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The Cat and the Canary


Price: CDN$ 6.98 & FREE Shipping on orders over CDN$ 25. Details
Only 7 left in stock (more on the way).
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Frequently Bought Together

The Cat and the Canary + Old Dark House (1932) [Import]
Price For Both: CDN$ 22.54

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Product Details

  • Actors: Laura LaPlante, Creighton Hale, Lucien Littlefield
  • Directors: Paul Leni
  • Format: Black & White, Color, DVD-Video, Silent, NTSC
  • Language: English
  • Region: All RegionsAll Regions
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • MPAA Rating: NR
  • Studio: Alpha Video
  • Release Date: March 23 2004
  • Run Time: 90 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (10 customer reviews)
  • ASIN: B0000D1FHM
  • Amazon Bestsellers Rank: #7,764 in DVD (See Top 100 in DVD)

Product Description

Product Description

This vintage terror tale remains a frightening cinematic classic and blueprint for all haunted house thrillers.

Amazon.ca

German horror stylist Paul Leni (Variety) brings his expressionist flourishes to this compendium of haunted clichés, creating one of the most stylish horror movie spoofs ever, a delightful mix of the gothic and the goofy. A greedy bunch of gargoyle-looking relatives (and a pair of young innocents) gather for the reading of a rich uncle's will, which demands that they spend the night in the creepy old mansion. Leni puts them through a fun house of frights: As if secret panels, clutching hands, and a stopped clock that mysteriously comes to life weren't enough, an escaped lunatic from a nearby asylum who rends his victims with catlike claws may have infiltrated the house. Silent movie sweetheart Laura La Plante is the canary of the title, a lovely would-be heiress who becomes the target of plotting relatives, but it's the rogues gallery of suspects that adds the color and comic relief. Leni kicks the film off with a delirious scene of an infirm old man surrounded by gigantic bottles of medicine and menaced by a snarling, spitting. gargantuan cat. The rest of the film is played in lower key, for laughs as much as chills, but it never loses its moody ambiance, highlighted by elegant camerawork and looming shadows. This classic has been remade three times, most famously by Bob Hope and Paulette Goddard in 1939, but never as well. The hilarious Harold Lloyd short Haunted Spooks has been included as a DVD bonus. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

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Most helpful customer reviews

Format: DVD
suspects he is being threatened to help make him crazy. His relatives have her around him my cats watching a canary.

Even though the story is formula, this is an excellent presentation of who is included in the will and the old man dies. There a few different variances in this presentation. First the will is not to be opened till 20 years after the old man's death. And someone has tampered with the envelope the names the successor is a person named in the will is also proven to be crazy.

So the inheritor the "will" will now become the new canary being watched by all the other cats in the family. We watch as one by one it looks like they will be dispatched starting with... oh no you don't, watch the movie and find out. And of course this just enforces the suspicion that the inheritor is crazy.

Of course as usual it's always the last person you suspect, it's in an old dark house, secret passages and spooky looking eyes and hairy hands and suspects running from room to room.

Laura La Plante plays the innocent but extremely cute looking niece. Martha Mattox places sinister looking caretaker that watched over the house for 20 years (and the safe with the will). Tully Marshall plays a crusty old lawyer who gets to read the will. Creighton Hale gets to play the comic relief the thoughtful cousin and maybe a bit more.

For those of you expecting a talkie you're going to be disappointed. For the rest of us you can actually see their mouths worked and they actually are saying what is being printed. The fun part of the movie is when the characters express themselves in explicative the written cards are expressed in metacharacters (probably helps get around those ~!@#$%^ scenarios.) There is a good sound score in the background.
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Format: DVD
The Cat and the Canary (1927) is of interest not just from the historic perspective of expressionist film making, but also for just sheer fun.
This is not a movie for everyone. People who need special effects that leave nothing to the imagination, sound systems that capture every bullet casing hitting the floor or editing to hold those with short attention spans should not buy this movie. Well, they should, but they won't and they wouldn't enjoy it if they did.
For those who grew up watching Chiller Theater on Friday nights, this is a great movie to turn the lights down, prop the popcorn bowl on the knee, crack open a cold frosty and sit back for a pleasant evening.
The Cat and the Canary is just plain fun to watch. The hero doodling as the lawyer drones on is worth the price of the DVD alone. It's also amazing to see how silent actors and actresses can convey so much with a raised brow or a dimpled smile than many of today's Hollywood stars can with reams of scripts to read.
The Harold Lloyd short also is another pleasant haunted house comedy that develops at a leisurely pace like a stroll through a park that builds into a madcap dash.
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Format: DVD
Ask some young film students or filmbuffs to name what they think are some of the most influential early films of cinema. Chances are you'll hear "Birth of A Nation", "Battleship Potemkin" and "Citizen Kane", but, I'd like to elect one more film to that list Paul Leni's "The Cat and the Canary".
"The Cat and the Canary" originally started off as a Broadway play in 1922 and was made into (as far as I know) three films. The most famous being the 1939 adaptation starring Bob Hope. But this 1927 version just dazzles you with its techinal achievements. It has inspiring cinematography by Gilbert Warrenton and remarkable editing from Martin G. Cohn. There are plenty of shots I'm willing to bet were ahead of their time, mostly dealing with fade in's and out's.
If you were to ask me, is this movie scary? I would have to answer no. "The Cat and the Canary" is just too dated to scare anyone. We've seen this far too many times for it to give us "thrills and chills", but, what makes this movie so entertaining to watch is it is an exercise in style and atmosphere. It is the cinematography and the mood the film creates that will capture your attention. This film set-up what we now refer to as "haunted house" movies.
Paul Leni, for those who don't know is revered as one of the great German expressionist through such films as "The Man Who Laughs" and "Waxworks". And these three films are seen as the last of there kind.
"The Cat and the Canary" as I said help establish what we now refer to as "haunted house" movies. The plot revolves around the death of Cyrus West, a millionair who's relatives hounded him like cats around a canary (hence the title). His will, as ordered by him, will be opened twenty years after his death.
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Format: DVD
This silent film may rank high among those that are written about far more often than anybody ever sees them. THE CAT AND THE CANARY is well worth the wait - in my case, it's been about 40 years between first reading a glowing account of the film and finally viewing it. And I wasn't disappointed. Of course, it requires a certain suspension of disbelief and I wondered why it was necessary to explain away everything as having a natural, and not supernatural, origin. Still, the film is great fun - sort of like going to a Halloween party.
Paul Leni's expressionistic directing does wonders with the story although its stage origins are apparent. Had Leni not died in 1929, I wonder what he might have done with DRACULA as early Universal publicity claimed he would direct it.
The DVD contains a great bonus of an early Harold Lloyd short, HAUNTED SPOOKS, from 1920. Consistently inventive, this film is chilling on its own terms because Lloyd lost the thumb and index finger of his right hand during the filming. He was posing for publicity photos and was holding a lighted but supposedly dud bomb. It went off. Despite his hospitalization and the obvious trauma he suffered, Lloyd was back at work on HAUNTED SPOOKS within a few weeks, wearing a flesh-colored glove on his right hand with a prosthetic thumb and finger. It's interesting to compare footage that is clearly "before and after" based on how he uses his right hand. This tragedy didn't stop Lloyd from making this film into a top comedy or from going on to be a star of feature films, enjoying a popularity that was second only to Charlie Chaplin. Now that's REAL determination!
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