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The Cities of the Plain Hardcover – Jun 19 1998


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Product Details

  • Hardcover: 304 pages
  • Publisher: Picador (June 19 1998)
  • Language: English
  • ISBN-10: 033034448X
  • ISBN-13: 978-0330344487
  • Product Dimensions: 21.6 x 14.4 x 3 cm
  • Shipping Weight: 481 g
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (84 customer reviews)
  • Amazon Bestsellers Rank: #1,505,801 in Books (See Top 100 in Books)

Product Description

From Amazon

"They stood in the doorway and stomped the rain from their boots and swung their hats and wiped the water from their faces. Out in the streets the rain slashed through the standing water driving the gaudy red and green colors of the neon signs to wander and seethe..." Thus begins Brad Pitt's throaty, near whispered telling of Cormac McCarthy's Cities of the Plain, the final installment of the Border Trilogy, which includes All the Pretty Horses and The Crossing. Pitt captures the essence of young John Grady, a pensive cowboy and brilliant horseman working a ranch in southeastern Texas in the early 1950s. Pitt glides smoothly from one character to another with subtle changes in voice and accent (although you'd never peg him as a fluent Spanish speaker); his performance gives enough to understand the differences in personality without ever becoming cute or obnoxious.

On the ranch, John Grady joins up with Billy Parham, and the two form an abiding friendship. Though Parham is much more a realist, he finds himself drawn further into Grady's dreams, namely a beautiful teenaged Mexican whore whom John Grady is determined to release from bondage and to marry. Through physical injuries, personal trauma, and many dangerous trips across the Mexican border, the two young men struggle to do what they think will make things right. A full cast of cowboys, landowners, barkeeps, pimps, and desperate whores set the stage for the final curtain call on the American West. (running time 3 hours, 2 cassettes) --Colleen Preston --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

This volume concludes McCarthy's Border Trilogy?the first two books being All the Pretty Horses, which won the National Book Award in 1992, and The Crossing, published to great acclaim in '94. Devoted McCarthy readers will know not to expect any neat or dramatic resolution in Cities of the Plain, for the author is more of a poet than a novelist, more interested in wedding language to experience in successive moments than in building and setting afloat some narrative ark. Cities, like the other books, takes place sometime shortly after WWII along the Texas-Mexico border. John Grady Cole, the young, horse-savvy wanderer from All the Pretty Horses, and Billy Parham, who traveled in search of stolen horses with his younger brother in The Crossing, are now cowhands working outside El Paso. John Grady falls in love with Magdalena, a teenage prostitute working in Juarez, Mexico; determined to marry her, he runs afoul of her pimp, Eduardo. That is basically the narrative. Along the way, McCarthy treats the reader to the most fabulous descriptions of sunrises, sunsets, the ways of horses and wild dogs, how to patch an inner tube. The cowboys engage in almost mythically worldly-wise, laconic dialogues that are models of concision and logic. Although there is less of it here than in the earlier books, McCarthy does include a few of his familiar seers, old men and blind men who speak in prophetic voices. Their words serve as earnest if cryptic instructions to the younger lads and seem to unburden the novelist of his vision of America and its love affair with free will. If a philosophy of life were to be extracted from these tales, it would seem to be that we are fated to be whatever we are, that what we think are choices are really not; that betrayals of the heart are always avenged; and that following one's heart is a guarantee of nothing. There is not much solace in McCarthy-land; there is only the triumph of prose, endlessly renewed, forever in search of a closure it will not find save in silence. 200,000 first printing; BOMC alternate; simultaneous audio, read by Brad Pitt.
Copyright 1998 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

