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The Collected Poetry Of Nikki Giovanni: 1968-1998 [Hardcover]

Nikki Giovanni
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Book Description

Nov 13 2003

For the first time ever, the complete poetry collection spanning three decades from Nikki Giovanni, renowned poet and one of America's national treasures.

When her poems first emerged during the Black Arts Movement in the 1960s, Nikki Giovanni immediately took her place among the most celebrated, controversial, and influential poets of the era. Now, more than thirty years later, Giovanni still stands as one of the most commanding, luminous voices to grace America's political and poetic landscape.

The first of its kind, this omnibus collection covers Nikki Giovanni's complete work of poetry from three decades, 1968–1998. The Collected Poetry of Nikki Giovanni contains Giovanni's first seven volumes of poetry: Black Feeling Black Talk, Black Judgement, Re: Creation, My House, The Women and the Men, Cotton Candy on a Rainy Day, and Those Who Ride the Night Winds. Arranged chronologically with a biographical timeline and introduction, a new afterword from the author, title and first-line indexes, and extensive notes to the poems, this collection is the testimony of a life's work -- from one of America's most beloved daughters and powerful poets.

Known for their iconic revolutionary phrases, Black Feeling Black Talk (1968), Black Judgement (1968), and Re: Creation (1970) are heralded as being among the most important volumes of contemporary poetry. My House (1972) marks a new dimension in tone and philosophy -- it signifies a new self-confidence and maturity as Giovanni artfully connects the private and the public, the personal and the political. In The Women and the Men (1975), Giovanni displays her compassion for the people, things, and places she has encountered -- she reveres the ordinary and is in search of the extraordinary. Cotton Candy on a Rainy Day (1978) is one of the most poignant and introspective. These poems chronicle the drastic change that took place during the 1970s -- in both the consciousness of the nation and in the soul of the poet -- when the dreams of the Civil Rights era seemed to have evaporated. Those Who Ride the Night Winds (1983) is devoted to "the day trippers and midnight cowboys," the ones who have devoted their lives to pushing the limits of the human condition and shattering the constraints of the status quo.

Each volume reflects the changes Giovanni has endured as a Black woman, lover, mother, teacher, and poet. A timeless classic, The Collected Poetry of Nikki Giovanni is the evocation of a nation's past and present -- intensely personal and fiercely political -- from one of our most compassionate, vibrant observers.


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From Publishers Weekly

With the initially self-published Black Feeling Black Talk (1968) and the same year's Black Judgment, the then 25-year-old Giovanni helped take the Black Arts Movement to national prominence, including TV appearances, a top-selling spoken-word LP, and nine books (counting interviews and anthologies) in the next six years. Giovanni's fiery yet personal early voice struck many listeners as the authentic sound of black militancy: "This is a crazy country," one poem explained, "But we can't be Black/ And not be crazy"; "White degrees do not qualify negroes to run/ The Black Revolution." The '70s saw Giovanni move toward more personal or private concerns: "touching was and still is and will always be the true/ revolution," she concluded in 1972, suggesting a few years later "We gulp when we realize/ There are few choices in life/ That are clear." This volume compiles not all Giovanni's poems but those of her first seven volumes, from Black Feeling to Those Who Ride the Night Winds (1983), which introduced her later "lineless" style ("This is not a poem... this is hot chocolate at the beginning of spring"). Her outspoken advocacy, her consciousness of roots in oral traditions, and her charismatic delivery place her among the forebearers of present-day slam and spoken-word scenes. Virginia C. Fowler provides an ample and diligent introduction, chronology and notes to individual works. Giovanni's planned reading tour for 2003-2004 includes the Javits Center in Manhattan and convention centers in D.C., Philadelphia and Miami-one sign of her unusually large fan base.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Determined to be heard, 26-year-old Giovanni self-published her first book, the now classic Black Feeling, Black Talk, in 1969 to such galvanizing effect that her third book, My House, was released in 1972 in a quantity unheard of for a black poet: 50,000 copies. A seminal figure in the great social movements of our times, an early and influential practitioner of spoken-word poetry, and a crucial force in American letters, Giovanni is forthright, audacious, and profoundly moving in each of her 11 poetry collections as well as her essay collections, memoirs, and children's books. It is a great boon, therefore, to have her first five volumes published together here in their entirety. Introduced by critic Virginia Fowler and accompanied by extensive notes and an afterword by Giovanni herself, this substantial and potent collection includes 30 years' worth of vibrant, bluesy, and penetrating poetry about race and gender, family and community, risk and justice, sex and love. Wise and mischievous, Giovanni is a must-read at every stage of her, happily, still growing oeuvre. Donna Seaman
Copyright © American Library Association. All rights reserved

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Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars Beautiful, Painful and Deep from the Soul Feb 24 2004
Format:Hardcover
If you held in your hands the five hundred plus pages in Nikki Giovanni's latest work, you could count yourself lucky. Anytime a skilled poet looks back across life and shares pure insights with the world - we are all lucky.

