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The Cave
 
 

The Cave [Paperback]

José Saramago
4.1 out of 5 stars  See all reviews (29 customer reviews)
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Product Description

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José Saramago is a master at pacing. Readers unfamiliar with the work of this Portuguese Nobel Prize winner would do well to begin with The Cave, a novel of ideas, shaded with suspense. Spare and pensive, The Cave follows the fortunes of an aging potter, Cipriano Algor, beginning with his weekly delivery of plates to the Center, a high-walled, windowless shopping complex, residential community, and nerve center that dominates the region. What sells at the Center will sell everywhere else, and what the Center rejects can barely be given away in the surrounding towns and villages. The news for Cipriano that morning isn't good. Half of his regular pottery shipment is rejected, and he is told that the consumers now prefer plastic tableware. Over the next week, he and his grown daughter Marta grieve for their lost craft, but they gradually open their eyes to the strange bounty of their new condition: a stray dog adopts them, and a lovely widow enters Cipriano's life. When they are invited to live at the Center, it seems ungracious to refuse, but there are strange developments under the complex and a troubling increase in security, and Cipriano changes all their fates by deciding to investigate. In Saramago's able hands, what might have become a dry social allegory is a delicately elaborated story of individualism and unexpected love. --Regina Marler --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

The struggle of the individual against bureaucracy and anonymity is one of the great subjects of modern literature, and Saramago is often matched with Kafka as one of its premier exponents. Apt as the comparison is, it doesn't convey the warmth and rueful human dimension of novels like Blindness and All the Names. Those qualities are particularly evident in his latest brilliant, dark allegory, which links the encroaching sterility of modern life to the parable of Plato's cave. Widowed Cipriano Algor is a 64-year-old Portuguese potter who finds his business collapsing when the demand dries up for his elegant, handcrafted wares. His potential fate seems worse than poverty-to move with his daughter, Marta, and his son-in-law, Mar‡al Gacho, into a huge, arid complex known as "The Center," where Gacho works as a security guard. But Algor gets an order from the Center for hundreds of small ceramic figurines, a task that has Marta and Algor hustling to meet the delivery date. Saramago's flowing, luminous prose (beautifully translated by Costa) serves him well in the early going as he portrays the intricacies of Algor's artistic life and the beginning of his friendship with a widow he meets at the cemetery. The middle chapters bog down as the author lingers over the process of creating the dolls and the family's ongoing debate over Algor's future. But Saramago makes up for the brief slow stretch with a stunning ending after the doll project crashes, when Algor becomes a resident of the Center and finds a shocking surprise in a cave unearthed beneath it. The characters are as finely crafted as Algor's pottery, and Saramago deserves special kudos for his one-dog canine chorus, a stray mutt named Found that Algor adopts as his emotional sounding board. Saramago has an extraordinary ability to make a complex narrative read like a simple parable. This remarkably generous and eloquent novel is another landmark work from an 80-year-old literary giant who remains at the height of his powers.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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The man driving the trucks is called Cipriano Algor, he is a potter by profession and is sixty-four years old, although he certainly does not look his age. Read the first page
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Customer Reviews

29 Reviews
5 star:
 (16)
4 star:
 (6)
3 star:
 (3)
2 star:
 (2)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (29 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful
5.0 out of 5 stars Amazing Allegorical Tale, April 7 2003
By 
gallipoli (Toronto, ON, Canada) - See all my reviews
This review is from: The Cave (Hardcover)
Jose Saramago is, quite possibly, the best living author. It is strange that I have such a varying reaction to his books: some I find fascinating ("The Cave", "Blindness") and others I find long-winded and difficult ("All the Names"). As with most authors, this can usually be attributed to the characterizations found in the books. Saramago's style remains the same - long sentences with tons of commas. It's endearing when it's working.

I feel no need to summarize the plot, for you can read that summary directly above. And I do not wish to wreck the ending by revealing what this allegory addresses (it directly links to a very old allegory by a very well-known and respected philosopher). What I will say is that this book is simply priceless.

