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The Brief Wondrous Life of Oscar Wao
 
 

The Brief Wondrous Life of Oscar Wao [Large Print] [Hardcover]

Junot Diaz
3.9 out of 5 stars  See all reviews (11 customer reviews)

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Hardcover CDN $9.49  
Hardcover, Large Print, February 2008 --  
Paperback CDN $13.36  
Audio, CD, Audiobook CDN $33.88  

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From Publishers Weekly

Starred Review. What a bargain to have Diaz's short story collection, Drown, included (on the last five CDs) with the talented, emerging Dominican-American writer's first novel. Davis reads both superbly. He captures not only the fat, virginal, impractical Oscar, but he also gives a sexy vigor to Yunior, who serves as narrator and Oscar's polar opposite. Davis also gives voice to Oscar's mother, Beli, whose fukú curse infects the entire family, except for Oscar's sister, Lola, performed in a flat voice by Snell, whose performance overlooks Lola's energy and resolve. Both Snell and Davis move easily from English to Spanish/Spanglish and back again, as easily as the characters emigrate from the Dominican Republic to Paterson, N.J., only to be drawn back inexorably to their native island. Listeners unfamiliar with Spanish may have difficulty following some of the dialogue. However, it's better to lose a few sentences than to miss Davis's riveting performance, perfect pace and rich voice, which are perfectly suited to Díaz's brilliant work.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

From Booklist

*Starred Review* Díaz's gutsy short story collection Drown (1996) made the young Dominican American a literary star. Readers who have had to wait a decade for his first novel are now spectacularly rewarded. Paralleling his own experiences growing up in the Dominican Republic and New Jersey, he has choreographed a family saga at once sanguinary and sexy that confronts the horrific brutality at loose during the reign of the dictator Trujillo. Díaz's besieged characters look to the supernatural for explanations and hope, from fukú, the curse unleashed when Europeans arrived on Hispaniola, to the forces dramatized in the works of science fiction and fantasy so beloved by the chubby ghetto nerd Oscar Wao, the brilliantly realized boy of conscience at the center of this whirlwind tale. Writing in a combustible mix of slang and lyricism, Díaz loops back and forth in time and place, generating sly and lascivious humor in counterpoint to tyranny and sorrow. And his characters—Oscar, the hopeless romantic; Lola, his no-nonsense sister; their heartbroken mother; and the irresistible homeboy narrator—cling to life with the magical strength of superheroes, yet how vibrantly human they are. Propelled by compassion, Díaz's novel is intrepid and radiant. Seaman, Donna --This text refers to an alternate Hardcover edition.

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First Sentence
They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Tainos, uttered just as one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked open in the Antilles. Read the first page
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Customer Reviews

11 Reviews
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Average Customer Review
3.9 out of 5 stars (11 customer reviews)
 
 
 
 
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15 of 15 people found the following review helpful
5.0 out of 5 stars 'Tis Better to Have Loved and Lost Than to Never Love at All, Feb 9 2008
By 
Donald Mitchell "Jesus Loves You!" (Thanks for Providing My Reviews over 112,000 Helpful Votes Globally) - See all my reviews
(TOP 10 REVIEWER)    (#1 HALL OF FAME)   
The Brief Wondrous Life of Oscar Wao is a family saga about identity, love, loss, oppression, hexes, sexuality, and fate. Don't give up during the first 50 pages where Oscar, the fat science-fiction and fantasy aficionado Dominican-American in the ghetto, is introduced . . . it's the least interesting part of the book.

From there, you will be transported into the past and future lives of Oscar's sister, mother, aunts, grandparents, and college roommate. Those lives are, in part, shared to present the history of the evil, repressive regime of Trujillo and its heirs in the Dominican Republic. The stories shared in this book rival anything you've read about the disappeared ones in Argentina.

Any book with such a sad point needs a little levity to release the reader's emotions. Junot Diaz accomplishes that result by having Oscar be the most unRomeo-like Romeo you can imagine.

Beneath the story line, the book asks a classic question: How much should we suffer for love?

