- Paperback: 240 pages
- Publisher: Broadview Press (July 7 2008)
- Language: English
- ISBN-10: 155111836X
- ISBN-13: 978-1551118369
- Product Dimensions: 21.1 x 14 x 1.5 cm
- Shipping Weight: 295 g
- Average Customer Review: 3.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: #203,412 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
Review
"Peter Sinnema's excellent new edition of Edward Bulwer-Lytton's The Coming Race restores to prominence a lost classic of Victorian science fiction, one whose contemporaries ranked it alongside Thomas More's Utopia and Jonathan Swift's Gulliver's Travels. The edition's masterful introduction and rich set of accompanying appendices set the novel within a remarkably diverse range of Victorian social, scientific, and political contexts, including those of first-wave feminism, Darwinism, electro-magnetic theory, and early science and adventure fiction. Particularly useful is the introduction's discussion of the fascinating genre of hollow earth fiction, one whose scholarly rediscovery this new edition is sure to precipitate. All in all, The Coming Race is a wonderful addition to the Broadview series which will be of interest to a wide range of scholars, students, and general aficionados of Utopian fiction." (Christine Ferguson )
"Addressing a wide spectrum of Victorian cultural and intellectual contexts, Sinnema's edition presents an especially sophisticated, rich, and current introduction to the allegorical complexities and literary impact of, and critical debates over, Bulwer-Lytton's seminal science-fiction classic. With a well-annotated text and judicious and efficient selection of period documents, ranging from the physics of Faraday and Maxwell and the evolutionary thought of Darwin and Huxley to the sexual politics of Ruskin and Mill, this Broadview edition nicely equips the contemporary student or general reader of The Coming Race for critical comprehension." (Bruce Clarke )
"Addressing a wide spectrum of Victorian cultural and intellectual contexts, Sinnema's edition presents an especially sophisticated, rich, and current introduction to the allegorical complexities and literary impact of, and critical debates over, Bulwer-Lytton's seminal science-fiction classic. With a well-annotated text and judicious and efficient selection of period documents, ranging from the physics of Faraday and Maxwell and the evolutionary thought of Darwin and Huxley to the sexual politics of Ruskin and Mill, this Broadview edition nicely equips the contemporary student or general reader of The Coming Race for critical comprehension." (Bruce Clarke )
Book Description
The Coming Race is the crowning achievement of the genre of hollow earth fiction, in which a hero makes a perilous journey underground and discovers a superior race. The customs and political systems of these "aliens from inner space" are researched and contrasted with the deficient practices of old-fashioned, muddling, imperfect humanity. The subterranean race in this novel, the Vril-ya, are seemingly angelic creatures whose amazing powers come from their harnessing of a force called Vril. Bulwer's novel is unequaled for the depth of its intellectual explorations—inquiries into an astonishing range of social, political, scientific, religious, linguistic, and sexual issues that are enabled by the hollow earth plot. The novel is accompanied and illuminated in this edition by a broad range of historical materials on evolution, electromagnetism, gender roles, and nineteenth-century science fiction.
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Most helpful customer reviews
3.0 out of 5 stars
Jules Verne meets H.G. Wells in Lytton's Dystopic Narrative,
This review is from: The Coming Race (Paperback)
Written in 1871 The Coming Race was one of the last books ever written by the author, he died two years later. The story begins when an American civil engineer falls into an underground world. There he discovers a subterranean paradise inhabited by a race called the Vril-ya.These Vril-ya tell the narrator that they are descended from ancestors who escaped the 'upper world' as a result of a deluge which covered the earth. Their evolution has taken a certain course mainly because of the discovery of an energy source, similar to electricity.This energy, from which they also take their name, is called Vril. Lytton's narrative, published in the same year as The Descent of Man, is one of the first truly post-Darwinian novels. It incorporates many of the scientific ideas of the period, and the subsequent fears of degeneration and devolution. The narrator soon discovers that this subterranean paradise is not all that it seems. Lurking in an unlit region of this underground world are a race of primitive savages, who like Wells's Morlocks, represent the flipside of evolution. Without Vril the savages have not progressed, they live in darkness, eat meat and resemble animals. In contrast, the Vril-ya live perfect lives, they are physically beautiful and have developed the abvility to fly with the help of Vril. The narrator appears to have stumbled into a parasise where a race of angels live in perfect harmony, without conflict, without envy and where all men are considered equal. The one thing that this future paradise cannot overcome is boredom.Tthe narrator concludes that although mankind dreams of perfectibility it is a pleasure that we are not meant to enjoy, at least not in this lifetime. Worth a read, especially if you are interested in the history of Science Fiction.
3.0 out of 5 stars
jules verne meets H.G Wells in lytton's dystopic narrative,
By A Customer
This review is from: The Coming Race (Paperback)
Written in 1871 The Coming Race was the last novel ever written by Lytton, he died two years later. The story begins when an American civil engineer falls into an underground world. He discovers a civilisation inhabited by a race called the Vril-ya who tell him that they are descended from ancestors who escaped the 'upper world' as a result of a deluge which covered the earth. Their evolution has taken a certain course mainly because of the discovery of an energy source, similar to electricty. This energy, from which they also take their name, is called Vril. Lytton's dystopic narrative is influenced by the post-Darwinian fears of degeneration and devolution. He soon discovers that this subterranean paradise is not all that it seems. Lurking in an unlit region of this underground world are a race of primitive savages who, like Wells's Morlocks, represent the flipside of evolution. Without Vril the savages have not progressed, they live in darkness, eat meat and resemble animals. In contrast the Vril-ya live perfect lives, they are beautiful and have developed the ability, with the help of Vril, to fly. The narrator appears to have stumbled into a paradise where a race of angels live in perfect harmony, without conflict, without envy and where all men are considered equal. The one thing that this future paradise cannot overcome is boredom. The narrator concludes that although mankind dreams of perfectibility it is a pleasure that we are not meant to enjoy, at least not in this world. Worth a read, especially if you are interested in the development of science fiction.