In Collected, we are treated to a view of the world that goes back to the sixties and takes rapid-fire photographs through the nineties.

Giovanni's poetry ranges from sentimental and introspective to irreverent and militant. It is a broad range of feelings about love, prejudice, injustice and living in one's own skin.

There are so many interesting entries in this book. Cotton Candy on a Rainy Day deals with the frailty of human existence. For Harold Logan is dedicated to a man murdered after daring to open a Black club on Broadway. A Certain Peace talks about enjoying time alone and allowing others the freedom to do the same. All are good.

Rich with texture, Giovanni's Collected feels like the opening of a soul. More and more and over and over, her poetry taps into the psyche and brings forth memories as much for Giovanni as for the reader.

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Amazon.com: 3.6 out of 5 stars  14 reviews
18 of 22 people found the following review helpful
5.0 out of 5 stars Beautiful, Painful and Deep from the Soul Feb 24 2004
By FictionAddiction.NET - Published on Amazon.com
Format:Hardcover
If you held in your hands the five hundred plus pages in Nikki Giovanni?s latest work, you could count yourself lucky. Anytime a skilled poet looks back across life and shares pure insights with the world ? we are all lucky.

In Collected, we are treated to a view of the world that goes back to the sixties and takes rapid-fire photographs through the nineties.

Giovanni?s poetry ranges from sentimental and introspective to irreverent and militant. It is a broad range of feelings about love, prejudice, injustice and living in one?s own skin.

There are so many interesting entries in this book. Cotton Candy on a Rainy Day deals with the frailty of human existence. For Harold Logan is dedicated to a man murdered after daring to open a Black club on Broadway. A Certain Peace talks about enjoying time alone and allowing others the freedom to do the same. All are good.

Rich with texture, Giovanni?s Collected feels like the opening of a soul. More and more and over and over, her poetry taps into the psyche and brings forth memories as much for Giovanni as for the reader.

4 of 5 people found the following review helpful
5.0 out of 5 stars A beautiful collection from a hugely significant poet. July 9 2008
By Mark McLaughlin - Published on Amazon.com
Format:Paperback
While reading through this wonderfully assembled collection of poetry, it is fascinating to encounter the wonderful historical context that appears throughout the works, constantly placing the reader in the "here and now" of when the poem was written. Because of this Giovanni has become a controversial figure but to simply focus on her earlier "angry work" is to oversimplify her career and have a knee jerk reaction to the pieces which is WHAT IS INTENDED. Nikki said it herself that she didn't want white people examining her work and this is why, they cannot get past the threat that such anger possesses to see the root of the problem. Until this happens that idiotic one star reviews that have appeared on here will continue to do so. Open your minds people and examine your hearts to fully explore these works of genius.
2 of 3 people found the following review helpful
5.0 out of 5 stars Nice collection! May 21 2007
By Anthony Marray - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
Okay, I admit she is not everybody's cup of tea (obviously as one can see with that last review) but she does have her charm. Personally I love her later work. Her early work is okay, but I can't make a connection to it as I'm a product of the post-Civil Rights/Black Power era. Her voice during those years served it purpose in the way African American art sought to seek a no-nonsense approach to black life in America (which wasn't as peachy fun as it should have been). "Black Feeling/Black Talk" and "Black Judgment" are written statements against White Supremacy (which was the child of Social Darwinism). But in her later works in the 70s, you see a shift in her work. The Black Power movement had died down (it didn't die out though) and so I guessed the logical approach to her work would have had to change as well. And thankfully it did. Not to say that she had softened into a free-loving poet but that her passion (which is still evident today in this 63 year old woman) has changed in its subjects.

My favorite book of hers (which this collection includes) is "Cotton Candy on a Rainy Day", which was poignant and warm (while her earlier work had been provocative and hot). My second favorite book (which is not in this collection) is "Quilting the Black-Eyed Pea: Poems and Not Quite Poems" (even though her new book "Acolytes: Poems" is pretty wonderful too). Some poems are really a joy to read. I remember when I first read "Ego-Tripping"; I thought that the title was perfect for the poem (cause her ego was tripping). It's a poem about the contribution that Africa has given to Western Civilization. Egypt is in Africa not the Middle East! Hannibal was from Carthage, which means he was African! The poem made me think about the rich history and cultures of Africa that most tend to just glance over. African influence extends beyond the continent and into the lives of people all over. It's a stirring poem. I also like "Nikki-Rosa" with that statement "...black love is black wealth", speaking of the fact that for the things that African Americans didn't have in the past what they did have that mattered (which some feel is being lost) was close emotional ties within families and friendships in the black community. I recommend that people watch the movie "Lackawanna Blues" and then read "Nikki-Rosa" and see what I mean. Nikki Giovanni appeals to me as a human being and not as being part African American. Her words (especially her most recent work "Acolytes") talks to me as an individual writer. She lives a fulfilling life as a writer, teacher, mother, lover and I know that she would want every person who reads her work to see that and seek out a fulfilling life for themselves.
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