Oscar is in many ways a modern Don Quixote who is troubled by having sexual desires as well as platonic ones. The humor is more subdued, but the parallels are striking.

If all you know about the Dominican Republic is that great baseball players come from there, you'll be pleased with this story. It's sweet and sad at the same time.

If you don't know Spanish, keep a dictionary handy. You won't quite know what some of the references are otherwise.
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1 of 1 people found the following review helpful
2.0 out of 5 stars More Bookish Thoughts..., May 30 2011
By 
Reader Writer Runner (Victoria, BC) - See all my reviews
(TOP 50 REVIEWER)   
As the 2008 Pulitzer Prize winner for fiction, Junot Diaz falls into an elite category of authors that includes Jhumpa Lahiri, Jeffrey Eugenides and Richard Russo. I have to admit, though, that The Brief Wondrous Life of Oscar Wao fell short of the mark; while I appreciated artistry of the novel, I didn't particularly enjoy it. In the first 50 pages, Diaz introduces Oscar, the obese, nerdy and entirely unlikable protagonist. It's a dry beginning but the book does improve when it delves into the lives of Oscar's sister, mother, grandparents and friends. As well as a family saga, the novel chronicles the era of the oppressive reign of Trujillo in the Dominican Republic. While the book successfully (and sometimes humourously) weaves together themes of identity, love, loss and fate, I found it gratuitously vulgar and uncaptivating. And as for its underlying question: how much suffering is love worth? I certainly wouldn't heed the advice of any of its characters!
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1 of 1 people found the following review helpful
4.0 out of 5 stars Good characterization...sometimes., Feb 17 2010
By 
I really love novels that intertwine different meta-narratives in order to tell the whole story.I think this is a feat that is not easily undertaken, and there are only a handful of authors that I've come across that can partake in storytelling from diverse perspectives, getting us to understand the internal logic of the different characters. I think Diaz has done this well. He does it all with a dash of edginess and dark humour, and incorporates history and culture into the story. He does shy away from any grandiose political statements, and talks about the horror of the reign of the Trujillo regime from a rather personalistic perspective (a la Trujillo was just a bad freakin' dude), as opposed to a more structural perspective, which is a bit annoying for those that know anything about the history of Latin American and US-propped dictatorships. I understand that a political statement was not his intention, though, although it did deal at length with racial relations.

While I enjoyed the meta-narratives and characterization of the book, oddly enough, I didn't dig on Oscar all that much. Someone else mentioned here that he was a stock character of the fat, science fiction-loving, introverted, sex/love-challenged variety, and I must agree. I had a hard time having any empathy for him, and read the book mostly for the other characters (I found his sister and especially his mother's stories interesting). When he was interactions with other characters, it's always in this obscure space-speak, variations of some middle-earth or extraterrestrial-like dialect. Who talks like this? Even geeks can relate more to people than this, no? Maybe Diaz thinks that he has un-stocked the stock character by combining two apparently contradictory identity traits: Loner, fat, game-less freak meets Dominicano (who are apparently renowned for their ability to procure punani). This might make him somewhat less cliché, but I still can't garner a whole lot of empathy for the dude. As the narrative changes, it is alternately told from a 1st person perspective (Oscar's sister, and Oscar's college roommate), and from a Greek chorus-like "we" perspective. Maybe it's because Oscar never gets to explain himself, but he just seems completely unable to relate to anyone, and Diaz doesn't really get into his head. He just kind of describes his life (which by and large consists of writing novels, and not getting laid) from the outside. It's hard to root for a character for whom you feel rather indifferent, and who has not been adequately dissected. We can understand why Lola (his sister) and Beli (his mom) are the way they are. I can't understand Oscar, and after reading, I was too annoyed with him to want to.

In fact, all the male characters in this book were underdeveloped in my opinion, and the female characters much more complex. From a male author, I'm not quite sure why this is, but it is. In any case, Diaz does a good job highlighting the rather schizophrenic identity to which diaspora gives rise, and I appreciated his humour, lack of pretension, diverse narratives as well as insight about race, and his ability to shed light on how people from the "old country" think. Would definitely recommend it.
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