Nostalgia buffs, "Superfans,"students of quality animation, and lovers of classic comics will enjoy these 17 cartoons produced between 1941 and 1943 by Paramount Studios. In these little gems, the Man of Steel battles an assortment of monsters, mobsters, mad scientists, and malefactors bent on wreaking havoc in Metropolis and sabotaging America's war effort. Despite the rather formulaic plots, what makes this collection worth having is the outstanding attention to detail in the animation and backgrounds, especially in the first nine 'toons produced by Max Fleischer and directed by his brother Dave. The skyscrapers have a distinctive Art Deco look that gives Superman's world a real personality, a real sense of time and place. Lois Lane shows plenty of spunk long before anyone ever heard the phrase "women's liberation." She bluntly calls Clark Kent a fool, packs her portable typewriter (a 1940s laptop) almost anywhere, wields a machine gun to foil train robbers, and flies off solo, Amelia Earhart-style, to interview a mad scientist.
As noted by other reviewers, the quality of the animation and storytelling drop off noticeably in the remaining eight shorts, produced after the Fleischers left Paramount. Overall, however, the series maintains a fairly high standard throughout, probably because associates of the Fleischers also worked on the later entries in the series. Even the lesser quality animation of the later 'toons, to my eyes, looks better than much of the drivel produced for the Saturday morning shows. Modern day viewers may be uncomfortable with the portrayals of Germans and Japanese, but, after all, these cartoons were produced during World War II, when Nazi Germany and Imperial Japan were our mortal enemies. I daresay that if someone were to produce a cartoon adventure of Superman vs. Al-Quaeda today, Osama bin Laden and his ilk wouldn't be portrayed very favorably. All things considered, the Last Son of Krypton has seldom looked better than he does in these cartoons.