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The ConstruKction of Light
|Price:||CDN$ 22.92 & FREE Shipping on orders over CDN$ 25. Details|
Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. ProzaKc Blues|
|2. The ConstruKction Of Light|
|3. Into the Frying Pan|
|5. The World's My Oyster Soup Kitchen Floor Wax Museum|
|6. Lark's Tongues In Aspic-Part IV|
|7. Lark's Tongues In Aspic-Part IV|
|8. Lark's Tongues In Aspic-Part IV|
|9. Lark's Tongues In Aspic-Part IV|
|10. Coda: I Have a Dream|
|11. Project X: Heaven And Earth|
King Crimson has never been so much a band as an adventuresome modern musical academy, a prog-rock institution presided over by headmaster/guitarist Robert Fripp with a playfulness that often belies his more scholarly goals. And though its alumni have gone on to contribute to a dizzying array of more commercial enterprises (including Emerson, Lake & Palmer, Yes, Bad Company, Foreigner, and Roxy Music), Fripp's dedication to experimentation has relegated him to influential cult status. Entering its fourth, unlikely decade with ConstruKction of Light, King Crimson's pared-down quartet (Fripp, 80's recruit/guitarist Adrian Belew, and '90s inductees Trey Gunn on touch guitar and Pat Mastelotto on drums) offers up a curiously lugubrious mockery of rootsy Delta despair ("Prozac Blues") before venturing into the familiar, hypnotically polyrhythmic soundscape of the title track, the challenging harmonics of "Into the Frying Pan," and the delicate, spacious constructions of "FraKctured." "The World Is My Oyster" is almost Floydian in feel and scope, though the Pink brigade haven't made music this oddly compelling since the '70s. There are monster chops throughout, as well as some heavy riffing that underscores Crimson's continued influence on bands like Tool, Marilyn Manson, and Nine Inch Nails. ConstruKction is as restless as it is modern--and progressive in all the right ways. --Jerry McCulley --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
Forgive me if I am wrong, I was under the impression that it came out in the year 2000 but Icould be wrong. But no matter the exact date it came out, the album gave me a feeling that the 80;s were behind us, we made it through the 90's some how and here we are. that is the feeling that the album gave me when I first get it. But I am afraid that for a long long time I knew that I had lost it between one move or another. But since I got the live version if you will and many time over the songs, I didn't see any sens of urgency to get it again. And that day that I have bought it, I remember for the first timeto make a search from the lower price up. Was I ever happy when I seen this one under ten dollars from Market place. I thought, you know to be honest, I didn't really remember the sound of the album, because all those years, I had listen to other live version of the same songs. was it to be good as I thought it should be.
To be honest I was some what scare to feel let down. so, here we are openning the package, put it in the machine, was ready for a good let down, wow, was I ever surprise in a positive way to ear those songs as they were meant to be listen at that time. And I have no regrett, I am really happy that I got it back at a good price, now that I know how good it is, I would not mind purchasing a mini sleeve lp of this one or if Mr. Fripp would have this one in the 40 th series, I would be so thrill. I hope that the adventure of this 40 th collection is not over. I believe I got them all, I hope more is on the way.Read more ›
First, i know the references to days of Crimson past annoy some people who claim it's Crimson saying "they're out of original ideas". But i find them kinda cool in that "im a member of the Inner Crim Circle" kind of way. The lyrics i actually liked as well. ProzaKc Blues is actually kinda funny, and a humorous take on modern society. And the references in "I Have a Dream" i felt were great too. "Symbols of our life and times" indeed.
But let's face it. The bread and butter of any KC album has always been the music. So how does the music on CoL stack up to the classics? Quite well i'd say.
