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The Corrections Audio Cassette – Aug 2002


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Audio Cassette, Aug 2002

Amazon.ca First Novel Award - 6 Canadian Novels Make the Shortlist



Product Details

  • Audio Cassette
  • Publisher: HarperCollins Audio; Library edition edition (August 2002)
  • Language: English
  • ISBN-10: 0007656262
  • ISBN-13: 978-0007656264
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (234 customer reviews)

Product Description

From Amazon

Jonathan Franzen's exhilarating novel The Corrections tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler's, only bitter. Franzen's great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.

All five members of the Lambert family get their due, as everybody's lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip's sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen's satirical eye:

Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts.... Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map. --Tim Appelo --This text refers to the Hardcover edition.

From Publishers Weekly

If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

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Customer Reviews

3.1 out of 5 stars

Most helpful customer reviews

5 of 5 people found the following review helpful By David P. Bishop on June 12 2003
Format: Paperback
A number of people made comments to the effect: "Oh, you're reading The Corrections? I couldn't get through that book." Now that I have read it, I may understand why.
Reading this book is like looking at a skinned human -- you always knew that the blood and guts and bones were in there, but you generally focus on the more palatable exterior; it's disturbing at the same time that it is completely natural.
The Corrections is like this. Lives laid bare; intrafamily squabbling, game-playing and meddling. Like an uncleansed soap opera, many times closer to real life than would be comfortable. I loved it, yet found it uniquely disturbing.
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2 of 2 people found the following review helpful By Ariel McCarthy on June 12 2005
Format: Paperback
Our story begins in the ancestral home of the Lambert family, in suburban St. Jude. The house, though it has seen better days, still maintains its façade of upper-middle-class style, with tasteful furniture and knick-knacks from around the world strategically deployed to give the appearance of gracious living. Within this house, Enid and Alfred Lambert wage the long-running and tireless war of a couple who have never agreed on a single thing. Skirmishes are staged in the living room (each side capturing territory with successive furniture purchases); in the hall closet (where Enid, on the strength of her oldest son's advice, squirrels away financial correspondence that she tells Alfred she has mailed for him); and in the basement (where Alfred, inexplicably, fills old Yuban cans with urine when there is a "nice little half-bathroom not twenty feet away").
In more urban locations around the country, the three Lambert children are fighting their own battles with their respective demons. Gary, the oldest, is battling depression, his infuriating wife, and his materialistic brats; Chip is struggling with a rapidly disappearing sense of self-worth, after an affair with an undergrad leaves him jobless and heavily in debt to his sister; and Denise, the youngest, is learning that her penchant for making destructive choices is something of a hindrance to her chances for happiness. On top of all this stress is the burden of dealing with Enid's increasingly strident demands for a last family Christmas in St. Jude, and Alfred's rapidly deteriorating condition. There is also a brief but extremely gratifying cameo from a talking piece of poop, which ought to be enough to sell the story to any discerning reader.
Franzen has an amazing gift for making terrible things funny.
Read more ›
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14 of 16 people found the following review helpful By D. Cochran on June 11 2002
Format: Hardcover
Let me sum up for you every bad review you might read here: Wah wah, this book didn't fulfill my preconceived expectations. Wah wah, I only like stories where the characters are 100% likeable.
My wife and I are reading this book right now and I can tell you this book will challenge you. Can't deal with that? Try another book. In fact, might as well forget books entirely and watch some more reruns of "Everybody Loves Raymond." Remember that episode when Debra gets PO'ed at Ray? Yeah, I love that one too. That's probably more your speed.
For the rest of you. Take the Gary character, for example. When you first meet him, the battle lines on him between my wife & I are clearly drawn. I felt sorry for him. Now midway through the book neither of us can figure him out, if he's a jerk, or if Caroline is being a bee-eye-tee-you-know-what.
The book is hilarious, too. You'll be reading along and suddenly be smacked in the face with Franzen's humor, and the best part is he doesn't warn you, draw attention to it, anything. Makes me wonder how many other jokes I've read through without catching them already.
Great book. Buy it. No whiners!
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2 of 2 people found the following review helpful By brenda on Jan. 20 2003
Format: Paperback
At the start of this book, I wondered where the author was trying to take me but less than half way through,I understood. I found this book to have a bit of everything...it stirred many emotions. The writing was excellent and the character development was great. I believe readers could honestly identify with the characters and in fact, could see their own family in the troubles and trials of the Lamberts. This book gave me pause to think about my own family and just how well our parents know us or even how well we know them. We often believe that as our parents age, WE know what's best for them as though they are unable to think for themselves just because they are over 65!!
In short, it was a quirky, intelligent read...but not if you enjoy some of the formulated tales that are on the market today!!
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3 of 3 people found the following review helpful By Betty the Lady on Dec 31 2006
Format: Paperback
I'd read a lot about THE CORRECTIONS, both good and bad, but stayed away for a while. Well, it took a while to get into, but it took off for me at about page 150 and didn't let down. I just can't recommend this book enough. Forget the bad stuff you've heard----this is one heck of a book!
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1 of 1 people found the following review helpful By Matthew Dicker on July 1 2003
Format: Audio CD
Not much is left to say about Jonathan Franzen's novel "The Corrections" that has not already been said in countless literary reviews. The novel received glowing reviews from nearly every reviewer, and it is not difficult to understand why.
"The Corrections" introduces us to the Lambert family, five individuals struggling to cope with life. What struck most reviewers about "The Corrections" was the realness of the characters, who have both faults and strengths and are never simple. This description in fact underestimates the characters. Instead, what makes them so strong is that, just like with real people, the reader shifts between loving and hating, respecting and despising each of the Lamberts. There are no heroes in this book, yet there are no villains either. Instead, the reader will have no choice but to accept each character with all their faults and strenghts.
Franzen writes with a ringing clarity. He ignores the florid descriptions that occupy so many novels of today, instead using the language sparingly. His descriptions are taut and witty, but not for the sake of being witty. He writes entirely to serve the characters.
"The Corrections" is a character driven book, not a plot one, therefore it should be skipped by those who want action and twists and turns. For those who are intrigued by real characters and the structure of family, "The Corrections" is an amazing read.
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