I cannot understand the opinion of the reviewer who gave it three stars - attempting to find fault with the factual nature of the story is silly. I suggest that reader seek out a different author. Saramago is one of the last masters of the fable. Try reading his "The Tale of the Unknown Island", or "Blindness". He is not concerned with sci-fi or alternate-future reality; he is concerned with giving us strong characterizations, internal monologues, and dialogues which lead to a conclusion he wishes us to see. It is a waste of time to discuss whether or not "El Centro" is an accurate depiction of a monolithic shopping center. It is the foil on which the tale is built. Stories must at times be melodramatic to make a point. Certainly "El Centro" is a bit fanciful, but it is also hauntingly familiar.

This is the fastest I've ever read a book by Saramago, and I enjoyed every second of it. Cipriano Algor is a strong character (as is his dog Found) who will remain with me.

I heartily recommend the book to anyone who enjoys a good anti-unification tale. Unification provides comfort and security ... but at what cost?

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1 of 1 people found the following review helpful
5.0 out of 5 stars Life experience packaged and sold back to us, Dec 30 2003
By 
Gail Moore "avid reader" (vancouver canada) - See all my reviews
(REAL NAME)   
This review is from: The Cave (Paperback)
The story starts out in a simple fashion, Cipriano Algor, a widower in his sixties and a potter by trade, is on the verge of losing his livelihood. He lives with his daughter, Marta, and his son-in-law, Marcal, who is a security guard at the Centre, a huge complex in the city where people live, work, and most importantly shop and consume without ever having to go outside. For quite awhile the Centre had been Cipriano's only buyer of his earthenware crafts, their contract with him demanding that he sell to the Centre exclusively, and then one day his contract is abruptly cancelled. At the same time, his son-in-law is expecting a promotion to resident guard which would involve leaving the pottery and moving the family into the Centre, but even so Cipriano and Marta make a last attempt to save the pottery from extinction. More than just a story about aging, or traditional ways versus modern life, the suspense builds throughout this short novel as the reader is drawn into the lives and feelings of very realistic human beings..

The close to nature life of the village and the globalized Centre are in total contrast and the drive from the village to the Centre is unforgettable, first passing the so-called green belt where nothing is green (and the insides of the strawberries grown there are white), then through the industrial belt, then the shanty town where the poor live, then through the city itself to the impenetrable fortress called the Centre. Consumers are barraged with advertising slogans and expect to find everything (or a copy of everything) that can be bought from anywhere in the world as well as every imaginable form of entertainment including a casino, a racing track for cars, a beach with waves - even sensations, like being in a tornado, or a blizzard can be experienced inside the Centre. Most of the apartments in the Centre do not even have windows that look out, many of the residents prefer a view of the inside of the Centre itself, and half the dwellings have no windows at all.

I had never before heard of Plato's story of the cave, but I have learned about it since finishing this novel and once seen the connection is striking, just the way the people in the cave are able to see only shadows on the wall which they mistake for reality, so the people in the center see and experience only artificial life, all in all quite a comment on global capitalism. This was my fourth book by Jose Saramago and once again I am struck by his slow and subtle but very powerful style as a writer.

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5.0 out of 5 stars A Ceramist's Dream Book, Jun 25 2004
By A Customer
This review is from: The Cave (Paperback)
I would just like to comment on one or two aspects of Saramago's The Cave, which I adored. I had just read Blindness--a brilliant book, certainly, but so bleak and cruel (in these cruel times, when the news constantly comments on brutal rapes, torture and inhumanity, the bleakness was even more hard to take!) so I was a bit hesitant to read The Cave. However, as a ceramist and teacher of ceramics history, I was completely enchanted by the detailed descriptions of the workings of the old pottery. Saramago truly understands the work of country or small-scale potteries. The fact that the once-common product of small-scale manufacturers has all-but disappeared from our lives contributes, no doubt, to the confusion that met many readers (perhaps they are like the consumers in The Centre, who preferred plastic to hand made earthenware?) Ceramics, clay and pottery are used throughout as metaphors--as strong as any other metaphors and as legitimate. Even if you do not understand or find interesting all of the details on pottery production, the sensitivity with which the emotional lives of the family members are described is incredibly tender and engaging. I found no difficulty with the style--it was very easy to fall into and follow, if you responded to the emotional states of the characters. And, for me, one of the best parts of all was the luminous dog, Found, whose thoughts and unconditional love provided humour and a very positive aspect of the book (countering the bleakness of Blindness.) Some readers did not like the diversions, but I found them wonderful--the use of language, the multiple ideas played with by the author made reading the book more like having a rich conversation with a closer friend. I loved it!
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