ProzaKc Blues is classic Crim. From the wacky beat and riffs to the traditionally un-traditional bass vocals. The ConstruKction of Light certainly isn't the best Crimson instrumental ever, but it holds it's own. And then in the second part the vocals elevate it to a better than average track. Into the Frying Pan is perhaps the best track here. With it's mix of metal guitars and Thrak-like heavy beats it's my personal favorite on the album. FraKctured, despite the fact that it has some fantastic playing on it is kinda pointless and aimless. No need to improve on the perfection of the original. The Worlds's My... is kinda the companion piece to Into the Frying Pan. Both have the metal riffs with heavy beats and sporadic, yet excellent soloing throughout.Read more ›
The opening track, "ProzaKc Blues," is as offensive and unlistenable as anything Crimson's produced since 1970's grotesque "Lizard." The title song, which follows, features impressive instrumentation, but sinks once Belew chimes in with embarrassing lyrics about alien genitalia and whatnot. More zaniness follows with "Into the Frying Pan" and "The World's My Oyster Soup Kitchen Floor Wax Museum." At this point the record has become the aural equivalent of a David Lynch film: much talent wasted on weirdness for weirdness' sake.
The only genuinely impressive tracks hark back to past glories ("Larks Tongues in Aspic Part IV" and "FraKctured" - darn, this "Kc" thing is getting annoying to type!) Everything is overproduced to the point of inducing listener fatigue.
For a sample of recent Crimson at their finest, go for 1995's brilliant "Thrak" or 2003's return to form, "The Power to Believe."
As King Crimson went into their third decade of maKing music, all under the leadership of Mr Robert Fripp (now in his seventh decade), they showed with this marvelous album that they had lost none of their relevance in today's progressive-rocK scene. This was the first studio album from this lineup since losing the services of Bill Bruford on Drums and Tony Levin on Bass Guitar. Not that this was too much of an inconvenience to the band. As before they had been what Fripp cheerfully called a double trio with two drummers, two bassists and two lead guitarists. (Get the Live album "Vroom Vroom" to hear this lineup in all its live magic). So, pairing down to a simple four piece was not much of a problem, specially when you have the caliber of musicians that were left .
Over the years a succession of musicians have gone through the ranKs of King Crimson (maKing Bob Fripp the progressive rocK equivalent of John Mayall in his BluesbreaKers), many going on to superstardom in bands such as 'Asia', 'Yes', 'Emerson, LaKe and Palmer', 'Bad Company', 'U. K.', 'Foreigner', and 'Roxy Music'. Always leaving Bob Fripp to carry on with the band in his own style, obviously a style that fits in with Adrian Belew very well, as he has been playing guitar, writing, and singing the lyrics for over twenty years. On stage Adrian Belew has the pleasure of being center stage and focal of attention, as the man in blacK (Robert Fripp) has always preferred to watch over his musicians and play from a seated position either at the side or bacK of the stage, well away from the front lights.Read more ›
Most recent customer reviews
Everyone buy this Cd. It is very fresh, and the title track is worth the price O admission. great stuff from KC.Published on May 27 2003 by Hutch
Some folks are not into this for whatever reasons, but I am telling you that the whole CD is worth it. Very adventurous and fun to listen to. Read morePublished on May 27 2003 by Hutch
I have been a fan of this fine band since 1988. Seeing Levin and Bruford play together with Anderson Bruford Wakeman Howe in 1989 was the closest I thought I'd ever get to see... Read morePublished on May 6 2003 by Heldaig
Crimson in the tradition of Progressive rock
This album is the finest effort in King Crimson's recent history. Read more
Robert Fripp has always had a knack for discovering ridiculously talented yet largely unknown musicians to participate in his various collaborative efforts, and with the newest... Read morePublished on March 20 2003
In the words of guitar master Robert Fripp: "King Crimson once again reinvents itself. We have a new wheel. Read morePublished on Feb. 25 2003 by David Hugaert
It takes a lot to earn that title. Especially with bands like the Melvins and Insane Clown Posse out there. Read morePublished on Jan. 25 2003
Yet again, it's King Crimson, the real deal! Tighter than the fabulously non-jazz improved-rock of the Cross-Wetton-Bruford-Fripp period, improved upon, but very similar in style;... Read morePublished on Jan. 10 2003 by Michael D. Doyle