From Amazon
Winner of the first Giller Prize for Canadian fiction in 1994,
The Book of Secrets is an outstanding historical novel set in East Africa. The best of M.G. Vassanji's early novels, it transforms the history of South Asians in Kenya and Tanzania from 1913 to 1988 into an elegantly written and totally absorbing narrative that is part love story, part war story, part mystery, part national history, and part journey of self-discovery.
When retired history teacher Pius Fernandes finds the 1913 diary of Alfred Corbin, a British colonial officer, he vows to tell the story of the slim, brittle book and its owners over the years. Pius vividly recreates the colonial world of the inexperienced Corbin and the fragile Indian-African community under his rule. In atmospheric prose rich in local colour, Vassanji imagines a cast of varied and convincing characters, from the tough-talking spy Maynard and the spiritual leader Jamali to the mysterious and tragic beauty Mariamu and the jet-setting movie-star look-alikes Ali and Rita. At the heart of the story are the feisty shopkeeper Pipa and his son Aku (whose true father is the central secret in The Book of Secrets). Pius's research eventually leads him to tell his own story of immigration and longing, and finally to a re-evaluation of who he is. Straddling the colonial and the post-independence eras, The Book of Secrets compassionately explores the ambiguous identities of Indian and British migrants in East Africa. In the process it puts a very human face on a little-known side of Africa's tempestuous past, as well as asking searching questions about the ways in which history is gathered and told and to whom history's stories really belong. --John C. Ball
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Winner of Canada's esteemed Giller Prize, this complex novel is at once a story of the British Empire in Africa and a very postmodern meditation on the allures and pitfalls of narrative. It's set in the racial melting pot of East Africa, where African, Arab, Indian, English and German cultures mesh. The plot has two major strands: the present, in which an Indian-born retired history teacher, Pius Fernandes, discovers a diary written by Alfred Corbin, an English consul stationed in British East Africa (now Kenya) in 1913; and the past of the diary entries themselves, whose gaps and omissions Fernandes imaginatively fills with his own narrative. Corbin is posted to Kikono, a small town near Mt. Kilimanjaro, where he falls in love with his housekeeper, Mariamu, a young local woman betrothed to a bumbling shopkeeper. After the marriage, she bears a son, Ali, who has suspiciously light-colored skin and gray eyes. The second part of the novel follows "dashing" Ali's adventures as a successful salesman who moves to London with his young wife, Rita, who as a girl was a student of Fernandes's?and with whom he was in love. In the present day, Rita visits Fernandes in Africa and ultimately convinces him to give up his prying into the lives of "those who've lived a little more intensely than their neighbors." The book is lush with evocations of East African physical, cultural and historical landscapes. But energy is lost as Vassanji indulges in discursive tangents about the nature of history at the expense of sustained dramatic storytelling.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.