Share your thoughts with other customers: Create your own review
Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
3.2 out of 5 stars (13 customer reviews) 36 of 37 people found the following review helpful
3.0 out of 5 stars
Jules Verne meets H.G. Wells in Lytton's Dystopic Narrative,
By N.Higgins can be contacted at alan.higgins@li... - Published on Amazon.com
This review is from: The Coming Race (Paperback)
Written in 1871 The Coming Race was one of the last books ever written by the author, he died two years later. The story begins when an American civil engineer falls into an underground world. There he discovers a subterranean paradise inhabited by a race called the Vril-ya.These Vril-ya tell the narrator that they are descended from ancestors who escaped the 'upper world' as a result of a deluge which covered the earth. Their evolution has taken a certain course mainly because of the discovery of an energy source, similar to electricity.This energy, from which they also take their name, is called Vril. Lytton's narrative, published in the same year as The Descent of Man, is one of the first truly post-Darwinian novels. It incorporates many of the scientific ideas of the period, and the subsequent fears of degeneration and devolution. The narrator soon discovers that this subterranean paradise is not all that it seems. Lurking in an unlit region of this underground world are a race of primitive savages, who like Wells's Morlocks, represent the flipside of evolution. Without Vril the savages have not progressed, they live in darkness, eat meat and resemble animals. In contrast, the Vril-ya live perfect lives, they are physically beautiful and have developed the abvility to fly with the help of Vril. The narrator appears to have stumbled into a parasise where a race of angels live in perfect harmony, without conflict, without envy and where all men are considered equal. The one thing that this future paradise cannot overcome is boredom.Tthe narrator concludes that although mankind dreams of perfectibility it is a pleasure that we are not meant to enjoy, at least not in this lifetime. Worth a read, especially if you are interested in the history of Science Fiction.
22 of 22 people found the following review helpful
4.0 out of 5 stars
Great Early Science Fiction: A Fast Fun Read,
By Robert E. Murena Jr. "tedmurena" - Published on Amazon.com
This review is from: The Coming Race (Paperback)
The Coming Race is a great book on many levels. As a story it is well developed and is one of Bulwer-Lytton's best works of science fiction. Also from a historical aspect it is an interesting document to see how the Victorian mind saw the world and what was beyond their horizons. This book had an incredible impact upon the reading public upon its release in 1871 and its influence, as well as that of Lytton in general, is felt greatly in later works of early sci-fi. I especially feel the stylistic influence in Upton Sinclair's "Millennium" and while for a review this is neither here nor there, this is important in understanding the development of the genre.The book opens up with the main character, an American, being invited into a mine exploration by friend. Within just a few pages of the most basic exposition the story begins. For this genre and being that the terranean characters matter little, jumping into the plot like this makes the reading fun. For a 19th century it reads very fast and before long the reader will be well acquainted with the ways of the vril-ya and "vril" - the power source of the coming race. It really is a fun read. The only problem with this book is that while Lytton goes through an enormity of steps to describe the culture and idiosyncrasies of the vril-ya the book at times reads more like notes of an anthropologist than a literary novel. Of course this may be the intention and since it is such a quick and enjoyable read, we can forgive the author of this. If you are fan of Lord Lytton or a fan of early Sci-Fi this is a definite read. I also would recommend this book to anyone who like 19th century novels and think this should be included in more high school English literature classes because it does not fit the stereotype and would be a welcome break for many students. While we know quite well that this work is purely fantastical it is really enjoyable to see how the mind of the 19th century saw the possibility of worlds going on underground and it is fun to imagine and believe... -- Ted Murena 8 of 8 people found the following review helpful
3.0 out of 5 stars
jules verne meets H.G Wells in lytton's dystopic narrative,
By A Customer - Published on Amazon.com
This review is from: The Coming Race (Paperback)
Written in 1871 The Coming Race was the last novel ever written by Lytton, he died two years later. The story begins when an American civil engineer falls into an underground world. He discovers a civilisation inhabited by a race called the Vril-ya who tell him that they are descended from ancestors who escaped the 'upper world' as a result of a deluge which covered the earth. Their evolution has taken a certain course mainly because of the discovery of an energy source, similar to electricty. This energy, from which they also take their name, is called Vril. Lytton's dystopic narrative is influenced by the post-Darwinian fears of degeneration and devolution. He soon discovers that this subterranean paradise is not all that it seems. Lurking in an unlit region of this underground world are a race of primitive savages who, like Wells's Morlocks, represent the flipside of evolution. Without Vril the savages have not progressed, they live in darkness, eat meat and resemble animals. In contrast the Vril-ya live perfect lives, they are beautiful and have developed the ability, with the help of Vril, to fly. The narrator appears to have stumbled into a paradise where a race of angels live in perfect harmony, without conflict, without envy and where all men are considered equal. The one thing that this future paradise cannot overcome is boredom. The narrator concludes that although mankind dreams of perfectibility it is a pleasure that we are not meant to enjoy, at least not in this world. Worth a read, especially if you are interested in the development of science fiction.
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