1 of 1 people found the following review helpful
5.0 out of 5 stars
stunning, stellar, haunting, April 14 2004
By A Customer
This review is from: The Centaur: A Novel (Paperback)
To say a book is not worth anything simply because modern readers won't be familiar with Greek myths is yet again an indication that the majority of people are imbeciles. If you aren't familiar, get familiar! Dig deeper than most commercial fiction allows. That's the wonderful thing about literature, in particular Updike. You can read this book and not know anything about Greek myths, and it still will be an amazing read. (I normally don't get sad while reading; but one sentence in particular in this book - one sentence! - almost brought me to tears.) If you happen to know Greek mythology, then the underlying symbolism in the novel will have meaning for you beyond the sheer emotion presented in the story.
As a whole, this is a wonderful, complicated book, one I plan on rereading as much as time (and other books) allow.
Also, seriously: yet again, this is proof for me that certain books (i.e. literature) cannot be listened to on tape. There is something within the optical structure of a novel that adds even more depth to the story. There is a reason a paragraph begins and end; a reason why something is in italics, or point-of-view switches from first to third. You lose all that when you listen to it. Try reading it, and maybe you'll see what I'm talking about.
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5.0 out of 5 stars
two worlds combined, Jan 19 2004
This review is from: The Centaur: A Novel (Paperback)
a fascinating technique employed by updike where he combines two diiferent worlds to deliver a poignant story
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5.0 out of 5 stars
Updike's most compassionate and complex book, Aug 24 2003
This review is from: The Centaur: A Novel (Paperback)
I'm a big fan of Updike--his Rabbit novels, especially--but I' still convinced that this is his best book.
The story concerns three days in the lives of George and Peter Caldwell, two residents of fictional Olinger, Pennsylvania. George is a high school science teacher, an endlessly compassionate man who is cursed with dangerously low self-esteem. Peter is his son, a developing artist who simultaneously loves and is exasperated with his father.
Interwoven with their story is the story of Chiron, "the noblest Centaur." Chiron's existence is one of suffering, due to a fatal wound he recieved at the hands of Hercules. Because of this affliction, he willingly gives up his life to save Prometheus, who is being punished by Zeus for the theft of fire. Throughout the course of the novel, it becomes apparent that George Caldwell is Chiron, a hero who suffers that those around him might live, and that Peter is Prometheus, an impetuous youth who dares to touch the face of God.
All of these elements combine wonderfully to create one of Updike's best, most compassionate, most complex, and most personal works. It's got all the humanity and spiritual yearning of ROGER'S VERSION or the Rabbit novels, but it's also got something those books don't: hope.
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