5.0 out of 5 stars
Cybernetic Gulliver?, May 26 2007
Lem constantly reminds me of Dean Swift, and "The Cyberiad" reminds me of "Gulliver's Travels". So 5 stars right off the bat. Then bear in mind that this is a translation from the Polish! Astonishing. Much, much kudos to Michael Kandel for such a graceful, sly, and very funny translation.
Point to remember: Cyberiad was written in 1972 -- not a jolly time behind the Iron Curtain. The version of McCarthy-ism lasted decade after agonizing decade, with all the usual trappings: paranoia both official and social; social criticism frowned upon; political criticism stepped upon. But if you were cunning enough, you could get your message across with science fiction. Thus Pohl and Kornbluth and a host of others in North America; thus Stanislaw Lem in Poland. But Lem was smart enough to be much, much funnier. Sly!
If you have been a very good person long enough you deserve this book.
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4.0 out of 5 stars
"Fables for the cybernetic age", July 21 2003
The Cyberiad is more than just "a brilliantly funny collection of stories for the next age," as the back cover claims. The tales within blend philosophy, mathematics, and computer science with cruel kings, pugnacious pirates, and improbable dragons. They chronicle the exploits of the robots Trurl and Klapaucius, renowned constructors who offer their services to the robot kings that rule the robot kingdoms comprising their universe. So great is their knowledge of the universe that they build a royal advisor that never errs, a perfect mechanical poet, a machine that can model anything in existence, and a machine that can fabricate anything beginning with the letter 'n'. Of course, their creations don't always work out quite the way they hope, but in edifying and entertaining ways. This combination of fanciful adventure and academia, often laced with delightfully clever wordplay, makes the Cyberiad well worth reading.
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5.0 out of 5 stars
Dazzling!, Jan 28 2003
Imagine a mixture of Borges, Calvino, Saint-Exupéry, Pynchon, Douglas Adams, Samuel Beckett, L. Frank Baum, Dr. Seuss, Lewis Caroll, and perhaps a little Philip K. Dick. That's what this is like, sort of. It is a collection of stories, some profound, others 'merely' entertaining, written by a man who was clearly drunk on sheer linguistic exuberance. The sheer virtuosity of the language is breathtaking: the book is packed to the gills with puns, rhymes, nonsense words, and general verbal japery. Huge amounts of credit must of course go to the translator, Michael Kandel, on this score. I wish the book included translation notes; he must have had to rebuild innumerable language formations from scratch in order to make them work--and work dazzlingly well--in English. Particularly impressive in this regard are 'The Fifth Sally (A), or Trurl's Prescription,' a delightful bit of frippery driven almost entirely by verbal dexterity; and an extraordinary mathematical love poem related in 'The First Sally (A), or Trurl's Electric Bard.' The centerpiece of the collection, however, must surely be the 'Tale of the Three Storytelling Machines of King Genius,' which, as you would expect, includes a flurry of internal stories, some of which in turn have stories inside them. One of these internal stories, that of Mymosh the Self-Begotten, is in my opinion the book's highlight. If Sam Beckett had turned his hand to science fiction, this is what he would have written. It's as strange and unsettling as any of Sam's short novels. Finally, some mention must be made of the highly stylized illustrations by Daniel Mroz scattered throughout the book; they complement the action to perfection.
Lem is clearly having fun with The Cyberiad, and it's contagious. I had tried, some time ago, to read Tales of Pirx the Pilot, but I found the first tale so mind-numbingly dull that I couldn't bring myself to finish it. This, on the other hand, is a truly excellent collection, and you can rest assured tha I'll be checking out more of Lem in the near future.
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