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4.1 out of 5 stars

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2 of 2 people found the following review helpful By Peggy Vincent on March 10 2004
Format: Hardcover
Cities of the Plain is the last of a The Border Trilogy by Cormac McCarthy. Everyone is probably familiar with All the Pretty Horses, so if you want to know what became of John Grady Cole, read this one. It picks up a few years after he left Mexico and his first love (if you don't count horses) behind and came back to the USA, where he works as a cowboy on a big ranch in a town across the border from Juarez. This time, he has the misfortune to fall in love with a beautiful young whore, and he determines to marry her.
John Grady's friend and mentor, Billy Parham (read The Crossing to learn his equally powerful story) tries to help him out - but to tell much more of this tale would be to tell too much.
Like in the other two books, McCarthy has a loooooooong passage of philosophy spoken as almost a monologue by some wise old dude. It's good stuff, but it's okay to skim through it if you're not in the mood for about 80 pages of a pretty good speech. It really has no bearing on the story; it's just McCarthy doing his thing.
I'd advise reading these books in the proper order; there's a pathos and continuity that can't be appreciated otherwise. However, they do read as complete within themselves, so, whatever. I flat out loved each one.
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2 of 2 people found the following review helpful By Z. Blume on Feb. 23 2004
Format: Paperback
sadly, "Cities of the Plain" disappoints in comparison with the first two volumes of the Border Trilogy. It is possible that I expected too much, but I think it is merely a less successful book. The story itself places Billy Parham and John Grady Cole, the protagonists in the previous books, together on a ranch in New Mexico in the 1940s. The setting has the same romantic feel of the other novels and there is good action throughout, but the story does not flow as well and it is less believable then the previous books. This edition relies on too many flashbacks, wasn't as well written and didn't add much to the series. I think it is important to read "Cities of the Plain" if you've read and enjoyed the rest of the trilogy, because the story really comes full circle here, but it is not a good starting point to become familiar with McCarthy. He has written much better material then this book and I hate to think of people thinking this is a good representation of his talent.
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By "mypinion" on Dec 25 2003
Format: Paperback
First: I read the Border Trilogy this week. I haven't read any other McCarthy literature. I was told that if I liked Larry McMurtry, Steinbeck, and Salinger then I would love McCarthy. The first thing I bought was The Crossing. Upon realizing it was part of a trilogy with All The Pretty Horses as the first installment, I was very disappointed. I had no intrest in a Hollywood western novel. But, I grudgingly purchased All The Pretty Horses and read it. (Have not watched movie). That said...
Cormac McCarthy far surpasses any living writer with which I have come in contact. If I had the masterful ability with language that he does, I could express that in a much more emphatic manner.
Any reviewer who complains about things such as puncuation, grammer, or spanish-I feel compelled to respond with this:
1. Would you prefer that all painters created exact duplicates of their subject matter? Are we not better, as a society and as a species, for taking our interpretations further and showing those things we are already intimate with in a fresh or different way? Would you say 'cubism', for instance, is too complicated for you?
2. Are you 25 years old or less? Do you have any true ability to surive in a harsh world without parental aide? The struggles depicted in this novel would, of course, be difficult to fathom in that scenario, especially when teamed with non-traditional grammar and punctuation and a lack of a personal translator.
3. If neither of the two applies to a negative reviewer, perhaps your solution would be ritalin. It is supposed to assist in 'focus'.
On to the review:
All the Pretty Horses is the 'prettiest' of the three. The least bleak, possesses the least darkness. John Grady Cole, loses what he allows himself to lose.
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Format: Paperback
CITIES OF THE PLAIN has the feeling of a third book, an add-on in many ways dissimilar from the first two books in the Border Trilogy. ALL THE PRETTY HORSES and THE CROSSING feature John Grady Cole and Billy Parham, respectively, two young bucks full of wisdom, the last cowboys on the frontier of the latter half of the twentieth century. The two meet in CITIES OF THE PLAIN, with Parham twenty years Cole's senior. They appear as the same character, really, at different stages of a cowboy's life. Cole gets mixed up with a Mexican prostitute, again giving his all for the love of a young woman. Parham, who never seemed to have much time for women, watches Cole self-destruct, much as his brother, Boyd, had in THE CROSSING. McCarthy obviously loves John Grady Cole, this wise-before-his-years teen who can beat anyone at chess and can tell a horse's worth from his gait. I love Cole, and all of McCarthy's creations, too. THE CITIES OF THE PLAIN doesn't quite work, however. In many ways, it's predictable. The book is driven by dialogue, whereas in the previous two books in the Border Trilogy dialogue was sparse, the few words all McCarthy needed to help us understand. If you're paying attention, you should be able to figure out the direction of Cole's affair long before it reaches its crescendo.
I would have given this book five full stars, except that it isn't as good as the previous two, which I've given five stars, and for the strange epilogue, which I tried to read three times, then gave up and slammed the book shut. A weak, weak ending to a glorious trilogy.
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