In this re-telling of the classic horror tale, Baron Victor Frankenstein becomes friends with one of his teachers, Paul Krempe. At first, both men are fascinated by the potential of their re-animating experiments. Eventually, though, Krempe refuses to help with Frankenstien's human experiments. However, he is drawn back into the plot when Frankenstein's creature kills a member of the house staff.
Britain's Hammer Studios had been making films for decades before they suddenly redefined themselves with this lurid remake of the Universal Studios horror classic. Prohibited by Universal from copying their blocky makeup (and their script, for that matter), Hammer returned to Mary Shelley's novel for inspiration, and then went in its own direction. Peter Cushing plays Dr. Frankenstein as the rational scientist turned cold-blooded criminal in his campaign to discover the secret of life, committing murder to further his ends, or to remove an inconvenient mistress. Christopher Lee is the pitiable creature, a terrified behemoth more innocent newborn than malevolent monster. His pale, pallid, grotesquely scarred face was so thickly applied that he emotes almost exclusively with his eyes and his awkward, stumbling gestures. The not-so-good Dr. Frankenstein is the true monster, a ruthless scientist whose rejection of superstition extends to all moral considerations. Shot in blood-red color by Hammer stalwart Terence Fisher, the stylish, often salacious film became Hammer's biggest success to date, made horror stars out of the classically trained Cushing and Lee, and transformed the B studio into the Hammer we know and love today: the house that dripped blood. The Horror of Dracula
immediately followed, reuniting the winning team of Cushing and Lee, and Cushing returned in four of six Frankenstein sequels. --Sean Axmaker
--This text refers to an out of print or unavailable edition of this title.