stowed volumes? In this disappointing study, however, Petroski's effort to reveal the "evolution of the bookshelf as we know it" yields few rewards. Pondering the physics of the bookend and the genealogy of the library carrel, this Duke University scholar observes the bookshelf as a piece of the infrastructure undergirding our civilization. We learn that medieval books were chained to their shelves to prevent theft, and that beverage stains have plagued bibliophiles almost since the dawn of the printed word. Admirers of Petroski's earlier works (The Evolution of Useful Things, Remaking the World, etc.) will not be surprised by his exquisite research, or by the gusto with which he plunges into the dustiest of library bins. But the bookshelf proves a more oblique topic than bridges or even pencils, two of Petroski's other interests. The practical construction principles of bookshelves make for rather dull reading, and conjecture about lectern usage in the Middle Ages wears thin. This book is most successful when delving into the gritty aspects of engineering, whether it be the cantilevered forces of library book stacks or the architecture of the British Museum Reading Room. After lingering among such fusty stacks, readers will welcome the whimsical appendix, which proposes arranging one's books alphabetically by the author's first name, or even by the first word of the antepenultimate sentence. (Sept.)
Copyright 1999 Reed Business Information, Inc.
Copyright 1999 Reed Business Information, Inc.
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Most helpful customer reviews
2.0 out of 5 stars
Windy and boring,
By
Ce commentaire est de: The Book on the Bookshelf (Paperback)
I'm as fascinated by history and technology as the next person, but this book seems to be an overstretched monograph, marked by redundancy and needless recitation. Properly edited, the story of the bookshelf would take far fewer pages. There is no reason to cite nine examples to prove that rows of lecterns with books chained to them were common c1600, for example. I'm willing to try other titles by this author--he is curious about interesting things and writes readably--but the subject matter here doesn't fill a book, in my opinion.
4.0 out of 5 stars
Discursive history of book shelving,
By A Customer
Ce commentaire est de: The Book on the Bookshelf (Paperback)
Although this volume contains much fascinating information about the evolution of the book, Petroski is most interested in how book storage systems have developed. It turns out that books have been stored in more ways--and in more peculiar ways--than an uninitiated reader might imagine. (Would you believe that most books were once shelved "backwards" with their fore-edge out and their title-less spine faced in?) Among Petroski's best chapters are the one that treats problems that arose when books had to be chained to their shelves and the one describing the development of modern library shelving so strong that it could support the library rather than the other way around. Petroski includes many fine illustrations that that well support his theses and educated guesses.Committed bibliophiles may easily tolerate the discursive, not to say meandering, course of The Book on the Bookshelf. I reached the limit of my patience a couple of times and put the book back on the bookshelf for a while before finally completing it. That having been said, Petroski's ramble is just too self-indulgent and just plain too long, sort of an Atlantic Monthly essay that got away from the author. I absolve future readers from all guilt if they decide to skip pages and even whole sections of this clever work.
4.0 out of 5 stars
A book for obsessive bibliophiles,
By
Ce commentaire est de: The Book on the Bookshelf (Paperback)
The Book on the Bookshelf is Henry Petroski's sly look at how books are stored, and have been stored for centuries. It's sly, in part, because to tell you this he has to tell you the history of the book itself, and this of course leads him off in different directions. You learn much about not only books, and bookshelves, but scrolls, printing, various sorting systems, printing and spelling conventions over the years, and various other minutiae. If you're interested in this sort of thing, like I was, it's very interesting. I was fascinated to read, for instance, that the British publishing industry changed about a decade ago, and began printing their titles on the spines of books oriented the same way we do it. Previously they had printed the titles upside down (from our point of view) and the two books I'm referring to are old enough to display this. I'd noted it, but never knew why they were like that. Now I do. I'd recommend this book to anyone who's interested in books, publishing, and the history of those things. I will warn you that the author does tend to get into his subject, digress a bit, and run away with his topic now and again, but I generally found this characteristic charming rather than annoying.
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