The Catholic Imagination is Andrew Greeley's attempt to summarize what is unique about Catholic culture. "Catholics live in an enchanted world, a world of statues and holy water, stained glass and votive candles, saints and religious medals, rosary beads and holy pictures," Greeley writes. "But these Catholic paraphernalia are mere hints of a deeper and more pervasive religious sensibility which inclines Catholics to see the Holy lurking in creation." In seven chapters, The Catholic Imagination considers some of the central themes of Catholic culture--sacrament, salvation, community, festival, hierarchy, erotic desire, and the mother love of God--particularly as they have been treated by Catholic artists. The book's theological and aesthetic observations gain force from its sociological insights. (Greeley teaches Sociology at the University of Chicago and the University of Arizona.). Read the chapter on "Sacred Desire" first. There's good stuff here on Bernini (later in the book he moves on to Scorsese, Mozart, and others); but even more fascinating is Greeley's empirical evidence that "Catholics have sex more often, they are more playful in their sexual encounters, and they enjoy sex more [than other Americans]." --This text refers to an out of print or unavailable edition of this title.
Readers familiar with Greeley's previous nonfiction works will find this extended essay a variation on a familiar theme. Greeley--a Catholic priest, sociologist and novelist who teaches at the University of Chicago and the University of Arizona--posits that Catholicism creates an imaginative worldview that finds grace "lurking everywhere," from the city streets to the landscape to the bedroom. It is a worldview that pervades Greeley's many novels. Here, Greeley draws on art, literature, music and films produced by Catholics, ranging from the Baroque sculptures of Bernini to the contemporary fiction of James T. Farrell. He also draws on his own research to illustrate what he calls an "enchanted imagination," a sensibility Greeley attributes to Catholicism's emphasis on God's immanence, as opposed to Protestantism's focus on God's transcendence. This book's principles reiterate Greeley's previous books and articles on Catholic myth and imagination, including several that seem less hurriedly composed. Protestants may be put off by some of his comparisons (for example, "Catholics are more interested in the fine arts than Protestants" and "Catholics tend to picture society as supportive and not oppressive, while Protestants tend to picture society as oppressive and not supportive"). Imperfections aside, Greeley devotees may enjoy following him over this terrain again, possibly collecting references to artistic works for follow-up.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Though this book was advertised, and bought, as "new", it clearly showed shelf wear on the dust jacket. Read morePublished on Dec 19 2011 by Quill
Andrew Greeley is a heretic, a blasphemer, an apostate, and an ardent foe of both the true Catholic faith and Christianity in general. Read morePublished on March 19 2004 by Archie Uhlir
Catholic Priest, socialogists, and writer, Andrew Greeley has written an insightful book. But it should had been a little better developed and bigger, citing more examples (or... Read morePublished on June 21 2003 by K.H.
an astonishingly bad book. i'm amazed a respectable university press would put something like this out. Read morePublished on April 25 2001
There's a huge number of catechisms and books out there that will tell you how to "do Catholic," but very few that capture the essence of what *being* Catholic means... Read morePublished on Nov. 20 2000 by Jennifer Tzivia MacLeod, author of the Seven Day Manuscript Machine and Writing the Bible for Kids